The Hit List

I don't think it's a spoiler to say this film has a great deal to do with Collateral. Unfortunately, I think that perhaps the distributors also felt the same way, to the point of rejecting the film for fear of some kind of backlash. Although superficially it does share much with Collateral, it goes its own way, and has its own conclusion. And it's a good one. It may not be the most high- budget movie, and it may not be the best edited movie, but it does deliver better than most efforts seen lately, even in the big-budget category. Cuba may have a new career here as an Ice-T reminiscent bad-ass. Worth a matinée ticket.

For what it is, 8/10.

Allen (Campbell) doesn't believe that Jonas (Gooding, Jr) is a hit man. So Jonas tells Allen to write 5-names on a list of those he wishes dead. He does this and soon realizes he made a very big mistake.

I don't understand why Cuba Gooding Jr goes for these dark, really dark stories, but it's been that way since he was in Jerry Maguire, A Few Good Men and Men of Honor. Now, some may ask why I seem to be attracted to these dark movies. Good point. I like Hit Man movies, but was not prepared for this one (who is?) and also, there is nothing else out there at this time. Also, the holidays put all my TV shows into re-runs and what's a person to do?

But, Gooding is always excellent and yes, of Oscar caliber, but these dark movies won't get him to any Oscar nomination, in my opinion. It is what it is and we have to deal with it (if we watch).

This turns into a thriller frenzy as Allen tries to stop Jonas from completing the list. Good action stunts and perhaps some CGI, but that was difficult to tell. The acting by all is very good, the story is certainly different, and you won't be bored. Rating 6/10.

Violence: Yes. Sex: No, we see a make-out session that was supposed to lead to Sex, but……. Nudity: No. Language: Yes.

This is the kind of movie that you could feel since the beginning that the director should be making sandwiches in a cafeteria. With the performance of Cuba Gooding Jr. here compared to Men of Honor ( 2000 ) anyone can see what a difference can make a good director. The girl is pretty but is out of timing though for moments she gets on the roll. The scenario or the background looks cheap and boring, thats because the movie's budget was very low even though the director I think that for a job like this he refuse to be paid. The script is so so, not even close to Jackie Chan movie. Finally, this movie looks like a students film.

Cole Hauser is in a bar drinking. He's seated next to Cuba Gooding Jr. Gooding claims he is a hit man, and offers to kill five people for Hauser. Thinking this is nonsense, Hauser writes down his top five picks. Gooding proceeds to kill them.

You'd expect this to be a nothing film. It's surprisingly good, in no small part due to Gooding's performance as a creaky-voiced maniac fixated on Hauser, trying to teach him some sort of weird life lesson. Don't talk to strangers? Don't make wishes that other people would be dead? Take some responsibility for your life? It's not clear. Probably the writers didn't really care; Gooding's role is to be the Terminator and die. Whatever Gooding does to make us think there's some motivation behind his actions is good acting.

I've come to the conclusion that Cuba Gooding Jr. has accepted his downfall to direct-to-DVD movies, because he doesn't seem to be trying to pick good projects anymore, including this one. In fairness, this project isn't as bad as some of his other turkeys. For a low budget direct-to-DVD project, the production values are okay, though there are signs of cost-cutting throughout (such as a number of close-ups and very few wide shots). The police in this movie don't come across as dumb as they do in other B movies, and the movie did interest me enough to wonder how the situation would be wrapped up in the end - though honestly, it wasn't worth the wait. The screenplay has a number of other problems, with some decisions by the hero to be so idiotic that I was groaning out loud, and some implausibilities by others that make no sense when you think about them closely. (For example, think about the way Gooding's character kills the second person on the list.) Gooding is simply unconvincing as a ruthless hit-man, and Hauser has to somehow make his stupid and spineless character sympathetic, which sees far beyond his abilities. If you ask me, more thought and planning went into the fancy opening credits sequence than with the rest of the movie.