Elles

I was expecting Juliette Binoche to be as fabulous as she normally is, but she was the disappointment among the three female leads.

To be fair, I think it was the fault of the part, rather than faults in her performance. I think the idea was that her character, the journalist, got so involved in what she was researching and writing that she forgot about her own life and family until the story was finished; but the result was that her character was just a mess.

What I liked about the film was what seemed to be a much more honest and realistic portrayal of the two prostitutes than we normally see. Both were very believable. Both students, one (Anaïs Demoustier as Charlotte) in control of what she was doing, and the other (Joanna Kulig as Alicja) drinking to much and seemingly headed for disaster. Both of them liked sex; Charlotte liked the sex she had with her customers apparently just as much as she liked the sex she had with her boyfriend. You don't see that in Hollywood movies. In Hollywood movies the prostitutes never kiss and they never have orgasms, and they all hate what they're doing. In this film, Charlotte didn't hate it at all, in fact she liked it a lot; whereas Joanna said that she liked it, and seemed to like the physical sensations, but also seemed to hate the idea of what she was doing. That seemed pretty realistic to me.

There were two things that struck me particularly. One was quite early on in the film, when Juliette Binoche asked Charlotte why she kept working. The answer was that the money was hard to give up.

The second was from Charlotte again, and again in answer to a question from Juliette. The question was, what was the worst thing about the work, and the answer was having to tell lies all the time.

Both of those things rang pretty true to me.

So what it comes down to is a more realistic portrayal of prostitution than we normally get, but a rather messy movie with a rather messy central character.

According to some reports, great many female students in France financed their studies from prostitution. This film starts from this report. Juliette Binoche plays the journalist who interviews two of these girls. Many times.

She tries to analyze it all from a cold professional view, but finds that she is the one who changes and maybe also gets analyzed. The girls tell her they are abused sometimes, but Binoche is the one who takes the biggest injuries.

Interesting film about "Western morals" declining more and more in all ways, since we're not interesting in sharing profits like we used to. But the film is a little cold and and analyzing, just like a professional journalist should be.

In the enjoyable but ultimately silly film, a wealthy Parisian journalist interview a couple of students who are earning their way through college working as prostitutes. Expecting to pity them, she finds herself envying (and fancying) them; the film makes the point that interviewer and interviewees alike inhabit a world that is full of rich men and luxurious surroundings, but the working girls have a measure of sexual excitement and control lacking in the married life. Now I can accept that not every prostitute is drug addicted, enslaved and so on: but it's hard to believe in the romantic and glamorous way their lives are depicted. Interestingly, this is a film directed by a woman, and starring three women as well: clearly the stereotype of the high-class hooker has enduring appeal to both sexes.

This movie, like another recent French movie "Student Services", exposes the apparent current social problem of impoverished Parisian female university students resorting to prostitution. In America movies like this are generally preachy and alarmist and usually relegated to the Lifetime network where they're viewed mostly by bored housewives. I'm not exactly sure WHO these French movies are aimed at though, and they seem a little hypocritical. If you REALLY want to de-glamorize co-ed prostitution should you show quite so many scenes of impossibly attractive French actresses like Deborah Francois (in "Student Services") or Anais Demoustier (in this) having hot, naked, kinky sex? Women might appreciate the social message here, but most men will find it a little hard to concentrate on the message what with all the blood flowing from their brains to their boners. Even the middle-age female protagonist of this movie, a journalist played by Juliette Binoche, is so turned on by audiotapes of the Demnoustrier character's sex sessions that at one point she has to go in the bathroom and pleasure herself. She becomes so obsessed with her "expose" that she neglects her husband and children. She's definitely a strange, and not particularly likable, character.

The movie is also surprisingly kinky. Demoustier's prostitute character has wine bottle inserted in her butt by a sadistic client. Another Polish prostitute has her large breasts urinated on. These scenes aren't graphic, of course, but the fact that they're included at all--combined with a rather muddled moral message--definitely tends to move this toward lurid exploitation.

Binoche is not very good in this, but it might be the character she's saddled with. Demoustier is both sexy and adorable, but doesn't have much of a role, and her character pretty much disappears after the assault with the wine bottle. I didn't dislike this movie, but I prefer the similar "Student Services". It too seems a little at odds with itself message-wise, but it gives the major role to its sympathetic prostitute character. And it's not QUITE so exploitative and hypocritical.

It's a film based around a journalist writing an article about student prostitution and her life as a housewife and it touches on the lives of two prostitutes. It's a strangely intimate story complemented by beautiful music and very erotic scenes. Miss Binoche is superb with all her usual beautiful nuances and command of the screen.

It's a film about the universe of a woman's soul and it's rather compelling. I thought it was great and it lingers with you, its inconclusive and that makes you draw your own conclusions, so the film will be different for everyone. I drew we are all alone and no-one really knows us.