A man creates a hit list with a stranger during a drunken night out and must then race to try to save those he marked for death as the bodies pile up and all fingers point to him.A man creates a hit list with a stranger during a drunken night out and must then race to try to save those he marked for death as the bodies pile up and all fingers point to him.A man creates a hit list with a stranger during a drunken night out and must then race to try to save those he marked for death as the bodies pile up and all fingers point to him.
Katarzyna Wolejnio
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I don't think it's a spoiler to say this film has a great deal to do with Collateral. Unfortunately, I think that perhaps the distributors also felt the same way, to the point of rejecting the film for fear of some kind of backlash. Although superficially it does share much with Collateral, it goes its own way, and has its own conclusion. And it's a good one. It may not be the most high- budget movie, and it may not be the best edited movie, but it does deliver better than most efforts seen lately, even in the big-budget category. Cuba may have a new career here as an Ice-T reminiscent bad-ass. Worth a matinée ticket.
For what it is, 8/10.
For what it is, 8/10.
This movie is very entertaining. The acting of Cuba Gooding Jr. and Cole Hauser make this movie good. The story is nice, there are only a few lines the writers could have had a second look at, but it is bearable, and the action is good. But the idiot that thought Jonathan LaPaglia could act must be fired on the spot, every time he is in the picture he brings the whole move down, but again, thank god for Cuba Gooding Jr.and Cole Hauser. The movie has something of Collatoral Damage, but is much more fun. I don't understand some of the bad reviews, you just can't go wrong with this movie, it is little gem. I have never seen a William Kaufman movie, but this inspired me to see another one right away.
I've come to the conclusion that Cuba Gooding Jr. has accepted his downfall to direct-to-DVD movies, because he doesn't seem to be trying to pick good projects anymore, including this one. In fairness, this project isn't as bad as some of his other turkeys. For a low budget direct-to-DVD project, the production values are okay, though there are signs of cost-cutting throughout (such as a number of close-ups and very few wide shots). The police in this movie don't come across as dumb as they do in other B movies, and the movie did interest me enough to wonder how the situation would be wrapped up in the end - though honestly, it wasn't worth the wait. The screenplay has a number of other problems, with some decisions by the hero to be so idiotic that I was groaning out loud, and some implausibilities by others that make no sense when you think about them closely. (For example, think about the way Gooding's character kills the second person on the list.) Gooding is simply unconvincing as a ruthless hit-man, and Hauser has to somehow make his stupid and spineless character sympathetic, which sees far beyond his abilities. If you ask me, more thought and planning went into the fancy opening credits sequence than with the rest of the movie.
Cole Hauser is in a bar drinking. He's seated next to Cuba Gooding Jr. Gooding claims he is a hit man, and offers to kill five people for Hauser. Thinking this is nonsense, Hauser writes down his top five picks. Gooding proceeds to kill them.
You'd expect this to be a nothing film. It's surprisingly good, in no small part due to Gooding's performance as a creaky-voiced maniac fixated on Hauser, trying to teach him some sort of weird life lesson. Don't talk to strangers? Don't make wishes that other people would be dead? Take some responsibility for your life? It's not clear. Probably the writers didn't really care; Gooding's role is to be the Terminator and die. Whatever Gooding does to make us think there's some motivation behind his actions is good acting.
You'd expect this to be a nothing film. It's surprisingly good, in no small part due to Gooding's performance as a creaky-voiced maniac fixated on Hauser, trying to teach him some sort of weird life lesson. Don't talk to strangers? Don't make wishes that other people would be dead? Take some responsibility for your life? It's not clear. Probably the writers didn't really care; Gooding's role is to be the Terminator and die. Whatever Gooding does to make us think there's some motivation behind his actions is good acting.
Just a few weeks after picking up Gooding's last film "Sacrifice", "The Hit List" was released. I picked it up because I am a pretty big fan of his. The film turned out to be pretty well done for a DTV thriller but just like "Sacrifice" it has it's flaws.
Jonas Arbor(Gooding) is a hit man and decides to go rouge. His reason unfolds throughout the movie but in doing this he runs into Allen(Cole Hauser) in a bar. Allen is having his own bad day by losing his promotion to a younger partner in his film and problems with his wife come to surface. Arbor and Allen meet in a bar and get drunk together. Jonas explains to Allen that he is a hit man and will kill five people for Allen free of charge. Thinking it is a joke Allen writes down names and laughs it off. It isn't long before he realizes its a joke and has to stop Jonas from completing the list.
The film has been compared to "Collateral" and while it is a fair comparison, the film does stand on its own. Its flaws lie in editing and lack of budget which is the same thing "Sacrifice" suffered from. The opening credits are done in almost a comedic or even a James Bond type of way and really turns the viewer away from what the tone is trying to be. The budget shows in the camera set ups and how rarely other angles are used. The DP obviously did not have the time or money to make the film look bigger. There is a car chase in the film that could have been much more exciting if the editing was better. All in all what saves the film is the performances by Hauser and Gooding. They do not play down to the budget level and they treat the film as if it is a big budget hit. Gooding assures the audience that he has still got it and reminds us of why he is capable of an award winning performance. He is deep and scary and really gets into the role more than he has in the last few years. The quality lies in the performances which is why this is an above average DTV Thriller.
Acting 9/10
Editing 5/10
Music 5/10
Directing 7/10
Fans of Gooding and Hauser should be pleased with this film.
Jonas Arbor(Gooding) is a hit man and decides to go rouge. His reason unfolds throughout the movie but in doing this he runs into Allen(Cole Hauser) in a bar. Allen is having his own bad day by losing his promotion to a younger partner in his film and problems with his wife come to surface. Arbor and Allen meet in a bar and get drunk together. Jonas explains to Allen that he is a hit man and will kill five people for Allen free of charge. Thinking it is a joke Allen writes down names and laughs it off. It isn't long before he realizes its a joke and has to stop Jonas from completing the list.
The film has been compared to "Collateral" and while it is a fair comparison, the film does stand on its own. Its flaws lie in editing and lack of budget which is the same thing "Sacrifice" suffered from. The opening credits are done in almost a comedic or even a James Bond type of way and really turns the viewer away from what the tone is trying to be. The budget shows in the camera set ups and how rarely other angles are used. The DP obviously did not have the time or money to make the film look bigger. There is a car chase in the film that could have been much more exciting if the editing was better. All in all what saves the film is the performances by Hauser and Gooding. They do not play down to the budget level and they treat the film as if it is a big budget hit. Gooding assures the audience that he has still got it and reminds us of why he is capable of an award winning performance. He is deep and scary and really gets into the role more than he has in the last few years. The quality lies in the performances which is why this is an above average DTV Thriller.
Acting 9/10
Editing 5/10
Music 5/10
Directing 7/10
Fans of Gooding and Hauser should be pleased with this film.
Did you know
- TriviaAt one point Gary Oldman was considered for the role of Jonas and Hayden Christensen was considered for the role of Allan.
- GoofsWhen Allan Campbell was sitting in the bar he asked the bar attendant if he could have a bigger glass. The bar attendant replied "nope, its the biggest we use" yet Jonas Arbor was sitting beside Allan and clearly had a much bigger glass.
- Quotes
Jonas Arbor: I am your friend, Allan. Because I got the balls to be brutally honest with you. Complete and total openness, no skipping paragraphs. Everybody else in your life is full of shit.
- ConnectionsReferences Les aventures du capitaine Wyatt (1951)
- SoundtracksHonky Tonk Barstool
Written by Zach Selwyn
Performed by Zachariah and the Lobos Riders
Courtesy of Papago Records
- How long is The Hit List?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.85 : 1
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