Tabbar
- TV Series
- 2021–
The show charts the journey of a retired police constable who pushes the boundaries to save his family from the consequences of an unfortunate incident.The show charts the journey of a retired police constable who pushes the boundaries to save his family from the consequences of an unfortunate incident.The show charts the journey of a retired police constable who pushes the boundaries to save his family from the consequences of an unfortunate incident.
- Awards
- 13 wins & 15 nominations total
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Featured reviews
This Web Series Did Good Performance. Specially Pawan Malhotra & Nupur Nagpal & Supriya Pathak & Ranvir Shorey & Gagan Arora & Sahil Mehta Did Good Acting.
'Tabbar' (which means 'family' in Punjabi) is an engrossing eight-episode series that stays true to the title. The plot is set in the hamlet of Deep Nagar in Jalandhar (Punjab), with co-writers Harman Wadala and Sandeep Jain and director Ajitpal Singh transporting the action to the backdrop of a tragic incident that occurred in Singh's family.
The story, as told through the eyes of various characters, emphasises the significance of family unity, especially during difficult times. The protagonist is a retired police constable, Omkar Singh (Pavan Malhotra), who now runs a small Kirana Store (grocery shop) for a living. Omkar adores his wife Sargun (Supriya Pathak), and he does everything for her, from taking care of her diabetic medications to helping her with the daily chores. His two sons; Harpreet aka Happy (Gagan Arora), a dutiful son preparing for the IPS in Delhi, and a college student aspiring to be a social influencer, Tegi (Sahil Mehta).
Unfortunately, the dynamics of this family change when Maheep Sodhi (Rachit Bahal), the brother of local politician Ajeet Singh Sodhi (Ranvir Shorey), is shot dead by Happy. Happy's father, Omkar, feels compelled to go to any length to protect his son. But, the incident instills fear in the family, and this high-profile case puts the cops on alert.
Edited by Parikshhit Jha, each taut episode of 'Tabbar' is about 35-45 minutes long. The dramatic plot swings from one extreme to the other while maintaining equilibrium. The writing, on the other hand, is unconvincing at times, especially when the entire family is working to keep their secrets hidden. A slow-burning ethical and emotional squabble erupts as the clamps on central characters-Omkar and his wife-tighten. Even when Omkar's grand plan goes awry, causing logistical issues, the performances remain consistent and the characters continue to engage the viewers. The tempo slows down in the first few episodes, and it takes too long to establish the premise. The second half, on the other hand, is intense and engaging, with the climax serving only as a capstone.
On the face of it, Omkar appears to be an idealistic, upright man. However, after straying too far from his convictions later in the story, his actions simply demonstrate that "all lines get blurred, when it comes to your blood." Pavan Malhotra is commendable as Omkar Singh. He is the driving force behind the show, expertly steering the pivotal character. Supriya Pathak's character Sargun is the pinnacle of strength and nurturing. Her primary role as a mother remains unchanged, but her development throughout the course of the show is impressive. Supriya Pathak plays Sargun to perfection, especially in scenes where she feels guilty and suffocates under the constant weight of trying to save her son. In addition, the meticulous attention to detail, from Sargun's round gold bali's (jhumkas) to the use of Punjabi language and the setup, lends them a more authentic on-screen appearance. The music and background soundtrack by Sneha Khanwalkar also fit in beautifully, striking an emotional connection with the audience.
Gagan Arora has previously played a naive lover boy in rom-com web series such as 'College Romance' and 'Girls Hostel'. He does, however, play a crucial role in this family drama, and he appears to be quite promising and convincing in the role of Happy. Gagan's relationship with the neighbourhood girl, Palak (Nupur Nagpal), remains undeveloped and underwhelming. Nothing to blame the couple for; it's the plot's many layers that divert attention away from them. Paramvir Singh Cheema stands tall over other characters as police officer Lucky, dealing with simple theft cases until he proves himself capable. He's one of the most likeable characters to root for.
Ranvir Shorey is excellent as the local politician Ajeet Singh Sodhi. His persona consists of many different aspects. On the one hand, he is a compassionate individual concerned about his missing brother, but he is also merciless when things don't go his way. Ranvir Shorey's actions and emotions never cease to terrify viewers. In many aspects, his right-hand man, Multan (played by Ali Mughal), is similar to him.
While Tabbar revolves around the Singh family and their strong bond with each other, it's the plot twists and the performances, especially those of Supriya Pathak and Pavan Malhotra, that power this absorbing and intense family drama. The whole premise is a bit dark, but that shouldn't deter you from binge-watching this one.
The story, as told through the eyes of various characters, emphasises the significance of family unity, especially during difficult times. The protagonist is a retired police constable, Omkar Singh (Pavan Malhotra), who now runs a small Kirana Store (grocery shop) for a living. Omkar adores his wife Sargun (Supriya Pathak), and he does everything for her, from taking care of her diabetic medications to helping her with the daily chores. His two sons; Harpreet aka Happy (Gagan Arora), a dutiful son preparing for the IPS in Delhi, and a college student aspiring to be a social influencer, Tegi (Sahil Mehta).
Unfortunately, the dynamics of this family change when Maheep Sodhi (Rachit Bahal), the brother of local politician Ajeet Singh Sodhi (Ranvir Shorey), is shot dead by Happy. Happy's father, Omkar, feels compelled to go to any length to protect his son. But, the incident instills fear in the family, and this high-profile case puts the cops on alert.
Edited by Parikshhit Jha, each taut episode of 'Tabbar' is about 35-45 minutes long. The dramatic plot swings from one extreme to the other while maintaining equilibrium. The writing, on the other hand, is unconvincing at times, especially when the entire family is working to keep their secrets hidden. A slow-burning ethical and emotional squabble erupts as the clamps on central characters-Omkar and his wife-tighten. Even when Omkar's grand plan goes awry, causing logistical issues, the performances remain consistent and the characters continue to engage the viewers. The tempo slows down in the first few episodes, and it takes too long to establish the premise. The second half, on the other hand, is intense and engaging, with the climax serving only as a capstone.
On the face of it, Omkar appears to be an idealistic, upright man. However, after straying too far from his convictions later in the story, his actions simply demonstrate that "all lines get blurred, when it comes to your blood." Pavan Malhotra is commendable as Omkar Singh. He is the driving force behind the show, expertly steering the pivotal character. Supriya Pathak's character Sargun is the pinnacle of strength and nurturing. Her primary role as a mother remains unchanged, but her development throughout the course of the show is impressive. Supriya Pathak plays Sargun to perfection, especially in scenes where she feels guilty and suffocates under the constant weight of trying to save her son. In addition, the meticulous attention to detail, from Sargun's round gold bali's (jhumkas) to the use of Punjabi language and the setup, lends them a more authentic on-screen appearance. The music and background soundtrack by Sneha Khanwalkar also fit in beautifully, striking an emotional connection with the audience.
Gagan Arora has previously played a naive lover boy in rom-com web series such as 'College Romance' and 'Girls Hostel'. He does, however, play a crucial role in this family drama, and he appears to be quite promising and convincing in the role of Happy. Gagan's relationship with the neighbourhood girl, Palak (Nupur Nagpal), remains undeveloped and underwhelming. Nothing to blame the couple for; it's the plot's many layers that divert attention away from them. Paramvir Singh Cheema stands tall over other characters as police officer Lucky, dealing with simple theft cases until he proves himself capable. He's one of the most likeable characters to root for.
Ranvir Shorey is excellent as the local politician Ajeet Singh Sodhi. His persona consists of many different aspects. On the one hand, he is a compassionate individual concerned about his missing brother, but he is also merciless when things don't go his way. Ranvir Shorey's actions and emotions never cease to terrify viewers. In many aspects, his right-hand man, Multan (played by Ali Mughal), is similar to him.
While Tabbar revolves around the Singh family and their strong bond with each other, it's the plot twists and the performances, especially those of Supriya Pathak and Pavan Malhotra, that power this absorbing and intense family drama. The whole premise is a bit dark, but that shouldn't deter you from binge-watching this one.
Right from the beginning, Tabbar doesnt waste much time on unnecessary nonsense. The story starts from the first episode and gets twisted with each episode right till the end. One of the darkest and saddest web series ever made. Tabbar doesnt disappoint at all....
My god what a performance by pawan and supriya. I was confused whether to watch it or not but after one episode I couldn't help myself and binge watched it. Story is so much gripping and thrilling that it will make you glued to the screen. It's a must watch for everyone. It's a Masterpiece.
'Tabbar' is vicious, pragmatic and most importantly; it exemplifies (in a quite conscientious manner) what it truly takes to be a 'Patriarch' of a middle-class ordinary family.
"To what length would a man go to protect his family?" A rather realistic portrayal of this exact mentality can be observed here (albeit a bit contentious, I agree); where family comes first under every kind of circumstance you could ever imagine!
Tabbar's undeniable strength lies in its twisted narration, stellar performances and this never-ending air of tension that never allows you to settle! The approach may not scream perfection, and some may as well be doing unnecessary comparisons to other Bollywood/Regional works; still, from my point of view, the execution as a whole inevitably finds its footing and remains resolute until the credits roll.
Not to mention, all that typical, caricaturish drama and so-called Bollywood-ish treatment slowly and gradually die down and only then do we get to witness the true quality underneath.
Now moving on to the deficiencies, alongside the obvious Caricaturish drama, or the Bollywood-ish treatment, the fundamental characterization is probably the most fragile characteristic here. Not taking away anything from the cast, as most of them did respectably well enough (Barring Pawan Malhotra & Supriya Pathak, they were sensational); It's just that the writing on certain characters leaves a lot to be desired!
Had this series provided a bit more time in each one of their philosophies, or made episodes specially designed and dedicated to each one of those central characters; the outcome would have been far more meaningful and justified. I'm telling you all this cause, they did forget to tie up some loose ends. As you shall see!
"To what length would a man go to protect his family?" A rather realistic portrayal of this exact mentality can be observed here (albeit a bit contentious, I agree); where family comes first under every kind of circumstance you could ever imagine!
Tabbar's undeniable strength lies in its twisted narration, stellar performances and this never-ending air of tension that never allows you to settle! The approach may not scream perfection, and some may as well be doing unnecessary comparisons to other Bollywood/Regional works; still, from my point of view, the execution as a whole inevitably finds its footing and remains resolute until the credits roll.
Not to mention, all that typical, caricaturish drama and so-called Bollywood-ish treatment slowly and gradually die down and only then do we get to witness the true quality underneath.
Now moving on to the deficiencies, alongside the obvious Caricaturish drama, or the Bollywood-ish treatment, the fundamental characterization is probably the most fragile characteristic here. Not taking away anything from the cast, as most of them did respectably well enough (Barring Pawan Malhotra & Supriya Pathak, they were sensational); It's just that the writing on certain characters leaves a lot to be desired!
Had this series provided a bit more time in each one of their philosophies, or made episodes specially designed and dedicated to each one of those central characters; the outcome would have been far more meaningful and justified. I'm telling you all this cause, they did forget to tie up some loose ends. As you shall see!
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