Agatha All Along

First, I find it interesting that people could leave one star reviews on a show that hadn't premiered yet. Looks like some are a bit pre-biased.

Be that as it may, the show is not the be all end all and it's not the meaning of life, but it's fun and it's very interesting and I can't wait to watch the rest of the series. Joe Locke is perfect casting as expected, Kathryn Hahn is amazing as always, and I'm looking forward to meeting the rest of the coven. It has the right notes of spookiness, especially for the Halloween season, and I think using the same exterior for the house in Bewitched from the 60s is an awesome call back. I'll be here every week.

I am saddened by the people downvoting this show simply because of a character's sexual orientation. It's not even the highlight of the show; it is just referenced.

Anyway, judging by the duel-episode premier, the show is enticing. It's a bit goofy with its humor, but what Marvel project hasn't dipped into that silliness? The vibes of the show are perfect for the Halloween season. I am excited for the continued expansion of magical beings in the MCU.

My only concern would be whether or not the teased surprises in store will actually be surprising, but this is a general worry due to past MCU Disney+ shows. They just don't seem to stick the landing, but--damn--does this one have a promising start.

I am having a good time so far. Hahn, Plaza, and LuPone seem to be enjoying themselves, as well! While it may not be as serious and heavy as Falcon and the Winter Solider, it certainly is miles ahead of She-Hulk's absurdity for the sake of absurdity.

The series Agatha All Along is a fascinating spin-off from WandaVision, created by Jac Schaeffer, and the first two episodes already provide an excellent glimpse of what's to come. As is often the case with Marvel productions, the cinematography is impeccable, raising the visual standard we've come to expect from the MCU.

The characters are incredibly captivating right from the start, sparking curiosity and a desire to learn more about each one. The actresses are perfectly cast in their roles, standing out with performances that bring both humor and emotion to the narrative.

One of the highlights is the music at the end of the second episode. The masterful blend of major and minor tones creates an unforgettable atmosphere, leaving a chill and an irresistible urge to keep watching. Once again, Marvel holds the audience's attention with a seamless combination of elements.

If you haven't started watching yet, this series promises to be one of Marvel's most enchanting. Don't miss it!

I love exploring this little corner of Marvel. It doesn't relate much back to the larger MCU but I don't think they ever led anyone to believe it would.

It's a great Halloween witch story very much in the vein of Hocus Pocus. It's silly, campy, quippy, but still with an edge that keeps you on your toes.

Kathryn Hahn excels and really drives the bus here, allowing everyone else to shine in their own way.

This is only after the first two episodes but really I don't have any complaints. The action could use some tighter choreography, that was my one note.

Whether Wanda returns by the end or not, I don't think it matters! This show enchants all on its own.

Rooted firmly in what made WandaVision an enticing watch, Agatha All Along delivers a familiar viewing experience, but goes about it in its own way.

The premise is deceptively simple--a down-and-out villain on a quest to restore her power. As the story unfurls, we see it's about much more than that, and even Agatha's seemingly straightforward motivations are reframed by the end. The story takes its time with the plot twists, but once it starts, it doesn't let up until the very last minute of episode 9.

Led by a career-defining performance from Kathryn Hahn, the cast works well separately and best as a group. Locke and Plaza are highly engaging as the mysteries of their respective characters centre and recontextualize the narrative.

This is a thrifty production by Marvel standards, as you can sometimes--not very often--tell. The broom riding sequence is janky, and the final confrontation has to mostly take place offscreen. This has an upside as it more or less forces the narrative to zero in on the emotional aspect and make us empathize with these characters. The finale in particular surprised me with how poignant and small-scale they allowed it to be, respecting the core of the show as it offers a solemn and mature look into Agatha's world not often associated with the superhero genre.

Overall, this has been a quality MCU offering that shows not all superhero tales need expensive fireworks to shine.