Yue Lao

This was definitely not simply a romance genre. It has a little bit of horror in it, and incorporated many references to urban legends, which was pretty well done (if you are raised in Asian culture you made not get them). Story was unique with some nice twists. The acting was nice, the chemistry between actors were great. Hubby and I definitely cried to the movie. Nice theme song. Highly recommend. Fun fact: this movie was the author's tribute to his dog.

The god who unites people in love matching. The fantasy CGI is really cool with great story line. It is a touching story as my love to you will never change in a million year with the amazing theme song Red Scarf by WeiBird. Favour the lift scene with joyful music and dance.

The benchmark for Chinese fantasy films. It integrates a lot of elements, but it still handles it very well. The two main lines represent love and hate. Every move is the attachment to obsession. There is no right or wrong, only letting go or not.

While staying interesting and never boring, Till We Meet Again's rushed narrative only makes it feels more like a summary than a feature film with a complete arc. As result, the film suffers greatly from underdeveloped characters and undercooked plot points. The genre-changing is also a tad abrupt instead of organic. The premise probably will be fleshed out better as a series instead of a film.

Yue Lao is by absolutely no means perfect, nor can it even be considered well filmed, well scripted or even well acted, but I am absolutely in love with it. There are definitely some awkward moments earlier in the film, but as the film goes on you realize its tremendous world building. It's so rare to see a Chinese fantasy film's world created in such a manner, and that is kudos to Nine Knives. Combined with what Taiwanese film makers are best at, love stories, the film is an instant classic. The film also has taken so much from other genres, from traditional horrors, Wuxia, etc, it's just such a rare and enjoyable experience.