Rush: Beyond the Lighted Stage

Firstly, I am not a hardcore Rush fan.They are a great band and I always marveled at their sheer musicianship.

This doc covers the early years with their struggles on the club circuit, getting signed, early tours etc. The things you would expect from a Rock Doc that is covered in other reviews here.

What I liked so much about this were the people. Geddy is interesting and articulate and has that nice ability to tell a story ( a bit like Alice Cooper can.) Alex who is funny and well, pretty normal. And of course the intensely private Neal who has been a Demigod in drumming circles for decades who is intelligent, and surprisingly engaging for a guy with a surly reputation.

In addition to that, you could feel on the screen what great friends these guys were and was especially punctuated towards the end of the film when they were discussing Neils tragedies. To me personally this had two stories, one about a band called Rush and the other story about three great friends overcoming the odds over the years. The other interesting thing is their manager seems to have been with them the whole time which says a lot.

Billy Corgen offered the most celebrity insight, and I found his observations really good.

I liked some of commentary by Geddy about bands they had toured with like Kiss, they are not the type to put people down because they are superior musicians.

I have never given anything a 10, but this was really good. My wife even liked it and she was not familiar with them at all.

I just wish it was a bit longer.

It is about bloody time someone turned the microscope on this band, and this documentary ably rides the line between investigation and glowing tribute. In an attempt to examine what makes Rush a noteworthy band (and why it took 40 flippin' years to gain mainstream acceptance), the filmmakers line up interviews from all walks of music; from Jack Black and Gene Simmons, to Billy Corgan and Trent Reznor.

And every phase of the group's evolution is paid attention, be it the humble beginnings in a Toronto suburb or the prog and synth eras of the late '70s and '80s. The many celebrities interviewed shed light on what captivated them when they became fans and what it is that makes Rush so hard to define and properly market.

It's a highly watchable documentary and as polished as the power trio is musically proficient. Just incredibly engaging and, most importantly, as comprehensive as they come.

9/10

I have been a fan of this band since I was 14 years old. I first saw them live at Madison Square Garden in NYY (1981). My two older brothers introduced me to Rush and I have loved them since.

This film / documentary chronicles the band from their very beginnings to today. If you are a Rush fan or if you want to learn about a band from Canada that has influenced so many other bands around the world you need to check out this film.

Check it out just to listen to their music.

A band from Toronto with a song called YYZ, can you ask for anything more!

This film does a good job of presenting and explaining what Rush is all about, and how the group has earned respect from fans, producers, DJs and other musicians (just not critics). Not quite hagiography, as it quotes some of the negative reviews and the band's own dissatisfaction with some of their albums or directions or even wardrobe choices.

Unlike the filmmakers' heavy metal survey films (Headbanger's Journey and Global Metal), in this film Dunn is never on screen and is only heard once or twice asking questions of interview subjects. The spotlight (or limelight) is clearly placed on the band - this is a straight-up documentary, without dwelling on a fan's relationship to a band or genre. As in previous films by this team, the interviews with a surprisingly wide variety of subjects provide much of the meat of this film, giving a broad perspective and keeping it from having too much of a narrow viewpoint. Of course at least half the interviews are with Rush members themselves. You get a real sense of the men behind the music, including their relationships to each other, family, other musicians, and fans.

A special aspect is some great earlier footage, even from family discussions while they were still in high school. There are also some powerful landscape shots while exploring Peart's response to deaths in his immediate family. And the examination of the song-writing process, including shots of original hand-written lyrics drafts, provides good value for viewers.

Overall, a well-made film that does justice to the topic. Not as poignant or story-arced as Anvil: the Story of Anvil, this film has a more successful subject and didn't need to become a real-life Spinal Tap to make a interesting watch.

In general, documentaries, even those exploring the careers of high profile bands, are not renowned for being particularly fun or interesting to watch for those not already enraptured by the subject matter, providing interesting supplementary informational tidbits for established fans, but unlikely to draw in anyone else. Bearing this in mind, it takes a pretty exceptional music documentary to feel like a concert, cultural history lesson, lively standalone film and hangout session with the band in question all at once, yet directors Sam Dunn and Scot McFadyen manage to pull off such a daunting task with Rush: Beyond the Lighted Stage with exultant ease.

Canadian rockers Rush, despite copious success and a tenaciously loyal band of fans (several interviews have concert-goers amusing admitting to it being their one-hundredth Rush show), have always had difficulty courting mainstream critical or commercial success, the "superstar band never to be fully acknowledged as superstars", and Beyond the Lighted Stage delves into the interesting interplay between fanaticism and indifference, managing to shed light upon the mainstream's elusive distaste for the band (too quirky? too nerdy? too many long songs? not firmly mainstream or firmly progressive enough to be easily categorized? not "hummable" enough?) while also delving to the heart and essence of the band and illuminating why the appeal really should have caught on. Furthermore, the film is particularly credible as being the rare documentary to match up to its subject matter cinematically with uncommonly masterful structure and composition. Perfectly paced, Beyond the Lighted Stage swiftly doles out its tidbits of band biography and the cultural reaction to them as if exhilarating plot twists rather than drab, necessary context, lending the film as lively and propulsive a tone as any good Rush song, of which the soundtrack offers enough to prove a comprehensive musical history of the band in itself.

More importantly, through comprehensive interviews with the naturally giving musical trifecta as well as those associated with them (interviews with the mothers of all three rockers are adorable) or simply admirers (with particularly effective use of Gene Simmons - "I couldn't understand how a band so good would go back to their hotel rooms without taking up the chance to get laid... those crazy Canadians" - and Jack Black - "Just when you thought the bottle of rocket-sauce that is Rush had run out, they just keep pumping out the rocket-sauce"), the film offers a genuine human, emotional anchor behind the music. As told by wacky but wise bassist/singer Geddy Lee, deadpan twinkling guitarist Alex Lifeson and the less outgoing, perfectionist yet perpetually chuckling drummer Neil Peart, what could have been a banal slab of backstory instead surpasses anecdote to become a vivid, kinetic journey. From their inglorious origins (playing high school dances, being too young to play higher profile clubs), struggles with their own musical complexity and refusal to curb to ascribed expectations (when asked to write more songs "designed to be singles", they churned out twenty-one minute long rock odyssey "2112", inspired by the writings of Ayn Rand - subsequently a massive hit), the evolution of their musical form (with an amusing, retrospective debate about the overuse of synths between Lee and Lifeson) and the haunting tragedy of the loss of Peart's daughter and wife, the viewer genuinely feels as if they have risen, struggled and rejoiced alongside Rush, with the trio's "goofy", irreverent sense of humour maintaining the journey remains a consistently offbeat and enjoyable one.

Just as likely to pique the interest of those unfamiliar with Rush as placate the enthusiasm of die-hard fans, Beyond the Lighted Stage proves one of the most satisfyingly effective documentaries in years, as much an extended thesis for the relevance and appeal of Rush (who, at the time, had yet to even be inducted into the rock and roll hall of fame) as as comprehensive overview of their backstory. Whether a Rush fan or not, such a kinetic, energetic and vivacious piece of film-making should be considered near essential viewing, even for those who have yet to fly by night alongside the unmistakably unique rock band.

-9/10