A Better Life

Better Life, A (2011)

*** (out of 4)

Tender story of a Mexican illegal immigrant (Demian Bichir) living in Los Angeles and working as a gardener in hopes of giving his 15-year-old son (Jose Julian) a better life. The father thinks he's on the right track when he buys his partners truck and tools but they end up getting stolen so he goes out with his son to try and track them down. There's no question that this film was influenced by Vittorio de Sica's THE Bicycle THIEF as both features familiar plots but while this movie isn't nearly in the same league, the two lead performances and the tender story make it worth watching. I guess it should go without saying but there's nothing too original here. Not only is this film influenced by the Italian classic but we've also seen countless movies where a young man is faced with doing what's right and making a good living or going down the wrong path and joining a gang. This subplot with the son hanging out with the wrong group and them wanting to get him into a gang really doesn't add too much to the movie as we've simply seen it too many times. To be fair, we've also seen the hard-working father trying to teach his son a lesson but it's told very beautifully here by director Chris Weitz. The director manages to make several of the scenes quite memorable and I'm not going to spoil the biggest one but it comes towards the end and really wraps the story up nicely. Of course, the biggest benefit the film has going is the performance by Bichir as the father. The movie and performance got very good reviews when it was originally released but most people, including myself, missed it until Bichir was nominated for the Best Actor Oscar. Most people didn't recognize the name or film but once you do watch this you're going to understand why he got so much praise. Just look at Bichir's eyes to see how much passion he gives the character and this is especially true in the scenes where he's thinking over his future and what he wants to see for his son. The performance is extremely tender and the actor makes the role his own. Julian is also very good as his son and manages to turn in a strong performance even when his character doesn't get the best moments. A BETTER LIFE is certainly far from flawless but the movie has some terrific drama and there's no question that it makes you feel for the father and care what happens to him.

I like how Chris Weitz kept the focus on the characters and avoided the usual politics of the subject matter. This movie kept the audience riveted to the screen without resorting to usual polemics found in similar subject films. Personally I think this movie is closer to "El Norte" than "The Bicycle Thief", maybe a mix of the two but still authentic. Superb performances by most of the cast including Demian Bichir as Carlos Galindo, newcomer Jose Julian as Luis Galindo, Joaquin Cosio as Blasco, Bobby Soto as Luis' friend. Richard Cabral, Jason Medwin and Tom Schanleys played very believable, three dimension roles. Eric Eason and Chris Weitz did a great job on balancing keeping it real and entertaining at the same time. Carlos, a Mexican gardener in the United States illegally doing all he can trying to single handed raise a son in a vulnerable age at a vulnerable time. If you are looking for a warm and heart felt movie without the overblown melodramas then this is a most see.

Chris Weitz did a screening of this film at SMC, where I study film, and the reactions of the audience were engaging. The room was filled with a great aura and that was because the screening was filled with people with ethnicities from all over the world and that made the experience a lot more rewarding.

This guy is the same one that brought us American Pie and the second installment of the Twilight series? Yes he is, but let me tell you something, if these paychecks will make him do more movies like this one, then bring another 4 twilight adaptations right now!

The movie is about "Los Mojados", these people who everyday crosses the border from Mexico to the US to look for "A Better Life" like the title implies, trying not to forget their roots, their culture and at the same time struggling to find money to pay the rent, to eat and to survive in the United States without a SSN and without ID. You will wonder why we need to prove we're not from Mars with a visa if God already gave us permission to be here on earth every single second of the movie, absurd and unfair things this world has.

The acting by Demián Bichir, who looks like a younger Vicente Fernández to me, is invisible. You sometimes think you're watching a documentary if it wasn't for the glossy production value of the flick.

This movie needs to be seen by a wider audience, you need to look for it. If you do not feel touch by it, you're surely made out of stone.

The direction by Chris Weitz captures the essence of East LA in a second. There's a scene in the movie where in a matter of 3 minutes you can see how many cultures collide in this side of Los Angeles and how this story can repeat itself in several cultures.

This is also a story about true love between a father and a son, and how you can forget about everything and try every little thing to give your child the things he deserves.

One of the best little movies I have seen this year.

PS: If you like this one, and you're not afraid of B&W cinematography (no, it is not in 3D either) run and rent De Sica's Umberto D., a great masterpiece of Italian neorealism.

the film "A Better Life" is one of the best films I seen this year and one of the favorites of all time. The film "A Better Life" is such a touching film and it will touch you if you have had a hard time just make it day to day in life. This film is about people who work hard everyday and at the end of the day they can never get ahead.This film will teach others who take their life's for granted, not to take their life's for grant because there are people in this world that want the simple things in life like parents that just want to spend time with their kids and they cannot because they have to work or do other thing.The film "A Better Life is about the people and for the people. I highly recommend this movie to others.

A BETTER LIFE is one of the more understated films to come out of Hollywood, a film that has the courage to tell a story that is so politically charged - the immigration debate - that releasing it now is on the one hand asking for negative responses and on the other hand offers to the public the real truths behind our quandary about immigration. This country consists of immigrants - all of us - no matter how far back we have to trace our ancestry: the only people who did not begin their family history as immigrants from every country in the world and the Native Americans, and look how we are treating them! If this film does nothing else than plead the case of human understanding it will have accomplished more than legions of films that touch this subject too lightly.

Carlos Galindo (Demián Bichir, in an extraordinarily fine performance) crossed the border into the US with his new wife, looking for a way to improve his life. Upon arriving his wife gave birth to their son Luis (José Julián) and then promptly left Carlos in search of a better life, leaving Carlos to raise Luis alone. Carlos is an honest, caring man who must live in the shadow of being illegal: he cannot have a driver's license or papers that allow him the benefits of other people. Carlos has a steady job as a gardener with Blasco (Joaquín Cosio) who owns a truck and the two men work hard as gardeners.

When the film opens Carlos is saving is money from working with Blasco, living in a tiny house in the smarmy side of Los Angeles, trying to provide better schooling for his 15 year old Luis. Luis is of the age when he is easily influenced by his peers: his best friend is Ramon (Gabriel Chavarria) who is waiting to be of age to join the gang and forget about school in lieu of making money and living high. Luis is tempted to follow him, but he still attends school despite frequent absences and disinterest in education. Carlos is faced with a dilemma: Blasco wants to leave the business of gardening and suggests Carlos buy his truck and tools and start his own business. While Carlos sees the future in owning his own business (he can provide hope for a better life for Luis) he doesn't have enough money saved to buy the truck. His sister, indebted to Carlos for his protection and help, brings him her savings and Carlos buys the truck. Luis is surprised and then proud of his father's courage, but the happiness is short lived as one of the day laborers Carlos befriended - Santiago (Carlos Linares) - steals the truck, sells it on the black market and sends the money to his family in Mexico. It is this moment that provides an important turn for the relationship between Carlos and Luis. Luis bonds with his father and together they manage to locate the truck and take it back, only to be caught by the police for driving without a windshield. Carlos is jailed, Luis is devastated, but as Carlos is deported Luis pleads with him to 'come back home'. The film's ending tests the credibility a bit but it is heartwarming nevertheless.

The story as written by Eric Eason and Roger L. Simon is genuinely real and never veers toward the maudlin. They have created characters who not only demonstrate the importance of father son understanding and relationships, but they have approached the entire gamut of immigrant challenges and the manner in which this country deals with current immigrants in an honest manner. Without waving banners for or against immigration problems director Chris Weitz offers us the opportunity to see life from a different angle. One of the reasons this movie is so powerful in its impact and message is due to the brilliant performance by Demián Bichir, hopefully a candidate for an Oscar, and his performance is beautifully balanced by that of José Julián as his son. The film is scored by Alexandre Desplat and the music greatly enhances the rhythms of the story. There is such worth in this film that it would be wise for everyone in this country to view it - and remember our individual heritages and histories. Grady Harp