Tous en scène à Noël

I love Luke MacFarlane in many roles but not this one. First, Hallmark should have chosen an actor who could be more convincing with a Southern accent. I'm happy Hallmark is trying to incorporate more diversity, but it still needs to be believable and this was not. There was so much going on in this movie that I found myself distracted by trying to figure out all the relationships. Finally, Luke is not believable as a country star, whereas Heather is brilliant. They seem unequal in that respect.

I always enjoy it when Hallmark holiday movies include musicians and music. This one stars a country music star (Macfarlane) and classical violinist (Hemmens). There are a few musical numbers, which were terrific. I could have listened to a lot more of that.

Macfarlane also has a daughter he's raising alone, which introduces a nice family vibe to the romance. Grief is a theme as both the country music star and the violinist recently lost someone important. Both main characters are in multi-racial families, and the script actually brought up issues of racial identity (in a very light way) which I appreciated.

A really solid Hallmark movie worth keeping.

One con - Luke Macfarlane has a scene where he sings--there's a reason why he's an actor not a singer. But points to him for putting his heart into it.

I appreciate Hallmark's efforts to incorporate more diversity into their love stories. But so far they have not tailored the script to even acknowledge the difference in ethnicity or the unique challenges that an interracial relationship might entail. The black (or other) person of color might just as well be played by a white actor. It's been giving a new meaning to "color-blind." They don't in this one either. But they do touch on the complications that a white father might have raising a black daughter. The black mother of his late wife has a talk with her granddaughter while discussing her hairstyle options for a special concert. The young girl, beautifully played by Maria Nash, states that she thinks it would look more "professional" slicked back. The grandmother (Sheryl Lee Ralph) then takes the opportunity to encourage her to be proud of her heritage and her different hair and to be herself. But also, what ever she chooses, she will look beautiful. In another scene, the young daughter confides in her black mentor and her father's love interest that she almost quit playing the violin because she didn't see any other violin players that "looked like me." Also the father, Luke McFarlane, a favorite of mine, is overprotective of his daughter. He is a big country star on a hiatus due to the death of his wife, and although not stated, it is implied that he fears some friction or hostility from social media and the tabloids because of his black daughter. I was curious, and I checked the writers of this. And sure enough, one of the trio of women writers is black.

The love interest, also the product of an interracial marriage, is played with warmth and dignity by Heather Hemmens. I like the way she handled Luke rudely telling her to back off when he finds out his daughter has been confiding in her about the loss of her mother. It was well played. I won't critique the plot. There was a lot going on with Luke and Heather's career prospects and their different tastes in music, as well as their attraction to each other. Luke, who is usually in more comedic roles, is very effective in this more dramatic plot. However, I could do without his singing next time. Luke, I love you, and I suspect it was that god-awful song rather than your performance, but I was as stunned as poor Heather looked during the private audition of his new tune. She handled it with tact and kindness.

Sorry, but it was extremely hard to watch and listen to Sean play for Beth.... definitely not in Luke's wheelhouse....either cast a singer or change the script...

The Hallmark Movies and Mysteries channel offers a different kind of movie that the other channel, including, maybe especially Christmas movies.

There are a lot of levels in this movie. Like Two Turtle Doves, there is a lot in here about loss.

This movies adds to the little girl's loss the element of being different. Yes it chooses to use the race issue for that complexity. Unfortunately, right now in this country, a certain approach to racial issues is highly controversial. Two sides of that issue are deeply divided, and extremely emotional. As a result, when a movie like this comes along, some people will choose to totally reject it, without giving it a chance, without listening to the messages contained in it. Isn't doing that just proving the bigotry some people are accused of? Don't judge this movie as a (sneaky) tool of the opposition. Judge this movie on how well it's presented, and on whether it contains any truth, regardless of how that truth may challenge beliefs. This country should be about open discussion of values and beliefs, not censorship. Rejecting a movie without truly listening to the message is as bad as censorship.

I want to see more movies that freely and honestly discuss problems that real people face. This movie does that. First it discusses loss and on top of that it adds being different. No matter what our origins, don't we all deal with those things in one way or another?

I happen to think this movie did it all pretty well and I think it does it while evoking some positive feelings.

The conflict leading into the climax started to tick me off because I thought it was going to be the same cliché done in so many other Christmas movies. I was pleased to see that there was just enough of a twist to turn it into a very nice ending.