In late 19th-century Turin, Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. Nothing could stop her drea... Read allIn late 19th-century Turin, Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. Nothing could stop her dream of becoming the first female lawyer in Italy.In late 19th-century Turin, Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. Nothing could stop her dream of becoming the first female lawyer in Italy.
- Awards
- 2 nominations total
Browse episodes
Featured reviews
I'm usually not impressed with costuming in a show, but the hats and clothing they have Matilda wearing is unbelievably beautiful. The stories are pretty simple and dialogue dubbed, but overall it is a well produced show. Very cool music that doesn't fit the era, but helps the show be more current. Also impressed with Matilda's lead in such a feisty role fighting to be the first female attorney in Italy. Excellent job on her part and hopefully producers will continue the series and see the role fulfill the dream. Also although dubbed in English and of course recognizable, the voiceovers are pretty good.
I really liked this brief 1st season, finding the production values, cinematography and acting to be first rate all around. I loved the character of Lidia Poet and her portrayal by. Matilda De Angelis. I was constantly charmed by her, finding her strong but vulnerable as well.
This is obviously a jazzed up version of the real life of Lidia Poet, but it is most entertaining. It is quite lush and not for the realistic reenactment crowd. The soundtrack is quite varied, from classical to new agey to downright punkish.
My main objection to this series is that each episode (40-45 mins.) is a complete case in itself. Because of this, the crimes are solved rather quickly and, it appears, very unrealistically. This would have been a much better series if the cases went over 2 episodes, as they do in Vienna Blood.
This is obviously a jazzed up version of the real life of Lidia Poet, but it is most entertaining. It is quite lush and not for the realistic reenactment crowd. The soundtrack is quite varied, from classical to new agey to downright punkish.
My main objection to this series is that each episode (40-45 mins.) is a complete case in itself. Because of this, the crimes are solved rather quickly and, it appears, very unrealistically. This would have been a much better series if the cases went over 2 episodes, as they do in Vienna Blood.
... this series is as good and popular as it is because of its star Matilda DeAngelis... she's really something very special.. in addition to being quite beautiful, she's able to capture the camera's attention, making whatever production she's a part that much better and more interesting
... outside of her work the show is fairly ordinary, none of the episode storylines hold much interest other than just showcasing her part in them... and yes, whoever is responsible for her wardrobe deserves praise, all of her attire throughout the entire first season is quite noteworthy
... it's to be seen if they stick to keeping her from leaving the country, as the real life Lidia never did... either way, most of those who enjoyed the first season look forward to the second wither she stays or travels abroad.
... outside of her work the show is fairly ordinary, none of the episode storylines hold much interest other than just showcasing her part in them... and yes, whoever is responsible for her wardrobe deserves praise, all of her attire throughout the entire first season is quite noteworthy
... it's to be seen if they stick to keeping her from leaving the country, as the real life Lidia never did... either way, most of those who enjoyed the first season look forward to the second wither she stays or travels abroad.
The main character is destitute but wears the most visually intoxicating Italian influenced outfits, she is sexually active but not worried about pregnancy, in pre-birth control Italy. The opportunity to expose 'breastage' is always taken, adding mixed aura to a supposed interest in women's rights....and there are other liberties taken: Accept these items and it is a fun series. The aesthetics of 19th century Italy are very pleasurable part of the show.
The main character is determined for sure, and caged in the categories which caged women of the time - there is a way in which uncaged women (prostitutes and other) are rather immediately protrayed as good and the women who follow the categories of the time are presented as bad, that seems simplistic. This adds a comic book feel to the series: Again once accepted, the series remains enjoyable. Comic book is an very viable art form so this is not necessarily bad.
The objectification of women, despite the series clear commitment to their liberty, seems confusing. But of course as a gratuitous pleasure device it works- as we are of course very used to this device culturally.
I feel the show however does have its most merit as it penetrates into the continued door closing performed by dominant cultural mechanisms, which forces the heroine's side navigations - the intricate undercover journey to address issues with some effect and integrity. That feels accurate to my experience with dominant culture as it manifest with its continued, even comical support of mechanisms for sidelining needed offerings. This study of cultural sidelining, seems like, the most worthy and authentic exploration of the show.
The main character is determined for sure, and caged in the categories which caged women of the time - there is a way in which uncaged women (prostitutes and other) are rather immediately protrayed as good and the women who follow the categories of the time are presented as bad, that seems simplistic. This adds a comic book feel to the series: Again once accepted, the series remains enjoyable. Comic book is an very viable art form so this is not necessarily bad.
The objectification of women, despite the series clear commitment to their liberty, seems confusing. But of course as a gratuitous pleasure device it works- as we are of course very used to this device culturally.
I feel the show however does have its most merit as it penetrates into the continued door closing performed by dominant cultural mechanisms, which forces the heroine's side navigations - the intricate undercover journey to address issues with some effect and integrity. That feels accurate to my experience with dominant culture as it manifest with its continued, even comical support of mechanisms for sidelining needed offerings. This study of cultural sidelining, seems like, the most worthy and authentic exploration of the show.
Enjoyable stories although reasonably simple in design (which makes it easy to follow and watch), good acting, stylish locations, excellent lighting, rich and colourful quality costumes, and beautiful lead actress. Dubbing in English is also quite good.
I was hooked from the 1st episode and enjoyed the scenario of a woman battling against the male prejudice in the legal profession within a period setting. All the men underestimate her and are challenged by her education and ideas. As a man myself I think it is great to watch her succeeding and overcoming the challenges. I do hope that they decide to make more series going forwards.
I was hooked from the 1st episode and enjoyed the scenario of a woman battling against the male prejudice in the legal profession within a period setting. All the men underestimate her and are challenged by her education and ideas. As a man myself I think it is great to watch her succeeding and overcoming the challenges. I do hope that they decide to make more series going forwards.
Did you know
- TriviaIn each episode Lidia wears jewelry that features insects.
- How many seasons does The Law According to Lidia Poët have?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Law According to Lidia Poët
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 42m
- Color
- Sound mix
- Aspect ratio
- 2.0:1
Contribute to this page
Suggest an edit or add missing content