Carancho

What a bleak and hard hitting intense drama! Wow. It starts out sweet yet depressing, as a love story between two people struggling in low wage high pressure jobs. But slowly this story enfolds itself into a climax that crept under my skin like a disease gone out of control. The nucleus of the story is about a disbarred lawyer who feeds of traffic victims as his clientele. He even goes so far as to help injure people so they can claim insurance money. This criminal business is slowly spiralling out of control. A new found love only intensifies this already chaotic drama. You gotta see this for yourself to believe how insane and wild this story is.

Cant believe this movie has only gotten 17 reviews, mine included. This is THE FORGOTTEN GEM out here! Maybe it is not suited for the masses who might MISTAKENLY expect some sort of fun filled action thriller. It is not. It is depressing. But in a passionate way. Those who love drama in relationships will appreciate this criminal love story. This movie is the real thing: dark, depressing but wild and passionate at the same time. Like only Pablo Trapero and other South American directors of these days can achieve. Lots of masterpieces have originated from those southern countries this past decade. And too few get noticed on Imdb. What a shame.

Seen it many times now and it honestly is one of the most realistic hard hitting dramas I have seen the last decade. Ricardo Darin and Martina Gusman perform the roles of their lives. The photography is like a fly on the wall, documentary style, but not the shaky cam nonsense some other directors use, on the contrary, the natural flowing camera movements gave me the feeling I was right smack in the middle of this enticing out of control story about love and deceit.

Highly recommended for arthouse audiences who have no fear of watching bleak, depressing yet very passionate stories. This is wild stuff! Gotta spread the word around about this forgotten hard hitting gem!

This movie is as perfect as any contemporary movie can be perfect nowadays. The uncompromising plot shows the very somber underside of the insurance business in all its corruption, corruption found in any other big business, as we are getting to know more and more every day just by reading the world news.

They show it really as mafia business.

Corrupt lawyers, corrupt police, corrupt doctors. Everybody and his grandmother is corrupt!! A very dark, very stark movie.

Quite-quite depressing to watch, but so very well done that it grabs you from the very beginning and doesn't let go. Road traffic in the big, polluted city, is the major protagonist, the core of the story, and it is pack and parcel of many outdoor scenes where the interminable string of vehicles running with their noise and pollution are a permanent reminder that every few minutes, inevitably, some accident will occur.

The music is so perfect following the story that just now I realize that there must have been music, because I don't remember any!!

The traffic accident victims, their pain, their waiting for an ambulance lying on the bare cement of the street, maybe with broken bones, in awful pain, any minute of waiting time an atrocious agony, and the ambulance taking forever to arrive..., to me those were intolerable scenes because I was a victim of accidents too and the whole nightmarish thing came back to my mind.

All the hospital scenes were PERFECT.

And the dismal public hospitals, with stained doors (dirt), lack of supplies, lack of doctors and nurses...,and the few available (for too many patients), dead tired without sleep due to so much overwork and underpaid.

No wonder then that they could make horrible mistakes! It couldn't be more depressing. Maybe it's my problem, but I prefer to see a comedy nowadays.

The length of this movie is PERFECT, not a minute too long, not a minute too short. The editing and the camera work just couldn't be better. All the actors sheer perfection too.

Only one question bothers me when it comes to script logic. At the very end, who was driving the white pick up? Because as far as I understood, Darin's character didn't have reliable friends to count on. It's the only flaw that I could notice in the whole movie.

Excellent, a truly excellent film.

Dark, gloomy underbelly of Buenos Aires. Dirty, orange lights on even dirtier streets. Drugs, alcohol and the dire consequences. " Carancho" or "The Vulture", takes us to the world we'll rather never know about it. Tragic car crashes, broken glass and pints of blood soaked up by the filthy asphalt. And there are the people, those whose mission is to save and patch up, and those who prey upon the bereft and shocked. There is always money to be made on death and tragedy. Two broken imperfect creatures, desperately clinging to ever so elusive hope for tenderness and human touch. Too much to ask? Perhaps not, but there is nothing fair about this spinning madhouse of a planet we inhabit. Some have it all, and most just roam around hoping and waiting.

"Carancho" is a bird of prey; an animal that attack and feed on wounded animals. In this movie it's the pseudonym of lawyers that follow (and sometime stage) accidents in order to collect from insurance and scam the real victims (and the insurances companies too).

This kind of activity requires the help of corrupt cops, doctors and lots of low level people. These of course involves crude violence, filmed with taste but shocking none less.

The action was shoot mostly at night in San Justo (within Buenos Aires state), a very depressing location. This setup creates a very dark but absolutely real environment (filmed inside real hospitals and streets ) far from the artificially stylish of "DARK NIGHT". Believe me, what you see is (even when it seems absurd) is the real thing.

Ricardo Darin (from the "Son of the Bride" and the Oscar winner "The Secret in her eyes") as the repented lawyer and Martina Guzman (the director's wife and a real revelation) as a drug addicted doctor give outstanding performances, but the supporting cast quite as good.

Pablo Trapero (the director) was able to orchestrate an almost perfect movie (acting and locations, realistic violence, excellent camera work) with a minimum budget; but failed in the story itself ( which he wrote).

The love story between the two main characters slows down the movie a bit. There are a couple of important situations left unexplained.

In brief; perhaps a little more work on the history could improve this movie but is still far better and effective than 98% of movies currently in theaters.

In Buenos Aires, Sosa (Ricardo Darin) is a lawyer that has lost his license and works in a corrupt foundation, chasing in public hospitals and police stations victims of traffic accidents to claim their insurance rights. Dr. Lujan (Martina Gusman) is a young drug-addicted doctor that has come from the provinces and works in an ambulance and in the emergency service of a public hospital. When Sosa meets Lujan, he falls in love for her and tries to recover his license and move to the provinces to star a new life. But he is trapped to the corrupt system and the mafia does not let him go.

"Carancho" is a gloomy romance about the mafia of accident and insurance in Argentina. The story of a man that can not set free from his past and drags a young doctor to the underworld is engaging, but the irony and the dark humor of the conclusion does not work and is very disappointing. My vote is six.

Title (Brazil): "Abutres" ("Voltures")