IMDb RATING
4.8/10
3.2K
YOUR RATING
A killer uses an 18th century machine with supernatural powers to terrorize students at a college.A killer uses an 18th century machine with supernatural powers to terrorize students at a college.A killer uses an 18th century machine with supernatural powers to terrorize students at a college.
- Awards
- 6 wins & 1 nomination total
Tahyna Tozzi MacManus
- Mary Matthews
- (as Tahyna Tozzi)
Daniel Tenni
- Tommi
- (as Daniel James Tenni)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some college kid inherits a mysterious box. He checks with specialists and discovers that it's quite valuable and some people are interested in it. It also was used in the past for magic acts.
When the kid's creepy brother appears, with whom he hasn't spoken for years, the box mysteriously disappears. And now, one by one his friends start dying in brutal, gory, and bizarre ways. One of them for example, has his limbs torn and broken without any apparent cause. But we do know what is happening. The killer is using the box, photographs of the victims, blood and wax to create a tiny voodoo doll to dismember and poke with needles.
The brother is also coincidentally a crime scene photographer who for some reason can't wipe a cocky smile off his face no matter what gory scene he's called to.
The kid's friends include a bunch of very attractive girls, one which is interested in him but he's rather shy. Eventually the kid and his brother by chance run into the killer and they find out why the killer is doing it.
Needle has an interesting premise, a good cast, is very gory, and it's frankly quite endearing to see Australians dealing with each other, which is a much more human and kind way than obnoxious bickering American movie characters. In particular the relationship between the kid and his love interest is well done. This movie is quite the opposite of American horror that often is nasty and mean spirited but lacks gore or violence. This movie is good-natured and filled with good people but it sure is gory. Nudity is sorely lacking and so is perhaps a villain, after all you really don't see or know much about him till the very end. The idea of a voodoo doll-creating machine is also pretty interesting. The death scenes are excellent. Overall a recommended horror movie that has an interesting way of blending violence and gore with a fairly gentle tone.
When the kid's creepy brother appears, with whom he hasn't spoken for years, the box mysteriously disappears. And now, one by one his friends start dying in brutal, gory, and bizarre ways. One of them for example, has his limbs torn and broken without any apparent cause. But we do know what is happening. The killer is using the box, photographs of the victims, blood and wax to create a tiny voodoo doll to dismember and poke with needles.
The brother is also coincidentally a crime scene photographer who for some reason can't wipe a cocky smile off his face no matter what gory scene he's called to.
The kid's friends include a bunch of very attractive girls, one which is interested in him but he's rather shy. Eventually the kid and his brother by chance run into the killer and they find out why the killer is doing it.
Needle has an interesting premise, a good cast, is very gory, and it's frankly quite endearing to see Australians dealing with each other, which is a much more human and kind way than obnoxious bickering American movie characters. In particular the relationship between the kid and his love interest is well done. This movie is quite the opposite of American horror that often is nasty and mean spirited but lacks gore or violence. This movie is good-natured and filled with good people but it sure is gory. Nudity is sorely lacking and so is perhaps a villain, after all you really don't see or know much about him till the very end. The idea of a voodoo doll-creating machine is also pretty interesting. The death scenes are excellent. Overall a recommended horror movie that has an interesting way of blending violence and gore with a fairly gentle tone.
It's films like Needle that have driven me to become a genre based filmmaker. While I'm only in my final year of film school I've watched quite literally 100's of films in this genre! I had the opportunity to view Needle at a private screening earlier this year, at first I thought it was another run of the mill teens die movie which it still is, however it was first class in the way that they die, it actually made me go back to my script that I'm writing and look at my own killer and if there are ways I could be more original and creative.
Overall the script was nicely presented on screen however some of the acting in stages seemed underdone (above comment when Travis' character doesn't seemed phased about the gruesome death of someone he knows) and when the killer is revealed seems slightly overacted by the actor (still haven't been able to work out if this is the result of the script, actor or director).
However highly entertaining and refreshing, it showed me there is still plenty of life left in the genre that I love and can't wait to direct!
Overall the script was nicely presented on screen however some of the acting in stages seemed underdone (above comment when Travis' character doesn't seemed phased about the gruesome death of someone he knows) and when the killer is revealed seems slightly overacted by the actor (still haven't been able to work out if this is the result of the script, actor or director).
However highly entertaining and refreshing, it showed me there is still plenty of life left in the genre that I love and can't wait to direct!
Part of what makes us indulge in horror movies is to see death presented to us in a different manner, through a story that compels us. NEEDLE had a wonderful premise with a wonderful little mystery that screenwriters Anthony Egan and John V. Soto (who also directed) could not bring to light.
And that really bothers the heck out of me.
If the pair had really invested in a riveting narrative, this could have comprised the mystery element of the United States based version of THE RING with Clive Barkers HELLRAISER for one potent and unforgettable horror. Instead, after coming up with a wild idea, Egan and Soto clearly didn't know what to do with it. Instead, it became hack-and-slice cinema that offered little stimulation to the senses. By movie's end, the tale had become so old and lame, the climax was abysmal and unsatisfactory. In fact, it cheats the audience and sets up a sequel, though I doubt they'll ever have the chance – unless an intelligent producer with deep pockets comes along and shows them how to do it the right way.
At first, when the lame commercial-hard rock commenced as Ben (Michael Dorman) ran across a college campus, I thought this was going to be typical teen fair. Then the premise was revealed and intrigue set in – only to collapse into typical teen fair. Worst still, Travis Fimmel, who played Ben's older brother, came off as being creepy in one scene, and a determined guy out to solve the mystery in another. Now, this did not leave the audience with an enigmatic character (such as Stellan Skarsgård in INSOMNIA or Ji-tae Yu in NATURAL CITY) but a confusing one. However, seeing how the story imploded into mediocrity, I have little doubt the director had told me to act in this manner. Think of George Lucas directing kids (unless they're stuffed into ewok costumes) and you'll get the idea.
Revenge horrors have become a "give me a break" kind of subgenre, that is a simple and clichéd plot device for writers and directors to use as an excuse to slaughter. NEEDLE reminds us filmmakers need to deliver so much more. And this movie is only worth watching to see how a couple of writers came up with a great idea and didn't know how to make it work.
And that really bothers the heck out of me.
If the pair had really invested in a riveting narrative, this could have comprised the mystery element of the United States based version of THE RING with Clive Barkers HELLRAISER for one potent and unforgettable horror. Instead, after coming up with a wild idea, Egan and Soto clearly didn't know what to do with it. Instead, it became hack-and-slice cinema that offered little stimulation to the senses. By movie's end, the tale had become so old and lame, the climax was abysmal and unsatisfactory. In fact, it cheats the audience and sets up a sequel, though I doubt they'll ever have the chance – unless an intelligent producer with deep pockets comes along and shows them how to do it the right way.
At first, when the lame commercial-hard rock commenced as Ben (Michael Dorman) ran across a college campus, I thought this was going to be typical teen fair. Then the premise was revealed and intrigue set in – only to collapse into typical teen fair. Worst still, Travis Fimmel, who played Ben's older brother, came off as being creepy in one scene, and a determined guy out to solve the mystery in another. Now, this did not leave the audience with an enigmatic character (such as Stellan Skarsgård in INSOMNIA or Ji-tae Yu in NATURAL CITY) but a confusing one. However, seeing how the story imploded into mediocrity, I have little doubt the director had told me to act in this manner. Think of George Lucas directing kids (unless they're stuffed into ewok costumes) and you'll get the idea.
Revenge horrors have become a "give me a break" kind of subgenre, that is a simple and clichéd plot device for writers and directors to use as an excuse to slaughter. NEEDLE reminds us filmmakers need to deliver so much more. And this movie is only worth watching to see how a couple of writers came up with a great idea and didn't know how to make it work.
NEEDLE is a nice slab of revenge-horror with a supernatural edge. It concerns a group of college friends who begin dying in godawful -and quite original- ways, after one of them inherits a mysterious wooden box. The survivors must figure out how to stop the carnage if they want to live.
Just imagine if SAW's Jigsaw was a practitioner of black magic, and you'll have some idea of where this movie goes.
EXTRA POINTS FOR: #1- The cool-looking box of doom! #2- The way the box works!
Ghoulish stuff indeed.
Watch for John Jarratt as the Coroner...
Just imagine if SAW's Jigsaw was a practitioner of black magic, and you'll have some idea of where this movie goes.
EXTRA POINTS FOR: #1- The cool-looking box of doom! #2- The way the box works!
Ghoulish stuff indeed.
Watch for John Jarratt as the Coroner...
I watched most of the horrors at Screamfest and I saw this with my BFFs. I was impressed with the look of Needle...visually its pretty much perfect...definitely not a film for the hardcore gorehounds, as there isn't much blood, instead there are some good scares with some cool spfx...two of the kills were impressive.
I really enjoyed this film for two main reasons, firstly it uses a new killing device/machine which i've never seen in a horror film before and secondly because of the great acting. I have seen Travis Fimmel in the Beast and he's way better in Needle...the other actors are great too.
My ratings are as follows;
Story - 8/10 Acting - 8/10 Visual - 9/10 Efx - 7/10 Score - 7/10 Blood & gore - 6/10
I guess overall I'd give it an 8.
Definitely worth seeing, I can't wait for the DVD!
I really enjoyed this film for two main reasons, firstly it uses a new killing device/machine which i've never seen in a horror film before and secondly because of the great acting. I have seen Travis Fimmel in the Beast and he's way better in Needle...the other actors are great too.
My ratings are as follows;
Story - 8/10 Acting - 8/10 Visual - 9/10 Efx - 7/10 Score - 7/10 Blood & gore - 6/10
I guess overall I'd give it an 8.
Definitely worth seeing, I can't wait for the DVD!
Did you know
- TriviaAlyson Walker's debut.
- ConnectionsFeatured in Stitching it Together: The Making of Needle (2011)
- How long is Needle?Powered by Alexa
Details
Box office
- Budget
- $2,100,000 (estimated)
- Gross worldwide
- $259,185
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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