La Chute de la maison Usher

The Fall of the House of Usher isn't for everyone. It's a slow-burning, ponderous journey into the heart of madness and the mind of opulence.

But, Mike Flanagan understood his assignment.

Though this miniseries is very loosely based on the Edgar Allen Poe short story of the same name, it has almost nothing to do with it. Instead, it uses some of Poe's best works and his most poignant prose to tell a unique tale through the lens of surreal, horrific rapacity.

On that note, the horror elements on display are mostly subdued and thematic, sans a couple of admittedly shocking, fun death scenes. Thus, if you're looking for a visceral horror experience, then you should look elsewhere.

Instead, The Fall of the House of Usher is a strange, dark descent into the soul of a broken family. A family that has been dealing with the devil in bad faith for so long that evil is a pervasive normalcy. A family that has an inevitable price to pay for every deed.

Or is it the tale of the Fortunato pharmaceutical company told from the vengeful perspective of Montresor Flanagan?

Either way, the series is shot exceptionally and the acting is top-tier.

I learned recently that Mike Flanagan has a wave of haters, as all successful creators have, but I've seen him as somewhat of an auteur in the horror genre since he burst onto the scene with Absentia and Oculus. He's a master storyteller, and he understands the essence of horror like few other directors.

You know what the greatest filmmakers and the Adult Film industry have in common? When you see them, you know it.

I just know a Flanagan project when I see it, because he has a defined cinematic style and a measured approach to writing. Everything is both whimsical and grounded at once, which can lend surprising levity to often complex, or even convoluted, plot structures.

And that's probably The Fall of the House of Usher's biggest shortcoming. The pacing is all over the place, especially considering such an outrageous story.

Oddly, I sometimes feel the same way about Poe's stories, so maybe that disparity is intentional.

Still, I found many of the slower scenes, and there are many, to be meandering and circular. Exposition is delivered in long closeups to the background of long strings focusing on long faces.

I think if this were a six hour movie instead of an eight hour movie, it would have been a masterpiece.

But, what I got is still a beautiful, haunting delve into the world of Edgar Allen Poe and the mind of Mike Flanagan. The Fall of the House of Usher was clearly a passion project for all involved, and the story ended with a satisfying finale that gave me chills, just like Poe's best works.

Will I watch it again? Nevermore. But I'm not mad that I did.

I recommend this one to fans of slow-burn cerebral horror or tragic, dark family drama.

8/10 - Great.

I enjoyed pretty much everything about this series. The creative way the Poe stories were integrated to each episode and then tied all together with one big Usher bow. Just great.

However, the standout for me was Bruce Greenwood's performance. He, to me, really rose above the rest. I think it lies within the fact that he played against what we normally see from him: strong, stoic, often aloof characters. Seeing him as a sometimes pathetic soul: crying, crawling on the ground in terror, etc. Was fresh, unexpected and played perfectly (In my not so humble opinion). This will be a Halloween season classic for me from now on. Loved it.

Mike Flanagan is clearly a Poe fan. The fall of the house of usher is my favorite Poe story. The 1960 Vincent Price film of that story is one of my favorite movies of all time. I came into this expecting a similar story told longer. That is not what I got.

After the first episode I was actually kind of annoyed because I wasn't getting it. I didn't get how this was the house of usher. I thought it was beautiful and it definitely grabbed my attention but it wasn't what I was expecting to be. And then after a few episodes I realized what was happening. Every episode is a modern retelling of an Edgar Allan Poe story. And then tying each of those stories into the house of usher. It was genius. Some people will catch that by reading the titles of each episode but I honestly didn't pay any attention to that until I was four episodes in. Obviously the episode title does give away what the story in that episode will be but then the creative journey will show us how it ties to our main story.

I think from start to finish this entire project was so well done. The acting is outstanding. Every special effect was marvelous. The sets were beautiful and unique. The writing and the directing are top knots. There are definitely some beautiful and unique shots in this work. I could honestly write a book about how much I loved this. This is something I will watch again and again.

In the vast realm of storytelling, some tales strike us silent, and this is undoubtedly one of those.

"The Fall of the House of Usher" transports us to a world of opulent elites, drowning in their vices without remorse, willing to sacrifice their own kin for vanity. They believe their wealth can shield them from consequences, but as with all tales, reckoning awaits. This series, a true marvel to my eyes, sparks deep thoughts with its superb direction and unforgettable performances.

Bruce Greenwood, already a talented actor, truly shines in this series, though he's not the only star. The entire cast delivers exceptional performances.

The writing is beyond the usual small screen fare, exquisite and captivating.

I can't definitively say if this is Mike Flanagan's best work, but it's undoubtedly among his finest.

It doesn't really get going until the end of the second episode. So bear with it.

Because this is monumental in its undertaking. It is no secret that this is an amalgamation of dozens of Poe stories and references that goes well beyond the titular source.

That being said, the modern updates to the principle tales are entertaining. The overall story being a Succession-like narrative of a unscrupulous family with a corporate empire and their ultimate decline. Not a spoiler - it's literally the title.

Each member of the family is then given their own chapter further inspired by another major Poe tale (or two). Within those there are even more minute details from increasingly obscurer Poe works. Like the security guard's moniker and the name of the ubiquitous pharmaceutical.

Sometimes the poetic monologues and voice-over get a little contrived, shoehorned and corny. But when all is said and done, the multi-threaded nature of the narrative meshes and resolves satisfactorily.

I enjoyed it.