Another Earth

Wow. This is one of those thought-provoking films that will stay with you long after it's over.

It was impeccably co-written by Brit Marling - who's also the lead, and co-written and decently directed by Mike Cahill, in his first full length feature film. The fact a new filmmaker took this vision and gave us this beautiful independent little gem - on a 100k budget, is incredible. This is better than some films I've seen lately put together by seasoned filmmakers.

It's not your typical sci-fi, but it will spark the brain and move your soul. It's a muted story of atonement and forgiveness, in a quietly moving parable of redemption from the choices we make. The ending was perfection, as it answers that question you'll have, and leaves something extra for the imagination. The cinematography was excellent, and the score absolutely fitting and amazing. Casting and performances were spot on.

My only issue was Cahill's annoying and pointless fast zoom-ins, and the unnecessarily slow pacing, that made the normally pleasant 92 min runtime feel much longer. But nevertheless, for a new filmmaker on a limited independent budget, this was a gem to watch. It's a well deserving 8/10 from me.

This is not a commercial movie, but something like a documentary shot with a commercial movie like quality.

The storyline in the IMDb main page describes the premise of this movie, but thats not what this movie is about.

The other planet thing is just like the background music, its there for effect. Other Earth is all about beauty, the attention to detail and the simple yet delicate story.

Its a lot like those many many beautiful Japanese movies (Tokyo Story comes to my mind, though I have to say its not as good as that). Its a beautiful journey, and when its done you lie back and think about its beauty.

This movie is highly recommended if you enjoy simple movies like those.

This is not a sci-fi and even the logic behind the other planet is too far fetched and they don't even hide it, they never go into any scientific details. There is also no action, nor is it a thriller.

Cheers. :-)............

Hammer your expectations down through the rocks. Here, let me help you. There's 1000's of fellow IMDb'ers who thought the movie sucked horribly. A lot of suckage. It's not that great. It's not sci-fi. If you're thinking of another movie to compare this to, no matter what you pick, this one'll fall terribly short.

To the facts, Brit co-wrote the movie, she's gorgeous. I probably would've given up half-way if it wasn't for the mysteriousness she portrays. That face, gawd! Made on a shoestring budget. Heck, Brit had to do her co-star's make-up in between shots. This is a movie made with passion, and a lot of faith that they'd done good stuff.

Well, let me sorta paint my experience watching 'Another Earth'. Glued to my seat, for an hour and a half, almost as if this was a thriller? I'm serious. Captivated by the gorgeous shots of 'earth 2'. Waiting for the little streams of info being released ever so stringently -- the announcement on the radio as they discover earth 2, and a whole bunch more. I've already mentioned how captivating Brit is.

What? No Sci-fi? There's definitely food for the sci-fi enthusiast. The premise comes from a mixture of new-age string theory of the multiverse kind. The ending'll have you wondering about Einsteinian space-time implications.

The core of the movie is largely philosophical. Forgiveness. Rebirth. etc. Kept me struggling throughout with my emotions about the main character. Past the acting. How much forgiveness can the viewer unleash? And is it justified?

Chill out, leave your expectations at the door. You may not like it. It's slow. It demands your attention, so keep away from the caffeine. You might not feel the same way about Brit though. She's gorgeous. She really is. It's just a well-made passion-filled indie-flick. It's got some gorgeous imagery. The atmosphere, constantly thick, with color and emotion. This review's gone on way too long. Indie flick of the year? Gets my vote. Who cares?

Oh BTW, its possible your friends'll hate you for recommending this. Especially if they're the kind that finds it hard to appreciate photography, artsy stuff maybe, and don't have much patience, you know, generally. So there ya go, one final reason for you to dig this flick. The fact that you like it -- yeah it'll be one of those things you look back on and say 'Hey, I really am different. I appreciate interesting deep stuff. I'm like an artist, philosopher, or something. neat!'. Holy hell. What? Is that really why I...

Mike Cahill's film "Another Earth" is less a sci-fi spectacle and more a deeply introspective drama, exploring profound questions about identity, forgiveness, and the possibility of second chances. While the backdrop of a parallel Earth adds intrigue, the heart of the movie lies in the human story of Rhoda Williams, portrayed with haunting sincerity by Brit Marling.

The narrative kicks off with a devastating tragedy. Rhoda, a brilliant young woman accepted into MIT's astrophysics program, drives drunk after a celebration and causes a fatal accident, killing a mother and a child and leaving the father, John Burroughs, in a coma. This event derails her promising future, plunging her into a life of guilt and isolation. Years later, in an attempt to seek atonement, she approaches Burroughs under the guise of offering cleaning services, unaware that her actions will intertwine their lives in ways neither could anticipate.

The central dynamic between Rhoda and John (played by William Mapother) is emotionally charged, as their relationship slowly evolves from a hesitant connection to something deeper. However, Rhoda's hidden guilt creates a poignant tension, underscoring the fragility of their bond. This intimate drama is what drives the film, making it a compelling character study.

The sci-fi element, represented by the discovery of Earth 2-a parallel planet that might house alternate versions of its inhabitants-serves more as a metaphor than a plot device. It symbolizes the potential for a new beginning, a chance to confront our past and imagine lives free of regret. However, the movie wisely avoids delving into the mechanics of this parallel world, focusing instead on the emotional resonance it holds for its characters.

Visually, "Another Earth" embraces the aesthetics of independent cinema with a modest budget. While the handheld camera work occasionally detracts from the reflective tone, it also adds a raw, unpolished feel that matches the emotional states of the characters. A more polished approach might have enhanced its meditative quality.

For those of us expecting a traditional science fiction experience, "Another Earth" might be disappointing, as it turns out to be a deliberately paced indie drama, which might seem slow or even monotonous.

There are more than a couple of things going on here. For the casual viewer, this may be invisible to the naked eye. Having said that, if you pay a little attention, you will not only comprehend its core message, you will begin to truly appreciate the concept behind its making. Do not be thrown off by its subtle science fiction elements. If you find yourself questioning its genre, the actual story lies firmly wedged between drama and art. For this reviewer, the sci-fi aspect stands as a metaphor that powers the film's message.

17 year old Rhoda Williams (Brit Marling) has just been accepted into MIT (Massachusetts Institute of Technology). Her celebration is short-lived when after a night of partying, crashes her car into a vehicle driven by John Burroughs' (William Mapother), instantly killing his wife and son. Although Rhoda appears to be intoxicated, her distraction comes from a radio broadcast stating the discovery of a planet that closely resembles Earth. Four years later, Rhoda is released from prison; her spirit broken and dreams shattered, she takes up a janitor's position at a local school. At this point, there are various theories about the other planet. When contact is made, it is established that the other planet is in fact a mirror Earth having entered our solar system from a parallel dimension. Preparations are made to travel to the other Earth and Rhoda participates in a competition to become one of the first civilians to accompany astronauts to the approaching mirror Earth. After cleaning the school for some time, Rhoda approaches John with the intention of apologizing for her carelessness, but loses her nerve and poses as a maid-to-order cleaner. A music professor at Yale, John has become an alcoholic with disregard for his profession ever since the accident. He buys into Rhoda's pretence and has her clean his house once a week. In time, she helps him overcome his grief but never discloses who she really is. Just when they seem to be drawn to each other, Rhoda wins the competition to travel to the other Earth. She must now decide between confronting her demons and telling John the truth or escape her past and start a new life on the other Earth.

Until this point, the story unfolds remarkably in an easy to watch, evenly paced narrative. As a viewer, I was captivated right from the start. Co-written by Marling and director Mike Cahill, the screenplay has impeccable character detail relating to ample areas that allow us to probe within our own faults and limitations. As the lead character, Rhoda Williams is a bright individual with an even brighter future who throws it all away with just one stupid mistake. How many of us can look within ourselves and honestly claim that we have never made a mistake worth regretting? If you can raise a hand to that question then you must be a renowned hero, or one very self-righteous individual. Cahill's biggest accomplishment is in Rhoda's character study— An intelligent and ambitious teenager reduced to a confused and troubled adult, but a wiser one having learnt from her mistake. In giving life to this character, Marling is flawless and ironically powerful as a helpless woman fallen from grace. After this movie, I can only expect that we are about to see a lot more of Marling in the years to come. William Mapother as John is almost as inspiring as a man who has lost everything but the heart to recovery. With nothing to lose, it is always easy to give up on life, but Mapother does an exceptional turn around with John and gives closure to his character. Kumar Pallana has very few scenes in this movie but plays a vital role in mentoring Rhoda into redemption. He does this without much dialogue but with uncanny screen charisma.

As a debut directorial, Cahill also gets top credit for the picture post-card cinematography. Beautiful would be an understatement. We have cinematography dependent films with similar themes in GATTACA and SOLARIS, but nothing compares to the way Cahill renders his landscape in this movie. Also noteworthy is the pulsating score, used sparingly but effectively. Additionally, there is a scene on how to make music using a tool that is usually annoying to the ear. Amazing! For a shoe-string budget, this film did not win two awards at the 2011 Sundance Film Festival by pot-luck. That alone should silence haters for questioning the film's scientific logic or lack of. This is not about conquering another planet (done to death!) or alien invasions. It is about redemption through self-discovery and re-invention of one's self esteem by learning from the past and learning to let go of the past. It is about looking at a mirror image of one's self as opposed to assuming everything is perfect. For a drama, this film is as beautiful as it is poetic. Just don't expect any eye-popping special effects. There are tons of other movies catering to that need.