Athena

This film is great. All the losers slamming it are just low-key right-wing supporters who are disappointed it didn't end up like they were thinking it would. It was heading the way they wanted and then when it took a turn they got pissed. They can't fathom the situation, so they have to cry foul. It doesn't fit with their perception of how things "really are" so they have to bash it. It's a fictitious story, but they would have you believe that it's too far removed from reality, which is not the case.

The "critics" trying to rip on technicalities like cinematography or camera work or whatever are just reaching here. I'm a video editor. This film is incredibly shot. Almost every scene is a one-shot continuous camera shot and done perfectly. And these people are complaining about it?! They're just reaching for something that isn't there because the actual subject matter makes them uncomfortable. The lighting in every scene is superb, and the backdrop is unwaveringly urban to the point you can taste the concrete. It's near perfect. It is so well done.

Just watch this film and enjoy it for what it is. Don't let these fake and butt-hurt "reviewers" deprive you of an excellent watch. They always feel the need to come on here and try to dissuade you right away because it's not up their alley, but don't miss out on an overall top-notch flick.

THERE IS NOTHING SMALL ABOUT ATHENA. THEREFORE, THE ONLY WAY TO DO JUSTICE TO THIS MOVIE IS TO WRITE A REVIEW IN CAPITAL LETTERS.

IT STARTS WITH AN ATTACK ON ALL SENSES IN A SHOT THAT SEEMS TO STRETCH THROUGH THE ENTIRE MOVIE.

THE MASS SCENES OF UNREST GIVE YOU AN INSIGHT HOW A SIEGE IN ANCIENT TIMES HAVE LOOKED LIKE. AND WITH DIFFERENT COSTUMES AND WEAPONS, YOU MIGHT HAVE HAD A FEELING OF PARTICIPATING IN A BATTLE BACK THEN.

AND JUST WHEN YOU THOUGHT ADRENALINE IS EVERYTHING ATHENA HAS TO OFFER, THE AUTHORS OPTED FOR EMOTIONS AND REACHED THE HEIGHTS OF AN ANCIENT GREEK TRAGEDY. THE CHARACTERS HAD TO MAKE DIFICULT CHOICES, TO SAY THE LEAST.

THE RUNNING TIME OF ROUGHLY 90 MINUTES WAS THE RIGHT DECISION. EVERYTHING BEYOND WOULD BE PERSIFLAGE.

IF I NEED TO SUM THIS ALL UP, I'D SAY ATHENA WAS MORE OF AN EXPERIENCE THAN MERELY A FILM. IT'S BEEN A LONG TIME A MOVIE I STREAMED DIDN'T MAKE ME REACH FOR THE FAST-FORWARD BUTTON. IT FELT AS IF SOMEONE WAS PUNCHING ME IN THE STOMACH DURING THE WHOLE DURATION OF THE MOVIE.

IF WE ARE TO TAKE A LIGHTER APPROACH TO THIS REVIEW, ATHENA WOULD BE HATE (1995) MEETS TROY (2004).

IN TERMS OF IMDB STARTS ATHENA IS AT THE TOP OF THE RANGE.

ATHENA is an urban war movie with a political touch by Romain Gavras who follows the lead of his father -the Greek well known director and screenplay writer- Costa Gavras. The film is all about how the lives of 3 French siblings with an Algerian descent immerse into chaos after the death of the fourth younger brother under unclear circumstances. The pain of the loss becomes rage and then... BOOM! Everything explodes at ATHENA building complex in Paris and the social strife begins. Although the film has all the necessary elements to be mentioned as a contemporary Greek tragedy and besides the insane long take opening scene it also has a lot of weak spots and blurry motives.

Athena is a bleak, almost dystopian look at the near future of France, a country familiar with racial tensions. We follow three brothers: Karim, a revolutionary leader of the community in revolt, Athena (Salimane), Abdel, a respected military man (Dessalah), and Moktar, a drug dealer (Embarek), as they reel from the death of their brother Idir, at the hands of police.

The death, supposedly the third in one month, leads to an uprising reminiscent of the 1871 Paris Commune, where the city essentially seceded from France for a year. Athena follows the chaos and starts with possibly the best intro of 2022: a blistering, intense one take that introduces the movie with an incredible bang. It's so good I've watched the intro itself three times.

But Athena doesn't let up from there; this isn't a movie that bogs itself down in drama and conversation. It's high octane, kinetic, and a feast for the senses. This is a gorgeous movie; the cinematography so perfectly captures the chaos and finds beauty in it. There are literal shots from this movie that I could see being album covers. The music is epic; orchestral mixed with booming synth that gives this very contemporary story a timelessness. It's as if we're watching an ancient siege take place in the 21st century. I can't gush enough about the amazing music, especially that sinister main theme.

The performances are also excellent; Salimane and Dessalah in particular convey a lot with their facial expressions; I fully understood the dynamics of their complicated relationship even though they shared the screen together quite briefly.

When I first watched Athena, I was a bit disappointed by the lack of substance to the story; while we get clues as to why the anger that is displayed in the film - the anger of immigrant communities vis a vis their interactions with the police in suburban Paris - the world we're entering isn't *fully* disclosed to us.

There are also some plot developments that I don't think make a ton of sense, and the movie begins to falter a bit for me by Act III. There's a plot development and we're sort of rushed into a the third act; the people I watched this movie with were shocked the movie was ending so quickly. It felt like we could've and should've gotten more.

But, the fact that I could watch this movie with others and know they'd be entertained is kind of a miracle. The French tend to make films about their society collapsing along racial and religious lines quite a bit. It's something I would never really expect to see from American filmmakers, and it's incredible to see it so often from France (I'm thinking of movies like Frontieres, Les Miserables etc.).

If you want to introduce audiences to French cinema, you really can't get better than Athena. It's an incredible, accessible, and very rewatchable movie. I highly recommend it, because I guarantee you're probably not going to see anything like it.

As "Athena" (2022 release from France; 99 min) opens, a guy of Algerian descent announces at a police station that his younger brother, just 13 yo, has died resulting from police brutality, and that the police is investigating who is responsible. The guy urges for calm. But before we know it, someone throws a Molotov cocktail into the police station, and it sets into motion the looting of the police station... At this point we are less than 10 min into the movie.

Couple of comments: this is the latest from French director Romain Gavros, best known for shooting edgy music videos. Here Gavros brings the fictional tale of a suburban (filmed in a Paris banlieue) uprising following yet another instance of police brutality. While fictional, it feels all too familiar of course. Heads up: the opening sequence that lasts about 10 minutes is insanely intense, and... brought in a single take. In fact the long takes are a recurring feature in the film (I honestly don't know how some of these shots are even possible). The movie's tension is palpable from the get-go and really doesn't let up. The no-names cast is quite good, in particular the main character Abdel, played by French-Algerian actor Dali Bensallah. Bottom line: this revenge crime drama grabbed my attention from start to finish. But if intensive and over the top violence is not your thing, better stay away.

"Athena" premiered earlier this month at the Venice film festival to positive buzz. It started airing on Netflix this weekend. After seeing a positive write-up in Friday's New York Times, I just had to check it out. Glad I did. If you are in the mood for a very intense revenge crime drama set in a French banlieue, I'd readily suggest you check this out and draw your own conclusion.