Venus

Well shot Spanish mystery horror with elements of a slasher and action movie: drugdealers, ancient witchcraft and mysterious eclipse converge in modern Madrid and create a nice atmospheric mix, a little condensed ending but the matter is rather on a small budget, the actors especially Ester Expósito main character and Magüi Mira played very well but the rest of the cast also tried. Special effects are certainly not outstanding but not the worst of them, interesting finds in the form of interpretation of the magical guardian. The creators gave as much as they could and it turned out very well, I recommend giving a chance.

Venus is a well put together film about a go go dancer making way with a bag of stolen drugs to her estranged sisters apartment only to find out that their is a much more sinister plot within the building.

The cinematography is absolutely ace, despite there being dark scenes we can clearly make out what is happening so major props to the lighting crew and the colorist ontop of the D. P.

The acting is pretty damn good all around, nothing pulls you out of the film and it's all believeable.

The special effects with the blood and gore was pretty awesome too, some of the cgi blood was a bit noticeable but the make-up department definitely helped with the practical to make it blend better.

I would say the only annoying factor with this film was the cgi planets, this kind of took me out the film as well as the weird piano motif when the sister and daughter have emotional moments together.

All in all I would say this is a great film to spend your time with alone and with the lights off.

RESERVED ONLY FOR HORROR FANS.

Venus extraordinarily celebrates terror with a refreshing autonomy and spontaneity that's hard to come by these days. It is frenetic and brutal, and brings together another of the keys to Balagueró's cinema.the metaphor, the psychological and the disquisitions about what rises and what does not impose themselves on the mechanisms of the genre and condition it, Balagueró continues to go free. Its emphasis on the crime aspect puts it closer to a siege thriller than cosmic horror. Its mythology and character beats may be thinly drawn, but it doesn't detract from the propulsive action sequences or gory moments. Exploits demonstrates her horror mettle as a resilient and determined heroine, especially in that breathless climax. Overall, Venus makes for a slick and breezy action-horror movie far more memorable for its gruesome high-octane thrills than its cosmic chills.

An argument that doesn't seem to be where it's going, and in fact it doesn't know where it's going.

It's the first, bad version of a script that a teenage film student would write in a weekend.

Of course, the ending is not at all predictable, but if it is not at all it is unfortunately for the wrong reason: It is without a doubt the worst part of the film.

It's a bad student scenario.

From the start it doesn't work: a gogo dancer from the "Fabrik" nightclub in Madrid decides to steal pills (the only motive of the film is perhaps to allow the fashionable actress to be sexy while time) in the nightclub where she works and abandoning her car and her cell phone about three meters from the room... to walk to a building from where, inexplicably, she never leaves. Well, after waiting a long time for something exciting to happen, more than three-quarters of the way through the movie, it looks like something is going to happen...

There's satanic cultism in the air, a full moon looks like it's about to trigger an alien invasion, a goddess of evil approaches, and then finally poops, pretty much nothing.

Nothing works, nothing is even correct, it's not horror, it's no longer a thriller, the bad guys seem to come from teletubbies, who are surely smarter!

Ten minutes before the end the heroine, a badass, exclaims: And now we're going to dance; We tell ourselves that at least these last ten minutes will turn into an effective settling of scores against the bad guys, the witches, the monstrous servant, the goddess of evil...

We are treated to a minimalist fight with one of the bad guys, and a shotgun blast at an old woman!

And the ending, yes I'll come back to it again, is so stupid that I felt embarrassed for the director. Because it's hard to believe that the director of Rec could have made such an empty film. Sometimes it's better to retire on time. With such a poorly constructed storyline, it's hard to come up with something decent that can't even be described as cheap teen gore. Another great failure of Spanish cinema which pretends to make horror cinema and puts people to shame.

Don't waste your time on this.

This was at least a little original and was well acted throughout. It was actually a great watch until the end. It was like the writer couldn't figure out how to end the film. It felt cheap and rushed. Also, considering there was lots of blood, there was nothing horrific or scary about it. It couldn't decide if it wanted to focus on the crime aspect or the supernatural. This is definitely worth a watch, but it could have been sooooo much more than the mediocre offering it became. In the right hands, this movie would be served well with a remake, that focuses more on the supernatural, adds a few more kills, and cleans up that absolutely idiotic ending.