Rien à déclarer
- 2010
- Tous publics
- 1h 48m
IMDb RATING
6.4/10
16K
YOUR RATING
A Belge-Francophobe customs officer is forced to team up with a Frenchman during the elimination of the Franco-Belge borders in the 90s.A Belge-Francophobe customs officer is forced to team up with a Frenchman during the elimination of the Franco-Belge borders in the 90s.A Belge-Francophobe customs officer is forced to team up with a Frenchman during the elimination of the Franco-Belge borders in the 90s.
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Featured reviews
Dany Boon's "Nothing to Declare" (2010) attempts to blend cross-border cultural clashes with comedic hijinks, but ultimately falls flat, delivering a lukewarm and utterly unmemorable cinematic experience. The film suffers from a severe lack of genuine humor, meandering aimlessly through predictable gags and tired stereotypes without ever truly eliciting a laugh. The supposed "charming" interactions between the customs officers feel forced and contrived, lacking the genuine spark and wit necessary to engage the audience. The dialogue, often laden with clichéd jokes about national differences and bureaucratic absurdity, feels painfully artificial, as if the writers simply strung together a series of predictable scenarios without any regard for natural conversation or relatable comedic timing. Instead of a fresh and insightful satire, it offers a superficial and often irritating spectacle of manufactured whimsy.
Is it worth watching? No, unless you have an exceptionally high tolerance for predictable comedy and a lack of genuine comedic depth. There are far more authentic and impactful comedies available.
Is it worth watching? No, unless you have an exceptionally high tolerance for predictable comedy and a lack of genuine comedic depth. There are far more authentic and impactful comedies available.
Humor is a funny thing ... especially when it's a movie coming from France and has Danny Boon starring in it. Of course you might have an aversion to the guy (which would be unfortunate), otherwise you might be delighted watching him, even in the craziest situation, because he can even pull those off.
The plot is not that complicated, patrolling the "border", making sure nothing illegal happens, but the situations that ensure due to characters decision and the consequences are really funny. Of course they could also be tragic at times, but this is not a drama and it is made clear very early on ... which should also be an indicator if this is a movie you'll enjoy to watch or not
The plot is not that complicated, patrolling the "border", making sure nothing illegal happens, but the situations that ensure due to characters decision and the consequences are really funny. Of course they could also be tragic at times, but this is not a drama and it is made clear very early on ... which should also be an indicator if this is a movie you'll enjoy to watch or not
I didn't laugh until I cried but I smiled a lot and overall I had a good time.
The main characters are nice (except for the girlfriend, her acting was bad imo) and the plot is cute (although a bit basic)
Given the commercial and critical success of director Dany Boon's earlier film Welcome to the Sticks, it is peculiar that his next project, Nothing to Declare, endured a straight-to-DVD release in France. This is despite its superb sense of humour, engaging interplay between characters and generally fun, light-hearted feel.
The story, set in 1993, centres on the racist, trigger-happy Belgian Ruben (Benoit Poelvoorde), who is paired up against his will with Frenchman Mathias (Boon) in their effort to police the Franco-Belgian border. Compounding the strenuous partnership is the fact that Mathias is secretly dating overprotective Ruben's sister (Julie Bernard). Also intertwined in the story is the oafish Jacques and trying wife Irene, who turn to smuggling contraband between the borders to make ends meet, as well as the world's most incompetent drug ring and their short-tempered boss.
Right off the bat, it's clear that Boon has a talent for ensemble directing. Although he and Poelvoorde share the lead, each fringe character enjoys ample screen time to tell their story and draw audience engagement, while all potential loose ends are appropriately tied up without leaving any individual's fate hanging in the balance.
Humour is consistent throughout Nothing to Declare. Following a slow start, the film employs varying instances of physical, visual and verbal comedy, the latter of which is accentuated by the consistently tense, tight interplay between certain pairs of characters. The arguable highlight occurs as the criminals attempt to disguise their van as an ambulance for the purpose of drug smuggling, but honourable mentions must also go to Ruben's crude, xenophobic dad and the 'pimping-out' of Mathias's patrol car.
Boon casually addresses the fine line between patriotism and racism with this film but, like all good comedies, it permits pure entertainment to take priority, without falling into the trap of becoming too preachy, political or divisive.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
The story, set in 1993, centres on the racist, trigger-happy Belgian Ruben (Benoit Poelvoorde), who is paired up against his will with Frenchman Mathias (Boon) in their effort to police the Franco-Belgian border. Compounding the strenuous partnership is the fact that Mathias is secretly dating overprotective Ruben's sister (Julie Bernard). Also intertwined in the story is the oafish Jacques and trying wife Irene, who turn to smuggling contraband between the borders to make ends meet, as well as the world's most incompetent drug ring and their short-tempered boss.
Right off the bat, it's clear that Boon has a talent for ensemble directing. Although he and Poelvoorde share the lead, each fringe character enjoys ample screen time to tell their story and draw audience engagement, while all potential loose ends are appropriately tied up without leaving any individual's fate hanging in the balance.
Humour is consistent throughout Nothing to Declare. Following a slow start, the film employs varying instances of physical, visual and verbal comedy, the latter of which is accentuated by the consistently tense, tight interplay between certain pairs of characters. The arguable highlight occurs as the criminals attempt to disguise their van as an ambulance for the purpose of drug smuggling, but honourable mentions must also go to Ruben's crude, xenophobic dad and the 'pimping-out' of Mathias's patrol car.
Boon casually addresses the fine line between patriotism and racism with this film but, like all good comedies, it permits pure entertainment to take priority, without falling into the trap of becoming too preachy, political or divisive.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
If you have seen "Bienvenue chez les Ch'tis", you will certainly recognize that same entertaining formula, based on the interaction of weird, funny characters and amusing situations, which certainly do not appear as new, but always get to please the viewer. The two main characters, the schizoid Belgian custom-officer, who hates all French people and does not welcome the unification of Europe and the more quiet and easygoing French one (interpreted by the good Dany Boon), who believes in integration and tolerance, give rise to amusing sketches, but also the other minor, clumsy, characters help create a comic atmosphere. Original, indeed, is the idea to set the funny story in the context of Europe's unification, which one would think more suitable for more serious and thought-provoking stories, although some reflection upon the consequences of the elimination of borders, is not neglected. I saw this movie in the Italian dubbed version, which was good indeed, although I think these movies, often played on the mispronunciation of words and the mocking of accents, should be seen in the original version, in order to get the real linguistic funny quality, but of course, you should master the French language very well.
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- ConnectionsFeatured in Rien à déclarer: Le making of (2011)
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Nothing to Declare
- Filming locations
- Plougonvelin, Finistère, France(deleted scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $93,811,164
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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