In Famfield, the teenager Amber feels displaced and dreams on moving to Chicago. When she learns that she is the foster daughter of her mother, she decides to move to the big city. Amber has... Read allIn Famfield, the teenager Amber feels displaced and dreams on moving to Chicago. When she learns that she is the foster daughter of her mother, she decides to move to the big city. Amber has a short schedule to pay the rent of an apartment in Chicago and she convinces her friends... Read allIn Famfield, the teenager Amber feels displaced and dreams on moving to Chicago. When she learns that she is the foster daughter of her mother, she decides to move to the big city. Amber has a short schedule to pay the rent of an apartment in Chicago and she convinces her friends to travel with her to the windy city. However the van breaks down and they hitchhike on t... Read all
- Peter
- (as Joshua Bowman)
- Junkie
- (as Georgi Zlatarev)
- Creature 2
- (as Dimitar Doichinov)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Scare factor: 6; One scene certainly had me jumping from my seat, but these are BOOM!! in your face flashes & not many off them.
I almost rated Prowl 1/10, not because it's particularly awful, but because I've had a gut-full of mediocre modern horror as of late, and this was very nearly the final straw that broke the camel's back—just another forgettable, bland, derivative scary flick with a pretty female protagonist, an unimaginative threat, lots of dreary and often shaky cinematography, predictable loud noises to make you jump, and a 'surprise' ending that's not all that surprising. It's been less than a day since I finished the film, and I cannot recall a single image that impressed me enough to bother retaining it in my mind.
To be fair, Prowl is probably worth a 4 or 5 out of 10 (although I'll err on the less generous side): it starts out promisingly, is technically proficient, the cast do a good job of looking terrified even if I sported an expression of abject boredom throughout, and there's also some pretty effective gore. But in this day and age where horrors proliferate, a film needs to be so much more in order to make a lasting impression.
However, their van breaks down within minutes of their journey beginning (Rich and Unlikeable even remarks, "Hey, I think I can see my house from here!"). Therefore the first thing they decide to do is hitch a ride with a truck driver who has come straight off the set of Deliverance. He, in turn, deposits them in an abandoned building filled with vampires. And, to make matters worse, they're not even the nice Twilighty vampires who are really well-preened and twinkle a bit in sunlight.
No, these vamps like nothing more than to feast on the flesh of one-dimensional clichés. And so the hunt begins... expect a mish-mash of From Dusk Till Dawn and 30 Days of Night. It's shot as if the cameraman is constantly bouncing up and down on a trampoline. By the end of the film I was shaking my head from side to side in an attempt at keeping up with the shaky camera movement.
It's not a long film. Stereotypes aren't natural fighters - they only have badly-written dialogue to fend of the ghouls with. Vamps have teeth. I know which one I had my money on.
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This ending up becoming one of the biggest disappointments around and it really had no reason to do so. There's some exceptionally good times here with the story as it has an awesome premise that's incredibly original which is played off really nicely here. The growing realization of their predicament when they arrive in the back of the truck and the uncertainty of what's coming next give these scenes a really great sense of tension by not adhering to a set pattern. Even once they're released and can go look around in a creepy location filled with pretty chilling creatures, there's some really fun times here as the relentless attacks by the voracious predators come of really fun as the numerous attacks throughout the facility and the surrounding buildings utilizing their speed and agility to launch surprise attacks on the group filled with boatloads of gore, yet instead of playing with this as expected, there's just not a lot of other good stuff here. Among the main flaws featured here is that we have way too much time in the beginning with the group of friends trying to establish their relationship together, and none of this is appealing or enjoyable. That it's all so bland as they hand out and party at the house just goes nowhere and feels endless overall without any kind of real purpose being set-up as a drama about needing to get out of the small town. Even more troubling is that after they arrive at the location, the film's confrontations with the creatures within the abandoned building really tend to stop and start quite readily, dragging itself out in the middle by going through their investigation of the area rather than dealing with the creature encounters. There's a really down-beat sense of energy here when this should be building up furiously during that point and becoming the film's highlight when instead it becomes a dull, dreary mess. There's also the fact that, even if the pacing during these scenes where fine the rapid-fire editing during the action scenes that make it really indecipherable what's going on as the blurry creatures are quite hard to see as well further the rather troubling section. The other flaw to this is that the final twist at the end doesn't help matters by being so ludicrous and really ends up putting the film on a rather confusing note. Too bad, as it doesn't need a whole lot of work to end up pretty awesome.
Rated R: Graphic Violence, Graphic Language, Brief Nudity and drug use.
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Details
- Runtime1 hour 24 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1(original ratio)