Kill the Gringo

While watching this movie i was wondering why this movie was provided on a VOD service.....with such awesome stunts ,a strong script and brilliant acting this movie deserved a wide release .I was never a big Gibson fan but now i think i like his style of action thrillers never meant to say that i didn't like lethal weapon series but this in a way is more simplistic and tough.

This movie is seriously meant for fans of tough action movies and is not for people looking out for a highly intelligent action movie.This is a smartly and slickly written piece of work which definitely has its ups and downs.The story is nothing new, first half hour is Mel settling into prison life ,but when the action begins it's a very brutal affair.

The ups of the movie include the sublimely realistic acting of all the lead actors with Mel Gibson leading from the front,a tightly and smartly written screenplay(courtesy Gibson)and a smart yet simplistic approach from the director.

The downsides include the quality of shots taken which i think they should have taken with a much higher budget in hand and also a pretty unimpressive trailer. If only it had been marketed well and had a wide release this movie would have hit bulls eye.

All in all this movie is a Mel Gibson show which is highly gripping,thrilling and which I found is all the more absurdly entertaining.

Thanks to all the folks who read the review.CHEEEERSSS........!!!

i didn't expect this movie being so good, but it's turned out to be not just good but great! Mel Gibson did an outrageously great performance in this movie. an ingenious screenplay with very interesting storyline, not even one second not suspenseful. the directing is way too smooth, the editing, all the Mexican supporting actors, every one of them did such great seamless job like one of the colorful thread being woven so expertly into a wonderful carpet with beautiful and complicated patterns. salute to the director, the three screenplay writers (one of them is Mr. Gibson). this is a very difficult film to shoot but just, again, seamlessly fabricated into a great one. this is a rare film combined with nervous breaking scenarios and plots but at the same time, never forgot to deliver a subtle sense of humor. this is one of the best movies I've ever seen and i believe that most viewers who watched it would agree with me totally. go watch it, guys. I'd also like to congrats Mr. Gibson that he never did anything plastic, not even Botox injections on his old face, yet every wrinkle, every line only makes him an even greater performer. what a treat! thank you, Mr. Gibson, stay cool.

Tight script. Clever story. Bold and rough characters. Genuine acting. 96 minutes of total entertainment. This is the kind of movie that lifts the mood up and always keeps us guessing "what's next?".

This is the kind of movie Mel Gibson is best at and he should have always done this kind of movies. This movie will definitely gather him younger fans throughout the world. It is a new blend of action,crime and drama.

Adrian Grunberg is the kind of director who can stylize the crimes in his movies. He shows us there are more colors in crime-action movies other than red.

If you want to have a good time and have been missing crime oriented fast action movies for a while, this is the movie you are looking for. 7 out of 10.

Bottom line: Not to be missed.

Mel Gibson's return to the big screen in front of the camera recent years seems to be getting back on track. He's taken a large knock for various well publicized and controversial allegations and abuses, but those seem to have taken a back seat like how the lacklustre Edge of Darkness has been largely forgotten for more memorable fare and smaller films like The Beaver, and Get the Gringo, also known as How I Spend My Summer Vacation here. Count yourselves lucky all you Mel Gibson fans who are still out there, we're one of the few countries getting this in the cinemas as the USA had opted for a video-on-demand release instead.

Gibson does what Gibson does best as a character here, being the strong, silent type who relies on his brains, brawn and resourcefulness to get out of sticky situations. Innate abilities and a huge dose of luck also play their part in having his nameless Driver attempting to outwit, outlast and outsmart his way past Mexican and American gangsters, crooked cops, and ambiguous agents, in order to regain his freedom after being locked up in a Mexican penitentiary that is a mini-town in its own right, complete with the folks from both sides of the law making strange bedfellows. It's a glimpse into the murky world of corruption where criminals run rampant within the walls that are supposed to restrict their freedom, but instead turning the premises into fiefs of operations.

Based on a story written by Mel Gibson, Stacy Perskie and Adrian Grunberg, with the latter making his debut directorial feature after deputizing for numerous films, it has all the ingredients necessary to stand tall amongst this season of summer blockbusters, with a tale that keeps you guessing of the Driver's backgrounds and motivations, which soon dissolve into the basic theme of friendship developed with a nine year old Kid (Kevin Hernandez) who holds a certain secret that keeps him alive within a notorious place, and who may just be Driver's ticket out if the cards get played right. Needless to say the villains here were unfortunately relegated to single function caricatures, but thankfully the plot picks up the pace when we get to witness how Driver and the Kid work their way through the system, with subplots bubbling under the surface ready to explode in frantic rush to the finale.

There are some moments that sag though, as Grunberg just cannot lift the film's early act from droning rather repetitively on how tough and gritty the entire corrupt environment is through Driver's voiceovers. We get the point, and it's time to move on, only to find more scenes seemingly adamant in wanting to showcase just how miserable life can get in a corrupt prison system. It took a while to have elements set up and put in place, although you'd get to appreciate the efforts it took to gel all character relationships together, with Grunberg adopting a style especially in the beginning with its quick edits cutting very close to how Tony Scott would have stylistically done it if the latter was at the helm.

For all the action that the trailer promises, what truly stood out was a mid section, free for all shoot-em-up complete with its graphical depiction of bullet wounds flying all around, entering and exiting various points of the body, and the requisite slow motion to keep things watchable, not forgetting having the Driver break his cover on his background having to save the Kid and his mother (Dolores Heredia) from gunfire coming at all sides. While conveniently set up, how the Driver wiped his enemies from existence thanks to a little bit of play acting and impersonation became my favourite scenes in the entire film, with Gibson at his element flexing some comedic abilities that just sat through really well and dare I say lifted this film from being just average. Recommended!

Just finished watching this excellent movie, and I hadn't realized how much I missed Mel Gibs on. Like the man himself, the main character in this film, Driver, is worn and weary, sadder but wiser, and comfortable with the ironies of life. And the world built here, "El Pueblito," based on the actual prison in Tijuana, is real and startling. Portrayal of Mexico is outlandish at the same time it's sympathetic. Not much action, but shoot out scene in middle of movie is worth watching.

I understand this movie is getting no theatrical release in the US, and that's a shame. Just hope word of mouth will get around about this great movie. It's time to rehabilitate Mel Gibson.