La fabuleuse parade de Noël

I thought this was one of the better Countdown to Christmas movies in recent years. The acting all around is good, including the scene-stealing kid. The plot was okay (not sure they really needed the sailing prize aspect of it; in fact story would have been better without it). One of these days Hallmark will let its characters do a full kiss instead of one of those where they plaster their lips together and try not to move. But an entertaining watch with a real emotional scene at the end. Well worth the effort.

Cute movie but I've seen better from Hallmark clearly the other boats in the parade were prettier and the movie had wrong lead actors. I agree Hallmark has lost it's Christmas stuff.

Expectations were mixed prior to watching 'Christmas Sail'. Have liked the cast in other things, am a huge fan of Terry O'Quinn's acting on 'Lost' (a brilliant show at its best) so the casting was not a problem. Liked the different sounding concept. The mixed to negative critical reception did turn me off a little though, though all films and television are always watched with an open mind by me, with the criticisms being very strong, and the scenario didn't sound anything special.

Watching 'Christmas Sail', my thoughts on it were mostly positive while also having some quite big reservations. Not a great film, but above average and much better than what has been said in my view. Comparing it with the previous 2021 Hallmark Christmas films, it is not as good as 'Christmas in My Heart' for example (that and 'Christmas Promise' also had grief and loss as themes and handled them better and more consistently) but it is a lot better than 'Boyfriends of Christmas Past' and 'Coyote Creek Christmas'.

'Christmas Sail' does a lot right. The best thing about it is the acting. Katee Sackoff was charming and heartfelt in her role though will agree that she overdoes the smile. Patrick Sabongui is a likeable presence too. It is a case though of the supporting cast being even better, Emma Oliver is absolutely adorable and never too cutesy, while also adding a good deal of mature depth, her chemistry with Sackoff is charming and much more convincing than the central romance. The best performance comes from heart wrenching O'Quinn, especially in the beautifully written and acted heart to heart.

Furthermore, there are some effective scenes. There is the aforementioned heart to heart towards the end, which was raw and very honest. The other standout was the ending, which did make me cry. Did have problems with quite a lot of the endings in this year's Christmas offerings but this was one of the few where not only was it not a problem but it was one of the best things. The film looks lovely and the boat setting is believable. The script when the film gets going is well meaning and thoughtful and the story handles the grief and loss themes and the aftermath movingly on the whole.

It is a film that takes a little too much time to get going and is very slight to begin with. There could have been a lot more chemistry in the central romance, it does engage when there is finally some development but it is far too subdued and very awkward to begin with (that first dance scene agreed was yuck worthy). It is also underdeveloped, with the family relationships being a lot more convincing.

Some of the dialogue, particularly early on, is very cornball and stilted and while Sabongui does well in his role the role felt underwritten.

Overall, above average though didn't blow me away. Starts off pretty questionably but gets a lot better. 6/10.

I was 20 minutes into this movie when it occurred to me that the probable love interest had not put forth an appearance yet. Um. Could it possibly be the dumpy ethnic guy?! I continued to watch in mild disbelief when that remote possibility proved to be the case. And I loved it!

Katee Sackhoff receives word that her estranged and closed off father has hurt his arm saving a little kid from a killer Christmas Tree. She decides to spend Christmas helping him out with perhaps a dim hope that she can repair her relationship with her adorable little daughter's grandfather in the "house where Christmas goes to die." I liked all of the actors in this. Katee won me over with her gummy smile and actually even became more and more appealing as the movie progressed. Terry Quinn was great of course. He was affecting in conveying his grief over his wife's death which happened at Christmas time (of course), his scroogey behavior, and his touching opening up with his daughter by way of his delightful granddaughter. The young actress, Emma Oliver, was so natural in her portrayal. What a talent! And so pretty.

They compete in the parade of Christmas decorated boats in order to win the $25,000 prize needed to save financially challenged grandpa 's home ("My wife took care of all of that" but apparently he managed to pay the electricity bill?) But what ever. Also "whatever" to how a 25,000 prize is more that a drop in the bucket to a house that is worth more than a half million dollars.

Katie and her childhood friend who went from dumpy to cuddly, in my mind, as the movie progressed, confess their love which commenced for both of them in high school to each others mutual shock. It was very romantic in my opinion. She says she has to go home to her regular life and he has to stay with his mother. Both reasons are totally bogus, by the way. But they don't get all tragic about it, which is refreshing.

The boat parade occurs and the special surprise piece de resistance for our boat wows everyone, including me-I teared up. They win. Happy ending. I would have liked more closure to the romance with the steps forward mapped out for the lovable couple, but hope is strong. All in all, this was well worth watching, I liked it, and it was well done.

Emma Oliver and Terry O'Quinn. They are the pillars of this real nice film about lost, old love story becoming a new one, a boat and Christmas. And, sure, a contest.

Not remarkable but charming crafted, explaining the loneliness after deuil period, the motherhood in energetic style, the friendship and the kicks to risk for help the loved one.

So, a sort of different Hallmark. And the same destination with few ways little different.

The good point - gentle, maybe superficial but not in bad sense, of delicate realities from every day, from many lives. And this recipes , sensitive, touching, with few drops of wisdom just works. This is the virtue of this clever portrait of a grandfather and his grandaughter colaboration.