L'Irlandais

I saw this movie in Galway at the film Fleadh. Dit it entertain me? Absolutely. Would I buy it on DVD / Blu Ray ? Another yes. Funnier than The Hangover [1st film] In my opinion yes. However just like that film you have to decide very early on to suspend your disbelief and just go along for the ride.

I feel a little for John Michael McDonagh as he will no doubt always walk in the shadow of his brother. Which is a burden most writer / directors do not have to deal with. Already an early reviewer has compared it to In Bruges. I think I gave In Bruges a ten star rating. This has an eight. In Bruges - as extraordinary as it was - had a whiff of truth about it and the danger in the movie was real. Here the action is so cartoon that it generates no tension at all, and you never really fear for the characters. Of course Gleeson is in both movies and in my opinion give a much better performance in In Bruges. . Here he is just having fun. Who can blame him... The characters in The Guard are drawn with very broad brush strokes, and lack any kind of subtlety. The sub-plot involving Fionnula Flanagan feels bolted on and slows the movie down. It's intended to show the main character has a softer side, but you can get that through the thrust of the main story, and the elements are there to take advantage of this. Simple things that could have been done to add a little more realism and heart to the movie that would have generated greater emotion, depth of feeling, tension, jeopardy and ultimately bigger laughs.

At the Q & A afterward it was suggested the script was written in 13 days. Clearly that was just a first draft - but I do think subsequent drafts were not worked hard enough. As sometimes there isn't enough breathing space between the jokes... so the bigger gags / situations don't build in the way they should. Or a moment of compassion is lost because a laugh comes rolling on top of it due to a cheap gag.In that respect it feels to me as if the writer / director is still learning pace and rhythm. It's very common in comedy where a writer doesn't want to lose what he feels is a good gag - but sometimes you have to cut gag A in order to get a bigger laugh on gag B. A stronger script editor on the film could have made all the difference.

So all in all it is a bravo. I very much enjoyed the movie. I do expect John Michael McDonagh to go on to bigger and better things and I wish the movie great success. After all 8/10 is a great score.

Screenplay writer John Michael McDonagh's directorial debut, "The Guard" (2011) is really a fine movie, relying the least on the originality of its story, describing criminal proceedings of the group of cocaine drug-smugglers and their interaction with local police, set against the backdrop of small-town western Ireland, however, filled with crackling good dialogue, sparkling with wisecracks, accompanied with nice scenery and pleasant, unobtrusive music. But, what makes it the best is its protagonists' performances.

Brendan Gleeson is usually natural, making the character he plays fit like a glove—whether the robust and humorous loyal buddy and the warrior, as in "Braveheart" (1995), or a quiet and subdued aspiring politician, as in "Gangs of New York" (2002), or a non-supportive father, civil war volunteer-turned-deserter, as in "Cold Mountain" (2003), whether the gentle, mentoring, culture-exploring hit man in hiding, as in "In Bruges" (2008), or on the other side of the law, the grouchy police sergeant with defiant, often dissident sense of humour (provocative in one-liners like "being FBI, don't you prefer to fight unarmed women and children…"), as in this movie--and Don Cheadle, in the role of FBI agent Wendell Everett, a bit in the shade of Gleeson's Gerry Boyle, but nevertheless, sufficiently competitive ("Langley is CIA, I'm FBI…"), neat and convincing in his performance as always. (I admit to have a soft spot for this actor since his impressive role of the manager of Kigali Mille Collines hotel in the movie "Hotel Rwanda" (2004), the very same hotel I have been frequenting for two months in 1995, just a year later to tragic events described in the movie.)

To a pretty frequent movie goer like myself, who hasn't seen a single en par (or better?) leading actor in this year that is rapidly advancing towards its end, it is hard to believe that very many better acting performances could be demonstrated in the remaining two months or so. Therefore, if Brendan Gleeson does not find himself at least among top nominees for any yearly awarded film prize, I'll have a problem finding such decisions just.

As a marginal note, I was lucky to watch this movie back home in my motherland, because having it subtitled was very helpful in order not to miss any of sergeant Boyle's wisecracks, delivered often in heavy Irish accent, and to understand at all occasional lines, uttered by marginal characters, spoken completely in Gaelic. Of course, point was not to be understood by English native speakers, but it was still interesting to know what usual "advices" (if not insults) were given to English speakers, though eventually not English (as FBI agent!) at all. As Irish colleague of mine once said… "We don't sing songs in Gaelic so English people cannot understand how badly we talk about them, they know it already! We sing in Gaelic simply because that's our traditional language (N.B. official whatsoever), and songs sound much better and sweeter in it."

A shipload of cocaine worth $500Million 'Street Value' is coming into Ireland, and the only people who can stop it is Gerry Boyle (Brendan Gleeson) and FBI agent Wendell Everett (Don Cheadle).

Wendell is a straight laced privileged guy on a mission. Gerry is an irreverent drug-doing whore-doing racist-commenting loudmouth cop. So Wendell takes him as an idiot at first. But it's soon obvious to Wendell that Gerry is the smartest guy in the room and he knows all the local players.

Brendan Gleeson has created one of the funniest raunchiest cop character ever. Where else are you going can dialog like this?

"I'm old enough to be your father."

"Well, you can think about that while you're f**king us, if that turns you on."

Michael McDonagh is the brother of one of the funniest writers in the world just now. Like him, he is a foul mouthed upstart with a unique ability to investigate Irishness with tremendous energy and vividness.

I was lucky enough to attend the premiere in Edinburgh this week and enjoyed what is another great addition to the McDonagh canon of work.

Inevitably it has to be compared to the superior In Bruges but this is no lightweight cast off. Particularly when it one again focuses on a heavyweight performance by Irish heavyweight, Brendan Gleeson. In "In Bruges" Gleeson had to battle for compliments against Colin Farrell who has never performed better and had most of the best lines. Not here. This is all Gleeson, ably abetted by Don Cheadle as the Black FBI agent drafted in on the back of a glittering career to track down a bunch of slightly bungling drug runners in sleepy old Conemarra - Gleeson's patch.

Gleeson and Cheadle spar well and develop a likable relationship, despite this it's not the heart of the movie; that belongs, again, to Gleeson in a tour de force performance.

Cheadle's good and is a great foil. The baddies are less well developed characters and, for my taste, were slightly too caricaturised.

It's not a life changing film but it has to be seen for Gleeson's complete mastery of McDonagh's marvellous script.

Sergeant Gerry Boyle is a rather unconventional police officer – and perhaps not as effective as he could be. When the FBI trace major cocaine players to his district, Boyle is surprised to find that none of them are black or Mexican, but ends up assisting FBI agent Wendell Everett who, for his money, cannot work out if Boyle is really smart or really dumb.

The scenario with The Guard makes it sound like a standard fish out of water tale (with Everett being the fish) or another buddy-cop movie where two conflicting or bickering partners come together to solve the case. True, it has things in common with this genre in its dialogue and gun-fire, but this film is much more like someone took such a genre film and handed the script to the Cohen brothers and Graham Linehan to work on. The plotting is pretty straightforward here but it is the comedy that drives it. Those looking for the easy broad laughs suggested by the trailer might be disappointed because the film is funny because it has great characters and dialogue that is infuse with a wonderful Irish melancholy. Free of sentiment, the film is funnier for it because it is just so wonderfully odd.

The heart of the film is Brendan Gleeson and he owns it. He gets his character just right and has great comic timing and delivery, making the most of the dialogue which is wonderfully shocking and funny throughout. Writer and director McDonagh did an interview recently where he was acerbic and a little too honest about his feelings about his younger brother's success, and he uses this dark edge well in his writing, as well as mixing in visual and musical references to good effect; his script is as strong when it comes to one-liner jokes as it is in regards the brutal humour of his characters unsentimental realism. I'm not sure how they got Don Cheadle on board, but he is pretty good and to his credit the Hollywood star knows that he is supporting Gleeson, which he does. The supporting cast has Cunningham and Strong as philosophising drug dealers and they are as good as the entire supporting cast because the script is great for all the characters.

Overall, The Guard is a hard film to pigeonhole because while it is essentially a mismatched cop partner comedy, it is infused with a real oddness and dry Irish no-nonsense humour that works really well. Gleeson loves every minute of it and dominates the film while everyone wisely plays their part to support him in his lead role. McDonagh does a great job and The Guard will more than help him with his sibling rivalry.