A teenager just trying to make it through life in the suburbs is introduced by a classmate to a mysterious late-night TV show.A teenager just trying to make it through life in the suburbs is introduced by a classmate to a mysterious late-night TV show.A teenager just trying to make it through life in the suburbs is introduced by a classmate to a mysterious late-night TV show.
- Awards
- 12 wins & 91 nominations total
Jack Haven
- Maddy
- (as Brigette Lundy-Paine)
Tim Griffin Allan
- Lance
- (as Timothy Allan)
Marlyn Bandiero
- Brenda's Friend
- (as Marilyn Bandiero)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It features many dynamite indie rockers (both in cameos and musically), it started off great with interesting characters and EXCELLENT aesthetics - as a millennial, I felt a lot of nostalgia for similar shows I used to watch growing up. Ultimately though, the story fell apart and offered little substance.
The film has an interesting and societally relevant theme, but I think that's where this falls flat - a great film may elicit the response:
"That was a great story - what were its most prominent themes?"
But instead I found myself asking:
"That was an interesting theme - what were its most prominent plot lines?"
The film has an interesting and societally relevant theme, but I think that's where this falls flat - a great film may elicit the response:
"That was a great story - what were its most prominent themes?"
But instead I found myself asking:
"That was an interesting theme - what were its most prominent plot lines?"
Writer/director Jane Schoenbrun made a highly atmospheric little film a couple of years ago called ' We're All Going To The Worlds Fair' on a shoestring budget but the film left an inedible impression on me that I included it on my ten best of the year.
The follow up continues the same microscopic view of adolescence, loneliness and social exclusion that still retains the same wonderful wintry neon feel as the previous film. See also the classic 'It Follows' and ' Rivers Edge'-these all perfectly capture the inner feelings of the characters; bored teenagers in middle small town America caught in a mystery.
It is talky and slow and I get if some will be put off. I didn't take to the characters breaking the 'fourth wall' and start speaking directly to the camera; it felt like the audience had to be spoon fed exactly what the character is feeling.
The acting is excellent from Justice Smith and Brigette Lunday-Paine and young Ian Foreman as the young Owen. Bringing a vulnerable, isolated look on the faces. Is there a hint of abuse here?
I felt like I did in the 90s with 'Twin Peaks' where I wanted to dive straight into the TV set and be in the dark and magical small US town (there are lots of 'Lynchian' references here, not just the photography and sound but the musical interlude in the small bar) Like the similar 'Beau is Afraid' (ageing) this is a smart, extremely well done expressionist horror that I may not want to see again in a hurry but will stay in my mind for a long time.
The follow up continues the same microscopic view of adolescence, loneliness and social exclusion that still retains the same wonderful wintry neon feel as the previous film. See also the classic 'It Follows' and ' Rivers Edge'-these all perfectly capture the inner feelings of the characters; bored teenagers in middle small town America caught in a mystery.
It is talky and slow and I get if some will be put off. I didn't take to the characters breaking the 'fourth wall' and start speaking directly to the camera; it felt like the audience had to be spoon fed exactly what the character is feeling.
The acting is excellent from Justice Smith and Brigette Lunday-Paine and young Ian Foreman as the young Owen. Bringing a vulnerable, isolated look on the faces. Is there a hint of abuse here?
I felt like I did in the 90s with 'Twin Peaks' where I wanted to dive straight into the TV set and be in the dark and magical small US town (there are lots of 'Lynchian' references here, not just the photography and sound but the musical interlude in the small bar) Like the similar 'Beau is Afraid' (ageing) this is a smart, extremely well done expressionist horror that I may not want to see again in a hurry but will stay in my mind for a long time.
This film should not be labeled as a horror movie in my honest opinion. Perhaps it would be better off labeled as a teen, coming of age, sci-fi, drama? To be honest I'm actually not even sure, it's a bit difficult to even label what genre it's exactly supposed to be. Even the synopsis on IMDB doesn't feel like it's a good way to say what the movie is about.
I get the messages that it all tried to convey but the fact that so much of the dialogue was delivered in a quite a slow and monotone way just ended up making it feel boring in the long run.
I'm not going to tell you that it's a horrible movie, but it most definitely just wasn't for me.
I get the messages that it all tried to convey but the fact that so much of the dialogue was delivered in a quite a slow and monotone way just ended up making it feel boring in the long run.
I'm not going to tell you that it's a horrible movie, but it most definitely just wasn't for me.
I was thoroughly looking forward to this film but alas. The style, the cinematography and the subject matter are all well-executed and important. However, there is little to no nuisance. Any subtlety is not subtle and any message is overpowered by sub-par acting and loud, screeching, pretension.
Mysterious Skin (2006) is a film that's similar but done exceptionally better. While the subject matter is far from metaphoric, it's execution is brilliant. I Saw The TV Glow seems like a proof of concept with a powerful core message that had the glaring plot gaps filled with flashing visuals and nostalgia-bait.
This should've been a Tisch short.
Mysterious Skin (2006) is a film that's similar but done exceptionally better. While the subject matter is far from metaphoric, it's execution is brilliant. I Saw The TV Glow seems like a proof of concept with a powerful core message that had the glaring plot gaps filled with flashing visuals and nostalgia-bait.
This should've been a Tisch short.
I am a straight white man, and I liked this movie. I watched it this evening. After letting it sink in and after dwelling on it, I came here. I skimmed the user reviews. First of all, if you didn't finish watching the movie, then you shouldn't review it.
A lot of people who didn't like it criticized the acting. To me the acting felt like awkward teenagers being awkward teenagers.
A lot of the people who did like it saw it as a queer/trans allegory. Rock on, good for them.
I saw it as a reminder of the awkwardness of being a teenager, trying to make new friends. The obsession with a TV show reminded me how sometimes a TV show can become your identity and can sometimes help you survive said teenage awkwardness. (For me it was The X-Files.) Go in with an open mind and let its atmosphere draw you in.
A lot of people who didn't like it criticized the acting. To me the acting felt like awkward teenagers being awkward teenagers.
A lot of the people who did like it saw it as a queer/trans allegory. Rock on, good for them.
I saw it as a reminder of the awkwardness of being a teenager, trying to make new friends. The obsession with a TV show reminded me how sometimes a TV show can become your identity and can sometimes help you survive said teenage awkwardness. (For me it was The X-Files.) Go in with an open mind and let its atmosphere draw you in.
Did you know
- TriviaJust like the rest of the film, The Pink Opaque segments that appear throughout the film were also shot in 35mm, but later transferred to both VHS and Betamax in post-production to create the show's different period-specific degradations.
- GoofsIn the voting machine, the ballot shows the familiar names of candidates in the 1996 U.S. Presidential Election ("Bill Clinton / Al Gore"), but ballots for major elections have the full names of those running. The candidates should be listed as William J. Clinton, Albert A. Gore, Robert J. Dole, etc.
This is not in any way true: candidates are routinely listed with diminutives/nicknames/initials on the ballot all the time if they're more commonly known by that name.
- Quotes
Maddy: Time wasn't right. It was moving too fast. And then I was 19. And then I was 20. I felt like one of those dolls asleep in the supermarket. Stuffed. And then I was 21. Like chapters skipped over on a DVD. I told myself, "This isn't normal. This isn't normal. This isn't how life is supposed to feel."
- SoundtracksAnthems for a Seventeen Year-Old Girl
Written by Brendan Canning, Emily Haines, Kevin Drew, Justin Peroff, Jessica Moss, Charles Spearin, James Shaw and John Crossingham
Performed by yeule
yeule appears courtesy of Bayonet Records
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Vi el brillo del televisor
- Filming locations
- 601 Main St, Asbury Park, New Jersey, USA(The Saint music venue)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,017,817
- Opening weekend US & Canada
- $119,015
- May 5, 2024
- Gross worldwide
- $5,396,508
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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