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Lance Reed is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his inner most secrets by systematically removi... Read allLance Reed is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his inner most secrets by systematically removing his limbs.Lance Reed is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his inner most secrets by systematically removing his limbs.
Will Keenan
- Lance Reed
- (as Billy Bakshi)
Tanishaa Mukerji
- Emily Reed
- (as Tanishaa Mukherjee)
Jeffrey Sisson
- Jeff
- (as Jeff Sisson)
Lola Devlin
- Woman with Dog
- (as Lola Wallace)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
CHOP is the directorial debut of Deadgirl screenwriter Trent Haaga.
Will Keenan (Tromeo and Juliet, Terror Firmer) breaks down on the highway and is picked up by a stranger (Timothy Muskatell), who shots him with a tranquilizer.
What follows is crazy, and funny, and a bit gory. First his brother, then his wife, and Lance (Keenan) still doesn't know the stranger and why he has it out for him.
Things just get worse and worse for Lance. His past comes roaring back in retribution for his crimes until it all ends with him finally remembering the stranger - a perfect ending.
Will Keenan (Tromeo and Juliet, Terror Firmer) breaks down on the highway and is picked up by a stranger (Timothy Muskatell), who shots him with a tranquilizer.
What follows is crazy, and funny, and a bit gory. First his brother, then his wife, and Lance (Keenan) still doesn't know the stranger and why he has it out for him.
Things just get worse and worse for Lance. His past comes roaring back in retribution for his crimes until it all ends with him finally remembering the stranger - a perfect ending.
You know by now this isn't going to change your life or how you define film, so let me tell you what it can do for you. A perfectly decent latenight comedy horror viewing, made proportionately better by how much beer at hand.
The guy behind this grinded his teeth working at Troma, so he knows film as Lloyd Kaufman taught it; make your own damn movie, doesn't matter how cheap or choppy so long as the game is agile, self-aware and one step ahead of you dear viewer. This is done on the cheap but is all the rest. The setup here is that our likable guy is being quite literally chopped away until he can remember how he affected others. Turns out he was a pain in the ass junkie before he cleaned his act. Strangers are brought in to take a piece. Our half-mad psycho keeps taunting for an answer.
There is some gore and some tension involved that is probably being spoofed from Hostel - our guy looks a little like Roth anyway - but this is pitch black comedy first and foremost, like Trome used to do it minus too much explicitness. So throw some weirdness on screen that you know is going to attract a crowd, then be a good host and make everybody have a good time. This one does, up to the halfway point at least.
The downside: it's a great premise, our guy wakes up and fingers are missing. It hinges a lot of its power on us feeling genuinely sorry for the plight of our awkward protagonist. But that's the whole thing and it's not taken further. While enjoyable and riproaring for a while, it gets tedious in the latter stages.
The Pegg/Wright team could have done this with more acerbic wit, a young Sam Raimi with some cinematic verve. It would have been a classic in both cases.
The guy behind this grinded his teeth working at Troma, so he knows film as Lloyd Kaufman taught it; make your own damn movie, doesn't matter how cheap or choppy so long as the game is agile, self-aware and one step ahead of you dear viewer. This is done on the cheap but is all the rest. The setup here is that our likable guy is being quite literally chopped away until he can remember how he affected others. Turns out he was a pain in the ass junkie before he cleaned his act. Strangers are brought in to take a piece. Our half-mad psycho keeps taunting for an answer.
There is some gore and some tension involved that is probably being spoofed from Hostel - our guy looks a little like Roth anyway - but this is pitch black comedy first and foremost, like Trome used to do it minus too much explicitness. So throw some weirdness on screen that you know is going to attract a crowd, then be a good host and make everybody have a good time. This one does, up to the halfway point at least.
The downside: it's a great premise, our guy wakes up and fingers are missing. It hinges a lot of its power on us feeling genuinely sorry for the plight of our awkward protagonist. But that's the whole thing and it's not taken further. While enjoyable and riproaring for a while, it gets tedious in the latter stages.
The Pegg/Wright team could have done this with more acerbic wit, a young Sam Raimi with some cinematic verve. It would have been a classic in both cases.
Lance Reed (Will Keenan) is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his innermost secrets by systematically removing his limbs.
Will Keenan ("Terror Firmer") and director Trent Haaga are Troma veterans, and it shows. They take the fun of low budget and bring it here, in full force. I am actually surprised Lloyd Kaufman makes no cameo. (Who does make a cameo? Actually, Camille Keaton of "I Spit on Your Grave". Nice touch!)
You have to enjoy dark humor -- maybe even Troma humor -- to fully appreciate this. Should it be funny that a stranger terrorizes this guy's life and tortures him and his family? You know, probably not. But it is. Very, very funny.
Will Keenan ("Terror Firmer") and director Trent Haaga are Troma veterans, and it shows. They take the fun of low budget and bring it here, in full force. I am actually surprised Lloyd Kaufman makes no cameo. (Who does make a cameo? Actually, Camille Keaton of "I Spit on Your Grave". Nice touch!)
You have to enjoy dark humor -- maybe even Troma humor -- to fully appreciate this. Should it be funny that a stranger terrorizes this guy's life and tortures him and his family? You know, probably not. But it is. Very, very funny.
First I would like to mention that I had a question about the duration of this flick. On IMDb it's clocking in at 98 minutes and looking at US DVD's it clocks in at 89 minutes but the European official release clocks in at 78 minutes. I can't think that they cut out 20 minutes to make an release in Europe. I never had that seen happen except for A Serbian Film (2010) that was cut 19 minutes for a UK release.
There's no real horror to catch in Chop, this is really a no-brainer with some comedy attached. But as you all know I have troubles with comedy from the US. Mostly it doesn't work and here I never had a smile on my face. It's silly that I can tell and you just can't take it seriously. There's indeed some chopping on a guy captured by a man asking him for an excuse for what he did to that man. By trying to solve who he is he admit other crimes and the victims or friends are coming in to torture the captured man.
Gore, no, funny, not really, just an excellent flick to watch with your friends while necking some brewskies.
Gore 1/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5
There's no real horror to catch in Chop, this is really a no-brainer with some comedy attached. But as you all know I have troubles with comedy from the US. Mostly it doesn't work and here I never had a smile on my face. It's silly that I can tell and you just can't take it seriously. There's indeed some chopping on a guy captured by a man asking him for an excuse for what he did to that man. By trying to solve who he is he admit other crimes and the victims or friends are coming in to torture the captured man.
Gore, no, funny, not really, just an excellent flick to watch with your friends while necking some brewskies.
Gore 1/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5
This one feels like it goes on and on. A man is stalked and taken brutal vengeance upon by a mysterious figure from his crack-smoking past. Going after his family and eventually, his body parts, the antogonist won't stop until the protagonist remembers and apologizes for a transgression he can't remember! Although it's not as confusing as it sounds, it's twice as tedious. The plot is ambitious enough but the (over) acting is usually obnoxious, with occasional decent moments. The premise is creative, but silly. The special gore effects sequences range from 'meh' to pretty good, but nothing outstanding-that is, when the camera doesn't cut away from the violence. By the end of the film, I had quit caring about the big reveal and was saying "big deal..."
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