L'Hypnotiseur

Lasse Hallström is a master of sentimental American Feel-Good Dramas with films like 'THE CIDERHOUSE RULE (1999)', 'WHAT'S EATING GILBERT GRAPE (1993)' and 'AN UNFINISHED LIFE (2005)' and others on his resume.

With 'THE HYPNOTIST (2012)' he decided to go back to his roots (at least country-wise) to Sweden after more than 20 years working abroad (primarily the US).

This movie is as far away from the typical feel-good movies he usually makes as possible though, a very bleak and very typical Swedish detective film.

Another thing you can usually count on with his films is great cinematography with beautiful rich and warm colours, but being that this movie is not his typical bag he decided to go the complete opposite in that aspect too.

Most scenes are filmed with intentional poor lighting to cause a sense of dread but honestly just makes it boring to look at instead with washed out colours and overall just a very unimpressive look (save for a couple outdoor scenes).

The script I guess it could have been an okay movie technically but the acting is really dodgy, especially the lead detective played by the unknown (for me at least) Tobias Zilliacus who's seemingly sleepwalking through the scenes for the more part.

Persbrandt and Olin occasionally gets it right but hardly either's proudest acting-moments.

Helena Af Sandeberg is in it for a little bit, I usually like her a lot but her role is fairly pointless in this one.

So yeah, not very impressive and incredibly drawn out.

It's based on a book and even though I haven't read it I am sure that that is much better than the movie, don't see how it could be any worse.

i thought the movie was quite good while watching it. it is a nice thriller, with suspense to the very end.

somewhat strange motivations of the main villain, but then you probably cannot really connect to insane motives.

it was kind of strange that while the hypnotist's character was well developed, with character history and family environment, the other main character - the cop, was very under-developed.

apart from this and a few weak moments that every decent thriller carries in order to support the storyline, it is a pretty good production

The film is quite enjoyable but it does not come close to the book. I think this is the main reason why the movie has such a low rating: majority of people watching this film were first readers of the book. I did not expect word for word adaptation of the book, but this film does not do justice to the story. It alters and reinvent the story. It takes a few motives from the book but that's it. I was quite disappointment. Maybe I am biased and I'm judging the film in comparison to the book. But what can I say, the screen play is just bad. What it has me baffled is, why did the two authors allow the release of the movie in state as it is? If only goal was commercial success than I am deeply disappointed.

The movie features internationally known actors who perform excellent with the material they have got to work with. I never got to sympathize with any of them though, the script and the way Lasse Hallstrom directs never lets me. There is a fast pace throughout the movie where things just happen without visible motive or any chance of contemplation, which makes it feel erratic at best. All you can do as a watcher is to lean back and disconnect the grey cells.

As far as the plot goes, there are huge plot elements missing from the Swedish best selling book of 2009 which in my opinion never was that great to begin with. With the parts that gave the books some depth excluded we are left with a shallow story at most.

At least Lena Olins performance elevated the movie a notch, and I believe no other Swedish director than Hallstrom would have been able to provoke the feelings she is showing. The other actors were fair to good, not more not less.

I would not recommend this movie even if you have two hours to spare.

It's a strange feeling, watching Swedish genre movies of this kind. Because, even as a swede myself. It never feels natural. It feels like a pale imitation of something that HBO would slap together for an episode of another CSI knockoff.

Starting of with the plot. Which is infuriatingly predictable. And if it's one thing a thriller shouldn't force its viewer to do it's to make us sit and patiently wait for the characters to catch up with the obvious conclusions that the viewer has already reached. This makes the few points that the movie does well into forgettable set-pieces. Things will happen that are mildly intriguing. But then a character will do something that just makes you want to slap them. They'll start to whine. Argue about something non-relevant. I swear. For a long time I even forgot that there was a murder in the movie because the story got so bogged down with lazily written marital problems. For most of the film I was simply thinking two things: "Get on with it!" and "Why are we still here?". And even "Naw, it couldn't be that simple? right? oh, it seems like... yup... they really think this was clever?"

And then there's the characters. My summary mentions Lena Ohlin. And yes. She did become my biggest gripe here. Every scene she was on screen I grew to dislike her even more than the last scene. When not picking unnecessary fights with everyone she meets she's being either hysterical or well... a bit less hysterical. I don't think it's the fault of the actress. Because I think no one would be able to save the characters written into the film. Bland. Uninteresting. Two-dimensional cardboard cutouts of personalities. Again. It's like watching a bad imitation of a mediocre American cop-show where the filmmakers think they're doing the next Sixth Sense.

In many ways it reminds me of the recent series called Äkta Människor. It's that feeling that you're watching a product that the makers are so fond of. But has no idea what has already been done in the genre. Or even worse, they figure that the audience (Swedish middle-class) hasn't seen the films they are influenced by.

About the only redeeming aspect here is the cinematography. But even that where mostly drab grey. Dark and bland...

But as it seems to have been fairly well received I might be in the minority here. It had a couple of interesting ideas in execution. But at the same time it's just too bogged down in mediocrity to stand out in any way, shape or form.