IMDb RATING
4.0/10
4.1K
YOUR RATING
A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.A teenage outcast discovers he is a werewolf, and must battle a pack of the brutal creatures when they threaten him and his new girlfriend.
- Director
- Writers
- Stars
Lindsey Shaw
- Eliana Wynter
- (as Lindsey Marie Shaw)
Sean Mercado
- Pierce
- (as Sean David Mercado)
Michael Stewart Grant
- Stalker
- (as Michael Grant)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I actually like how they kept the werewolves similar in appearance to the original movie. Pretty sure that was done on purpose. Being a fan of Landon Liboiron from Hemlock Grove and Frontier as well as Lindsey Shaw from Pretty Little Liars I decided to give it a chance. No, it wasn't ground breaking by any means but this day in age its pretty hard to do something completely original that hasn't been done at some point already. That said I found entertaining enough and enjoyed it. I liked the music,nothing wrong with doing a score that isn't all top list songs. It fit well. I would probably rate it more of a 6 but due to such bad reviews pulling it down I decided to rate it a bit higher.
There is a theory of film study which asserts that an important factor in how a film is experienced is the time and setting in which one sees it. It's especially true for horror films. Teens who see films like the original Texas Chainsaw and The Howling for the first time decades after they were made will compare them to films like Saw and other films they've seen earlier. People who saw them when they first came out got the full impact of the new ground they were breaking at the time.
The Howling: Reborn breaks no new ground. It does however break one of the cardinal rules of screen writing: avoid voice-over as much as possible. This film is plastered wall-to-wall with the pretentious observations of a "teenaged mind." The main characters are like rejects from an MTV dramedy, slinging pseudo-pithy ruminations of teen angst that only a pre-adolescent could find intriguing.
It's not all bad though. There is Lindsey Shaw to look at. And the lighting is top notch. Unfortunately the cinematography is lost in a flashy mess of music video after effects and choppy editing, apparently used to cover up the less-than-state-of-the-art CG work.
The original Howling was a notable entry in the horror genre. Aside from the fact that it was genuinely scary and atmospheric, it featured the first truly impressive "real time" full body on screen transformation of a man into a werewolf. (Yes American Werewolf had good efx too, if you found it impressive to see one hand transform at a time.) And this was before CG, when make-up artists had to figure out complex robotics combined with masterful sculpted skins.
And while the original Howling drew you in with realistic situations and characters, Reborn starts off with a few unreal clunkers. One is a security guard in charge of a school lockdown system that would be the envy of any maximum security prison. The second is when a high school student is pushed against a locker and has a three inch blood-gushing gash sliced across his jugular, and shrugs it off as if the school bully just rubbed a booger in his hair.
Not long after that we find ourselves immersed in a wannabe feature length MTV video with standard rock video efx like color desaturation, flash cuts, and worst of all, a string of songs with sappy vocals that make the mickey mouse orchestral score even more mickey mouse.
In the end, the bombastic direction and flashy editing fail to make up for what this film lacks: substance.
Kids will probably like it though. Fans of the original hoping for a state-of-the-art update will be sorely disappointed.
The Howling: Reborn breaks no new ground. It does however break one of the cardinal rules of screen writing: avoid voice-over as much as possible. This film is plastered wall-to-wall with the pretentious observations of a "teenaged mind." The main characters are like rejects from an MTV dramedy, slinging pseudo-pithy ruminations of teen angst that only a pre-adolescent could find intriguing.
It's not all bad though. There is Lindsey Shaw to look at. And the lighting is top notch. Unfortunately the cinematography is lost in a flashy mess of music video after effects and choppy editing, apparently used to cover up the less-than-state-of-the-art CG work.
The original Howling was a notable entry in the horror genre. Aside from the fact that it was genuinely scary and atmospheric, it featured the first truly impressive "real time" full body on screen transformation of a man into a werewolf. (Yes American Werewolf had good efx too, if you found it impressive to see one hand transform at a time.) And this was before CG, when make-up artists had to figure out complex robotics combined with masterful sculpted skins.
And while the original Howling drew you in with realistic situations and characters, Reborn starts off with a few unreal clunkers. One is a security guard in charge of a school lockdown system that would be the envy of any maximum security prison. The second is when a high school student is pushed against a locker and has a three inch blood-gushing gash sliced across his jugular, and shrugs it off as if the school bully just rubbed a booger in his hair.
Not long after that we find ourselves immersed in a wannabe feature length MTV video with standard rock video efx like color desaturation, flash cuts, and worst of all, a string of songs with sappy vocals that make the mickey mouse orchestral score even more mickey mouse.
In the end, the bombastic direction and flashy editing fail to make up for what this film lacks: substance.
Kids will probably like it though. Fans of the original hoping for a state-of-the-art update will be sorely disappointed.
On the eve of his high school graduation, unremarkable Will Kidman (Landon Liboiron) finally bonds with the girl he has long yearned for, reclusive Eliana Wynter. But he also discovers a dark secret from his past... that he is about to become a werewolf.
The biggest criticism one can give this film, and I have seen others do this, is that it has that MTV style, and focuses on awkward high school kids (not to mention the main character being played by a regular from "Degrassi"). I am torn between believing this is the new format we have to accept and trying to reject it as an unfortunate trend.
Allow me to quote fellow reviewer Staci Layne Wilson: "There's a little more to it than its inherent wafer thinness. Yeah, it's a corn ball flick without a whit of sense nor much suspense, but The Howling Reborn is surprisingly well-shot, has some good action sequences, the acting is fine, and the spooky bits are augmented by better-than-usual cg and practical effects." Usually I use these quotations to jump off from and disagree, but I think Staci pretty much summed it all up.
I have to call attention to the soundtrack. Some of it I do not know (probably new bands an old fogey like me never heard of) but the ones I do -- like Echo and the Bunnymen -- really set a great tone. I could have used more 80s throwbacks, like the Smiths or the Cure.
The wolf suits are impressive, though it is hard to top the creative force that is Rob Bottin from the original film. Bottin is a god. But, again, these suits are good. The camera moves fast so we cannot see any seams or flaws, which might be mildly annoying but serves the film well and adds a level of realism to the wolves.
There is also a definite sex factor. While I did not personally find the women of this film attractive, the intent was clearly to make them so and others may enjoy that. There is something feral about sex, and the director is well aware of this, throwing in not one but two sexually oriented scenes.
Is this worth seeing? Perhaps. It is not as great as some other werewolf films (e.g., "Ginger Snaps" or "Dog Soldiers") but it has the high school mentality without being as bland or mushy as "Twilight". So I guess it could have been worse.
The biggest criticism one can give this film, and I have seen others do this, is that it has that MTV style, and focuses on awkward high school kids (not to mention the main character being played by a regular from "Degrassi"). I am torn between believing this is the new format we have to accept and trying to reject it as an unfortunate trend.
Allow me to quote fellow reviewer Staci Layne Wilson: "There's a little more to it than its inherent wafer thinness. Yeah, it's a corn ball flick without a whit of sense nor much suspense, but The Howling Reborn is surprisingly well-shot, has some good action sequences, the acting is fine, and the spooky bits are augmented by better-than-usual cg and practical effects." Usually I use these quotations to jump off from and disagree, but I think Staci pretty much summed it all up.
I have to call attention to the soundtrack. Some of it I do not know (probably new bands an old fogey like me never heard of) but the ones I do -- like Echo and the Bunnymen -- really set a great tone. I could have used more 80s throwbacks, like the Smiths or the Cure.
The wolf suits are impressive, though it is hard to top the creative force that is Rob Bottin from the original film. Bottin is a god. But, again, these suits are good. The camera moves fast so we cannot see any seams or flaws, which might be mildly annoying but serves the film well and adds a level of realism to the wolves.
There is also a definite sex factor. While I did not personally find the women of this film attractive, the intent was clearly to make them so and others may enjoy that. There is something feral about sex, and the director is well aware of this, throwing in not one but two sexually oriented scenes.
Is this worth seeing? Perhaps. It is not as great as some other werewolf films (e.g., "Ginger Snaps" or "Dog Soldiers") but it has the high school mentality without being as bland or mushy as "Twilight". So I guess it could have been worse.
A below average werewolf film, nothing noteworthy about it. The story is bland, the acting is poor, the script is worse.
It's looks like a film from 30+ years ago, like the actual film reel has deteriorated.
Not worth watching unless you're a die-hard werewolf fan, even then it's meh.
It's looks like a film from 30+ years ago, like the actual film reel has deteriorated.
Not worth watching unless you're a die-hard werewolf fan, even then it's meh.
A surprisingly good watch. being a lover of the original first Howling movie, I knew i was gonna pick this sequel apart. As i got into the film, i realised that this was actually a decent "Stand alone" movie.
Being a believer that the "MTV Generation" horror genre is far too cliché these days. This film worked quite well. It is the basic tale of a "Coming of age" teen, who realises he is different. Through the course of the film we see how he adapts to his new found strengths, all the while, dealing with his impeding graduation and trying to win the girl of his dreams.
The Story progresses at a decent pace, feeding you enough plot points and mythology along the way. One cliché that did really stand out was, the abundance of only beautiful people that attend the school, not that i'm complaining, but its a little shallow. Every person in this film is eye-candy, which does make for a pleasantly aesthetic watch.
A down-point for me was that I am a big lover of the classic werewolf transformation scene. I felt a little cheated by this movie in that there were several opportunities for this key moment. Every time you think you're in for the big change, what you get is very small.
The special effects are not great. At several moments of the film you can spot that "photoshop" look, it does not really effect the film too badly, but it does look a little cheap at times.
So lets sum this up.
Sexy teenagers, under parr effects, sexy parents, decent story and pace plus a kick ass soundtrack. Its one of those "watch with your girlfriend" movies. Scary werewolves for him to enjoy, romance for her to enjoy and loads of sexy people for you both to enjoy!
Being a believer that the "MTV Generation" horror genre is far too cliché these days. This film worked quite well. It is the basic tale of a "Coming of age" teen, who realises he is different. Through the course of the film we see how he adapts to his new found strengths, all the while, dealing with his impeding graduation and trying to win the girl of his dreams.
The Story progresses at a decent pace, feeding you enough plot points and mythology along the way. One cliché that did really stand out was, the abundance of only beautiful people that attend the school, not that i'm complaining, but its a little shallow. Every person in this film is eye-candy, which does make for a pleasantly aesthetic watch.
A down-point for me was that I am a big lover of the classic werewolf transformation scene. I felt a little cheated by this movie in that there were several opportunities for this key moment. Every time you think you're in for the big change, what you get is very small.
The special effects are not great. At several moments of the film you can spot that "photoshop" look, it does not really effect the film too badly, but it does look a little cheap at times.
So lets sum this up.
Sexy teenagers, under parr effects, sexy parents, decent story and pace plus a kick ass soundtrack. Its one of those "watch with your girlfriend" movies. Scary werewolves for him to enjoy, romance for her to enjoy and loads of sexy people for you both to enjoy!
Did you know
- TriviaAs of 2024, this is the final entry in the Howling franchise. A remake of the original was announced in 2015, but has remained in development hell since then.
- Goofs(At around 1 hr 24 mins) A computer displays "TRANSMITION COMPLETE" with an obvious spelling error.
- Crazy creditsNo actual werewolves were harmed in the making of this motion picture.
- ConnectionsFeatured in Obscurus Lupa Presents: Howling VII (2011)
- SoundtracksWake Me Up (When The World's Worth Waking Up For)
Performed by Kyle Vincent
Details
Box office
- Gross worldwide
- $180,871
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content