A modern ghost story which turns a love/hate relationship between mother and daughter into a tale of horror. Some rentals are too good to be true.A modern ghost story which turns a love/hate relationship between mother and daughter into a tale of horror. Some rentals are too good to be true.A modern ghost story which turns a love/hate relationship between mother and daughter into a tale of horror. Some rentals are too good to be true.
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Embarrassingly poor script, acting and directing - along with hardly any 'scary' bits - made watching this movie a chore. I started playing Angry Birds half way through. And I hate Angry Birds.
Given the fact that the original Japanese "Apartment 1303" wasn't particularly much to write home about, then you would think that director Michael Taverna would have it nice and easy here to make it into a better remake. You would think so! But wow, this American version of "Apartment 1303" turned out to be even worse and more boring than the original Japanese version.
The storyline is essentially the same as in the Japanese version, a woman movies into an apartment that is haunted by something sinister because of a tragic event that took place in the self same apartment.
This American version of "Apartment 1303" was nowhere even remotely near being scary or spooky in the least bit. And it was a rather pointless and dull experience to sit through. I had initially hoped that Rebecca DeMornay would be able to lift up the movie even just a bit, but that proved not to be the case, as she wasn't given much to work with in this movie.
Some times it is better to not meddle with original versions of movies, and just leave them to what they initially were and are. I strongly suggest that you watch the Japanese version of "Apartment 1303" if you absolutely have to watch this story. However, be warned, you are not in for much of an improvement.
This movie is so terrible that it made me appreciate all the skill and talent that I had always taken for granted as a viewer, the things that add up to making a decent movie: sound, camera angles, lighting, music -- not to mention the obvious: acting ability and plot. This movie had none of it.
I love a good ghost story so we ordered it on demand without considering the possibility that it could be so unbearably bad we would actually decide to stop watching. I don't hesitate to cut my losses and stop watching a bad movie partway into it, but my partner rarely does -- her attitude is, how bad can it be? Yet, even she agreed that we couldn't watch it for a moment longer.
Who cares if the actors are gorgeous, as another reviewer felt compelled to point out twice. What on earth does that have to do with anything? I know a lot of gorgeous people - that doesn't mean I'd want to endure two hours of watching them in a terrible movie.
I have never posted a movie review before but felt compelled to do so, just to save someone else from making the same mistake. What a waste of time and money. THE WORST.
I watched because it starred (supporting role) Rebecca DeMorney (sp?). But I was really taken back by her AWFUL acting as well as the awful acting of every other actor in the movie. I was so embarrassed for her performance and wondered why she agreed to play this tacky, tacky part.
Had her acting career started with the caliber of this example, she would never have even met Tom Cruise. (Yes! THAT bad.)
I knew within 10 minutes that this movie was bad. We stopped watching, but I have a hard time leaving a movie unfinished and went back to see the rest of it. HOPING it might improve.
It didn't. Not . one . bit.
Did you know
- TriviaAs Maddie Slater, Rebecca De Mornay dons a black fedora hat just like she did in Starship: Sara (1985) about twenty-seven years before.
- GoofsIn her new apartment. Lara goes to open a bottle of wine with a corkscrew. She becomes frightened by the wind and knocks the wine glasses and the bottle over with the corkscrew attached to the bottle, in the next scene she goes next door and introduces herself to Emily. She asks Emily if she can borrow a corkscrew but does get one from Emily. She goes back to her apartment and has an uncomfortable interaction with the creepy superintendent. When she goes back into the kitchen the glasses are back and the wine bottle is upright, without the corkscrew attached, it is open and has no cork in, you can see her poke her index finger into the open bottle top. The cork is also visible when she grabs the neck of the bottle and uses the corkscrew to 'open' the bottle. The wrapping on the neck of the bottle changes. She only got one glass out of the closet, yet there are two on the counter. She picks up an object after knocking the glasses and wine bottle over, but that object is not seen again in later shots.
- Quotes
[last lines]
Lara Slate: [stark, dully numb voice] I know you don't believe me, but I didn't kill anybody. Jennifer Logan and her mother still live here, and they kill people. Everyone on this floor is dead.
Detective: Apartments don't kill people, Lara. People kill people. It's time to go here. Come on, let's get out of here.
[helps her up]
Detective: One, two, three.
[as he leads her away:]
Detective: You have the right to remain silent, everything you say may or will be used against you in a court of law...
- ConnectionsReferences T'as l'bonjour d'Albert (1972)
- SoundtracksCemetery Valentine
Written by Rebecca De Mornay and Jaime James
Performed by Rebecca De Mornay
Produced by RSV Productions
Licensed by MonteCristo LLC
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- Apartment 1303
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Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $3,377,891
- Runtime
- 1h 25m(85 min)
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- Aspect ratio
- 2.35 : 1