IMDb RATING
6.3/10
5.1K
YOUR RATING
Follows two childhood friends who drift into a mysterious sea with an entire housing complex.Follows two childhood friends who drift into a mysterious sea with an entire housing complex.Follows two childhood friends who drift into a mysterious sea with an entire housing complex.
- Awards
- 1 nomination total
Mutsumi Tamura
- Kosuke Kumagai
- (voice)
Asami Seto
- Natsume Touchi
- (voice)
Ayumu Murase
- Noppo
- (voice)
Inori Minase
- Reina Hama
- (voice)
Kana Hanazawa
- Shuri Ando
- (voice)
Bin Shimada
- Yasuji Kumagaya
- (voice)
Rikako Aikawa
- Yasuko Kumagaya
- (voice)
Nana Mizuki
- Satoko Tonai
- (voice)
Aya Endô
- Ferris wheel girl
- (voice)
Masaaki Ihara
- Yuta Kumagaya
- (voice)
Junji Tachibana
- Worker
- (voice)
Ryûnosuke Watanuki
- Worker B
- (voice)
Ayano Shibuya
- Chieri
- (voice)
Minami Iinuma
- Moe
- (voice)
Yuki Tanaka
- Aoi
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Drifting Home (2022)' is an animated adventure that sees a group of elementary schoolers trapped inside an abandoned apartment block as it floats along a seemingly endless sea after a spout of torrential rain floods what seems like the whole world. Is it real? Is it a dream? Is it a poorly conceived allegory? Don't expect an answer to that, as the flick never even attempts to tackle its ambiguities. That's not necessarily a bad thing, but the way in which it's done leaves quite a bit to be desired. Of course, that's a relatively minor issue in the grand scheme of things. That's because the flick suffers from a much more destructive flaw: it's way too long. Marching past its anticipated ninety minute runtime and barrelling headfirst into triple digits, the piece unflinchingly stretches its relatively repetitive plot far past the pinnacle of its elasticity. There are about four different endings, each of which visualise the same central conflict in a slightly different way. The way in which its stubborn characters constantly regress away from the growth that's often within their reach is rather interesting, but it happens once or twice too often to feel satisfying and actually seems a bit accidental when you consider the other pacing problems the piece has. It's worth mentioning that the characters are rather well-rounded and generally have an underlying complexity that's perhaps unanticipated. However, a few of them are certainly less developed than the others, acting more as filler than anything else. All of them are brash, immature kids who shout and scream and cry and kick off for no real reason, which is as realistic and believable as it is annoying and (potentially) off-putting. The animation does a good job of conveying the story, though there are some instances of really odd framing that seem to only exist as they do so that the animators can avoid doing lip-sync in a couple of scenes. Generally, it's a visually pleasing piece that eventually contrasts lots of colour and vibrancy with the tangibly gritty milieu of its decaying brutalist setting. It's not the most aesthetically astounding anime I've seen, but it's certainly well-achieved and keeps you engaged - visually, at least. The film makes obvious efforts to be emotionally moving but it ends up dealing in overblown melodrama more than considered poignancy. Its emotional elements definitely work on occasion, though, and they hint at a more powerful picture hidden somewhere within this one. Ultimately, this is a decent animated effort that struggles with a strained pacing but has some enjoyable moments sprinkled throughout its unfortunate two-hour runtime.
Very complex plot not intended for kids. At the surface the plot might seems a supernatural teenage story. But for old school Japanese anime lovers they would appreciate and understand the story which discusses childhood trauma and its effect (isolation, anger, emotional numbness and failed relationships).
The plot was extraordinary, using the water and storms as metaphor for emotions and feelings and stressing on the importance of close relationships.
I don't understand the low rating of the movie, I think most of people didn't get it. It reminds me so much of studio ghibli movies, entertaining but with an important message.
A movie that provoks emotions and leave you with a feeling of loss and relief at the same time.
The plot was extraordinary, using the water and storms as metaphor for emotions and feelings and stressing on the importance of close relationships.
I don't understand the low rating of the movie, I think most of people didn't get it. It reminds me so much of studio ghibli movies, entertaining but with an important message.
A movie that provoks emotions and leave you with a feeling of loss and relief at the same time.
The art is very beautiful and the environment is visually enjoyable to watch, I really loved the colors and the graphics. The story itself had a lot of potential, especially when it comes to the mystery character.
However, the story just doesn't go deep enough in my opinion, and has the focus on the wrong thing. Instead of exploring the real mystery about the situation, the whole focus story wise is on the two main characters and how they are "like siblings", except they are just not that interesting. These two don't develop at all, they stay exactly the same and you can predict exactly what they will do. They keep repeating the exact same story about their life by thinking about memories that keep repeating pretty much the same point, as barely anything really happened in their life to begin with. They keep arguing about the same childish things in the most unrealistic times, when there are clearly more important things for them to worry about. Everything about these two characters is just very repetitive through the whole movie, even though everything else about the movie could be way more interesting, and gets completely neglected by the script. Majority of the other characters are just there for the sake of saying there are more characters, and we barely learn anything at all about them.
There are so many great directions this could have gone if the story was actually about the drifting house and if they explored Noppo's backstory more, but sadly it ended up mostly as a drama story about two children who keep talking about how they use to live together, and argue for no reason in every situation that makes zero sense to argue on.
All that said, everything other than the story about these two characters is still nice to watch, it's just hard not to feel like there are so many easy ways that this movie could have been better.
However, the story just doesn't go deep enough in my opinion, and has the focus on the wrong thing. Instead of exploring the real mystery about the situation, the whole focus story wise is on the two main characters and how they are "like siblings", except they are just not that interesting. These two don't develop at all, they stay exactly the same and you can predict exactly what they will do. They keep repeating the exact same story about their life by thinking about memories that keep repeating pretty much the same point, as barely anything really happened in their life to begin with. They keep arguing about the same childish things in the most unrealistic times, when there are clearly more important things for them to worry about. Everything about these two characters is just very repetitive through the whole movie, even though everything else about the movie could be way more interesting, and gets completely neglected by the script. Majority of the other characters are just there for the sake of saying there are more characters, and we barely learn anything at all about them.
There are so many great directions this could have gone if the story was actually about the drifting house and if they explored Noppo's backstory more, but sadly it ended up mostly as a drama story about two children who keep talking about how they use to live together, and argue for no reason in every situation that makes zero sense to argue on.
All that said, everything other than the story about these two characters is still nice to watch, it's just hard not to feel like there are so many easy ways that this movie could have been better.
When it comes to the fantasy genre, anime movies have a lot to offer. Which is why I was looking forward to this movie.
Drifting Home is a movie that could have been really good. But, it tries to be 2 things at once. I admire plenty of stuff about this movie. I think there's a really sweet friendship at the core of the movie, some good teenage drama (except for one character, who I thought was very annoying), a couple of good character stories, interesting supernatural entities and really good direction. There are many shots in this movie which are beautifully drawn. And it actually has some intense escape sequences which I didn't expect.
It's just that this movie can't decide what it is. If this was a 90 minute school drama, I might have really enjoyed this. If it was a supernatural mystery with some character building as well, I would have really enjoyed that as well, because the first hour was a great setup for a mystery. But it's neither of those things. It takes 2 hours of runtime trying to be both at once which didn't work for me. Since it sees itself as a drama it doesn't explain many of the supernatural stuff that happens convenient for the sake of the characters and the plot. And the drama in the middle of all the disastrous stuff happening, worked for once but it got really repetitive after a while. In the end it just dragged on and got a bit messy. I don't think it's bad at all. It's just that it could have been a lot more than it is.
Drifting Home is a movie that could have been really good. But, it tries to be 2 things at once. I admire plenty of stuff about this movie. I think there's a really sweet friendship at the core of the movie, some good teenage drama (except for one character, who I thought was very annoying), a couple of good character stories, interesting supernatural entities and really good direction. There are many shots in this movie which are beautifully drawn. And it actually has some intense escape sequences which I didn't expect.
It's just that this movie can't decide what it is. If this was a 90 minute school drama, I might have really enjoyed this. If it was a supernatural mystery with some character building as well, I would have really enjoyed that as well, because the first hour was a great setup for a mystery. But it's neither of those things. It takes 2 hours of runtime trying to be both at once which didn't work for me. Since it sees itself as a drama it doesn't explain many of the supernatural stuff that happens convenient for the sake of the characters and the plot. And the drama in the middle of all the disastrous stuff happening, worked for once but it got really repetitive after a while. In the end it just dragged on and got a bit messy. I don't think it's bad at all. It's just that it could have been a lot more than it is.
A lovely visual treat with an inventive story idea.
I love that this was a contemplative movie with serious culture shots fired through it. From vintage snack treats, to the feeling of growing up and the old buildings and places you frequent then lose but the memories remain. The intro credits sequence of the buildings getting built as their lives continue across the process was very well done. Strong japanese city details from the views to the sounds. Very authentic and detailed.
It is a long movie and the last 1/4 where they're jumping into the ocean to save each other got repetitive and didn't really yield the payoff for the action it delivered.
The destination wasn't as deep or perfect as it could have been but I think we knew that was going to happen by the half way mark. This movie posed thoughts rather than delivered answers and it was as much about the journey as it was the destination.
It's great to have another movie with no baddies (antagonist) or violence in it that can still hold your attention and activate your mind. Western cinema has stagnated on that concept and can't seem to think it's way out of that cul de sac. It is to Japan's credit that they can.
I love that this was a contemplative movie with serious culture shots fired through it. From vintage snack treats, to the feeling of growing up and the old buildings and places you frequent then lose but the memories remain. The intro credits sequence of the buildings getting built as their lives continue across the process was very well done. Strong japanese city details from the views to the sounds. Very authentic and detailed.
It is a long movie and the last 1/4 where they're jumping into the ocean to save each other got repetitive and didn't really yield the payoff for the action it delivered.
The destination wasn't as deep or perfect as it could have been but I think we knew that was going to happen by the half way mark. This movie posed thoughts rather than delivered answers and it was as much about the journey as it was the destination.
It's great to have another movie with no baddies (antagonist) or violence in it that can still hold your attention and activate your mind. Western cinema has stagnated on that concept and can't seem to think it's way out of that cul de sac. It is to Japan's credit that they can.
Did you know
- ConnectionsReferenced in AniMat's Crazy Cartoon Cast: The Awards are Approaching (2022)
- How long is Drifting Home?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Hogar a la deriva
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.20 : 1
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