Les enfants des autres

... this is a film should you not feel much for what her character goes through, you'll miss the point of lots of really good acting skills and very good movies in addition

... she has such range, they both do... matched together they give one of the really great film productions of 2022... lots going on onscreen, and all of it you feel so directly, even though you might never have been a part of any of it... as said, they're always good, this is one film that must be watched again, and it will loose nothing in more viewings.. a timeless work by great actors of today... still having many years-works remaining in their careers.

For a lot of people, women not being able to get pregnant falls into the category of first world problems. And I'll admit that I haven't given much thought to that scenario, having the luxury of 1.) being a man and 2.) having a wife who was able to easily conceive exactly when we decided to have children. So for someone like me, "Other People's Children" does a pretty good job of personalizing what it feels like for women who feel the child-bearing window of opportunity closing. It also explores how callous the world can feel to those women, and how much the world of parenthood is taken for granted by those who didn't struggle to enter it.

That said, this movie is missing something that would have made it really memorable. There's nothing wrong with it, but I see it fading into the background quickly, and I doubt I'll give it a second thought when I'm looking back at the movies I've seen this year. Virginie Efira gives a lovely performance (and reminded me at times so much of Stockard Channing), but her performance would be more memorable if the movie around her was stronger.

Grade: B.

Saw this at the 2023 Sundance Film Festival

"Other People's Children" is a story about a childless woman forms a deep bond with her boyfriend's young daughter. This is director Rebecca Zlotowski fifth feature film and I have seen two of her previous works which are "Planetarium" and "An Easy Girl". Planetarium was really bad and An Easy Girl was pretty good. Here, Zlotowski provides good direction and wholesome scenarios despite having a predictable narrative. Various films about childless woman, romance and bonding had been explored before and for the most part, despite a few different approaches on the subject, it was mainly simple.

Many of the romance movements and motivations were basic and pretty standard for a typical French romance story. What makes the film still interesting was the direction, beautiful production and designs and a strong performance from the main lead actress Virginie Efira. Efira's performance was incredible as she captures every emotion from her character and has good chemistry with Roschdy Zem. The two lead performances helped to give a certain charm between the two characters and helped to make them pretty interesting. The child actor was also pretty good and adorable.

Besides a simple story, there were some moments that didn't do for me as some of the soundtrack choices were a little off-putting and some of the pacing could have used some work. With the main characters, there were side characters that felt a little out of place or underdeveloped that I wish could have been explored a little more. However, despite being predictable, I was still able to connect with the movie emotionally and still be invested with what is happening around them. I appreciate Rebecca Zlotowski approaching this story with a different point of view and I do look forward what she has to offer next.

Rating: B-

Terribly heartfelt and poignant at expressing what it's like to want something that you cannot have. It goes on one step further to tell what it's like when everyone seems to be taking that for granted and seems to be getting that one thing easy.

Embodied through Virginie's character, the metaphor of not having a child symbolises much more in our daily lives, a longing for the mundane things that some of us just cannot have. The film leaves and open slate for us to fill with what those mundane things are that we see others get so easily that we seem to not be able to get.

The movie also tells us about how cyclical this process is and even how sometimes we never get those things but just stay watching what we want drift away as we look on sadly.

A rom-com à la française is still a rom-com, and this is a particularly poor one. Why it's currently being shown with the imprimatur of Film at Lincoln Center I cannot fathom. The film involves some talented performers, particulalrly Roschdy Zem. I'm even willing to believe that Virginie Efira, the protagonist, is in fact talented. But director Rebecca Zlotowski's obsession with her is carried to such a a discomforting extreme that 80% of the film (I may be exaggerating just a little) is made up of tight shots of her face striking different attitudes, without a lot of the kind of background or build-up that would justify most of them. And one of the more interesting plot lines - she's Jewish, he's named Ali and is thus presumptively Muslim - goes totally unexplored. You get a lot of performative Jewish observance, but nothing about his heritage, whatever it may be (the niceties of French republicanism allow this to pass without comment). Like his excessively cute daughter, Ali isn't a full- blown charcter, he's just a plot device. All the attention is on Efira'a character, her concern over what may be premature menopause, and her poorly backgrounded neuroses. None of which is developed to the point where this viewer, at least, was particularly interested. More romantic views of Paris are inserted than are justified, other than for marketing purposes - compare and contrast with the current and far better, more substantive Everything Went Fine, a film set in Paris in which there is not a single shot of the Eiffel Tower or any other hint of Paris la romantique, but that is rigorously set in the Paris that people actually live in.

To go one would be cruel, and pointless, like the film itself, which is a real dud. Good music score, though.