Les émotifs anonymes

Les Émotifs Anonymes is a wonderful film: very Fench and truly touching and genuinely funny, with just the right amount of romance versus life and love and chocolate.

The two protagonists are two chronically emotional stunted personalities - and you just know they are made for each other - but how they get there is, like the very best of French comedy, imaginative, a little chaotic, somewhat mixed-up, but always well meant.

This is a film I can warmly recommend as one of the best French romantic comedies of recent memories - it has touches of Amélie and will appeal to a wide audience - it beautifully shot and lit, and all in all, the script is witty, the situations are funny without being ludicrous or cringeworthy, and above all, this is a charming and truly romantic film, without saccharine, but definitely, with a bitter sweetness of its own.

A genuine "French-made" romantic comedy, with echoes of "Chocolat" and "Amelie", starring the most suitable performers for movies like these. There's nothing extraordinary in this modern fable, but here lies its authenticity. We just find two normal adults, or maybe abnormal in their pathological timidity, who just try to come to terms with their emotions and to find a way to live and communicate them. Every next step sounds predictable, but we obviously do not look for plot twists, in pictures like these, that we want to progress and end in the exact way this movie progressed and ended, without ever sounding mawkish, and offering truly amusing moments. But the main protagonist is chocolate, with its healing power, we have all experienced, to make us feel better and to melt many emotional blocks. A truly enjoyable, heartwarming and funny picture.

Jean-René Van Den Hugde (nm068814) and Angélique Delange (Isabelle Carré) both suffer from heavy relational difficulties: in public, they quickly lose their intellectual abilities and are unable to express their emotion without feeling a deep discomfort, an uncontrollable anxiety, fainting, ... Their common passion for chocolate will bring them together and Jean-René will hire Angélique who turns out to be a brilliant and creative chocolate maker while Jean-René runs a small chocolate factory on the verge of bankruptcy. They were meant to fall in love!

As a synthesis: an efficient and original love story with two marvelous actors

Take it as a given, French cinema has a long tradition of romantic comedies, and those are among the best in the genre. The dark side is, at the end of the day, they all look a bit the same.

"Les Émotifs anonymes" makes no exception, and its first layer storyline is nothing new. From the beginning, you know what is going to happen to the main two characters and how it is going to end. Still, it is nice to watch. What is interesting is underneath. Améris uses this pattern as an alibi to tell a whole other story, this one goes much deeper than expected, though the subject is always treated on a very light tone.

The film brings you into the universe of chocolate, this bittersweet treat well known to relieve heartaches, which, this is no coincidence, fits perfectly the characters, over-emotional people. With lightness and subtlety, the film shows the constant struggle of those people to overcome everyday situation, as basic as meeting someone new or shaking a hand. You will love those characters right from the start, understand their sadness and admire their efforts to keep going.

Améris keeps up a rhythm with no time out, making of this film a thrilling comedy, with a few scenes to remember. Poelvoorde delivers a perfect, soulfull performance, showing how he masters the genre and the emotion he gives. Isabelle Carré is to fall for in her role of exaggeratedly shy gifted girl.

Romantics Anonymous (2010)

Sometimes a feelgood movie is so obvious you know at the start how it's going to end. But it feels so good it doesn't matter, and that's the way "Romantics Anonymous" works.

The leading woman Isabelle Carre ("He Loves Me, He Loves Me Not") is a sweet, cute, lovable introvert, and I suppose any movie with her in it acting vulnerable and awkward would be a winner. Next to her is a very geeky kind of leading French actor, Benoit Pelvoorde, who is utterly brilliant even if he won't quite steal your heart. Or maybe he will. Part of the movie's aim is to take two mild misfits who are lonely and yet rather wonderful inside and get the audience to identify with them.

Another major character is the little chocolate factory where they meet. Seeing the chocolates being made, and tasted, is part of the fun of the movie. Even if you don't like chocolate you'll see the pleasure of a superb high-end chocolate being developed as you watch. There are then two groups of sidekicks, one for each character. The woman goes to group therapy for her emotional issues (hence the name of the movie) and the man has his staff at the factory. All of them are, en masse, supportive and sweet.

In fact, with all this sweetness going on you might wonder how you can stand it. And I suppose that's where you appreciate that it's just an hour and a quarter. Plenty. Even at this length you yearn for some complication, or some depth. Our two lovebirds are great but they remain oddly cardboard thin, too.

It's a bit ogre-ish to complain about such a well-meaning and well-made movie. It's edited with breakneck speed, shot well, acted well, and rises up the television sit-com genre it may somehow owe something to. Give it a look. Totally fun.