Jhini Bini Chadariya

The dynamics in the film left me astound. The soundscape of the film doesn't let you escape from the place of Varanasi. I was completely lost myself in the film, how fragile we are as a human in the name of religion. The spaces in the film are too organic and delves you deep into the narrative. The film not only just talks about religion in India, it's all over the world and we have to understand the sensitivity of it. We don't need inspiration to make or watch this kind of film. I wonder, what a journey it was for the team in making of this film.

As a filmmaker, we want our voice to be heard, and I know this film brings a lot positive for people in way of seeing person of another caste and religion. I hope the world will become a better place.

Congratulations and more power to the whole team!

I had a good opportunity to watch Jhini Bini Chadariya online at NYIFF 2022.

Two love stories, two religions, two parallel worlds, a thread almost snapping between two fingers - all in a city of two cultural contrasts and extremes, Varanasi!

The ending sunk me. Actually, shouldn't so, for such horrors have become regular occurrences since decades and more so with the current dispensation.

Spellbinding sights and sounds of the religious city, some standout frames of winding staircases, prayers and the looms, and a spontaneous and vivacious performance by Megha, are the strongpoints of the film.

The film very beautifully illustrated intricate fabrics of human intentions, love and loss. Despite individuals simply living their lives and minding their own business, they become unwitting pawns in political agendas. It emphasizes that inaction is a meaningful action, a silent permission. The film underscores the importance of setting aside propaganda to focus on individual lives, urging viewers to preserve empathy and love.

I personally can relate to the relevance of this movie since I have travelled to Israel. It had given me an opportunity to keep aside my biases. Life is too short to ignore beauty shown in this film. Just mundane life and yet worth noting. The film leaves me dejected that people don't understand and this will continue to happen.

This film is absolutely stunning. The acting is not just good; it's honest, raw, and captured with breathtaking precision. The storyline skillfully entwines four unlikely characters in a mesmerizing tapestry, creating a striking and unforgettable narrative. The film adopts a documentary-style approach, immersing the audience in the vivid sights of Varanasi. The cinematography is so immersive that it transports every viewer to the heart of the city, creating a collective experience as if we were all present together. This distinctive filmmaking style is unique, exquisite, and raw. This is unequivocally a must-watch film, an experience that will leave an indelible mark on your cinematic sensibilities.

Watch this film for some of the finest performances on screen that you will see this year. Megha Mathur kills it in a pivotal role, so does every other actor. Ritesh directs this film resting on narratives of ordinary, lower middle class characters, with the finesse of a experienced story teller, though this is his debut. Watch the film for it has its politics in the right place, and just like LIFE, it has love, heartbreak, and family at its core.

The city of Varanasi is a perfect backdrop for three stories. The majestic and ancient city not only serve as a fitting backdrop for age old class divides, it also highlights the present religious fault lines that the country is witnessing.

The BGM is excellent and camera work is exquisite. Well done team.