Bheed

Anubhav Sinha is the master of his craft of story telling, the latest example is Bheed. The movie is based on COVID mass migration crisis and related small stories. The script is very tight and keeps the audience hooked till the end and make them aware of many untouched aspects of COVID. Background score provide good support to the story. If we talk about acting, Rajkumar Rao delivers one of the best performance of his career. In a supporting role Ashutosh Rana and Aditya Shrivastav creat a big impact, their performances will remain with you for quite long time. Pankaj Kapoor is mind blowing and elevated the movie to the next level. Bhumi Padnekar and Diya Mirza lends very good support. At the end, movie is as good as it's direction and for this I have only one word for Anubhav Sinha- Awesome.

Bheed is an insight into the lockdown and its impact. The film lays bare the real picture of our society which is divided on the lines of religion, cast and class. All is not lost though as humanity saves the day.

The film is another feather to Anubhav Sinha's cap after Mulk, Article 15, Thappad and Anek. His second innings is really impressive where he continues to make one hard hitting film after the other. He might have worked with different actors here but the impact remains the same.

An ensemble of actors comprising Rajkummar Rao, Bhumi Pednekar, Ashutosh Rana, Pankaj Kapur, Dia Mirza and others perform really well and deliver a socially relevant and important film.

Films that make you uncomfortable, for all the right reasons, are few and far between. That hold a mirror and show you the kind of society that you are and the possibilities of what you can chose to become. That don't seem to be made with intent of commercial success, but with an intent of striking at the conscience. Such films need to be celebrated.

Bheed is one such endeavour. It is set in the initial days of the first lockdown, during March- april of 2020 and follows the action at an interstate checkpost, across which all movement, of vehicles as well as of humans has been prohibited.

It intermixes this with sometime subtle and sometimes explicit commentary on the casteist as well as communal mindset along with class- divide.

Rajkumar Rao is sensational. Almost oscar worthy. So is Pankaj Kapoor.

Anubhav Sinha gets back in form, after the ordinary Anek. This is amongst his top films, right up there with Mulk and Thappad. There are multiple scenes that show his obvious political leanings, but he does up a fabulous job with the tough subject.

Mandatory watch.

Bheed by Anubhav Sinha - first of all, watching this film in black and white was a unique experience on the big screen. Set in a fictional state and town with all vehicles number plates CP. It shows what happened during the height of pandemic at a town border, when all migrants wanted to return to their town. I feel that writers literally took all the headlines going around during the pandemic, compressed them to one place and all the problems were faced in a single day.

Every topic was covered caste, religion, politics and poverty. Due to this, the story didn't feel focused and the movie's runtime was only 1h50m. This needed a slower approach and maybe it was too soon to release this film. They could have made it 5-10 years later. It shows poor management by the current govt.

The acting was wonderful, but these were the best - Rajkumar Rao, Dia Mirza, Aditya Srivastava, Pankaj Kapoor and Aushutosh Rana.

So I saw the censor board certificate which states all the cuts done in this film, I feel, due to this, 50% impact of the film is lost.

This is a film about a dark aspect of our (India's) society, which came to light during Corona lockdown of March 2020.

The film weaves through web of the class-caste, professional privileges of the characters in the film. It brings in front of us the crisis of migrant workers attempting to return to their villages.

They left villages in search of livelihood to the city, the city, they and many of us, considered our to be our home. But during the lockdown, cities were least concerned about the workers who make city a comfortable space for living.

This film is not for entertainment. It is for making the viewer question, their own system of rights, justice, privileges and their compromised existence.

This is a black and white film, which symbolically represents the ways of thinking and behaviour, dating back to the era of films in black and white, a long time ago.

The ways of our thinking are old, outdated and static. The use of black and white filmography clearly brings this out.

This film doesn't give you any shocking images, neither it gives you any climax. But it will make every sensitive person to sit through the film, without giving them a room for thinking anything else than what they see in the film.

Characters in the film are very real, they represent various sections of the caledioscope that Indian society is in the 21st century.

Very good dialogues, acting and direction.