L'homme qui voulait vivre sa vie

Well to be honest i wasn't expecting much from this French thriller but i was convinced enough by the trailer that i should give it a try. When i started watching i realized how right i was about the film and how correctly i wasn't expecting much from the film. For about 50 minutes of the film i started counting the films i had seen based on wife cheating her husband, getting charged with infidelity and then good husband getting upset and finally taking care of the problem.

I shouldn't have watched this film i thought...

It was after the first 50 minutes of the film when i was taken aback by the jolting surprise and a bizarre movie experience which remained with me after few days even. THIS FILM MUST BE SEEN.

It explores that side of a character that is commonly not paid attention by the filmmakers. The movie takes a sharp turn and gets lost into infinity, where everything gets stagnant, slow and becomes endless. It can go on and on like this for hours. To me it felt very unusual experience, something both poetic and strange, beautiful and scary at the same time.

Eric Lartigau, the writer and the director did a fabulous job in both of his departments. Although a little more character development of the supporting roles in the second half would have been beneficial making the narrative more deep.

Romain Duris comes up with a startling performance, his character transitions from one mode to another and the actor just goes freely along with it. His deep influential performance is another fact why the movie haunts you after it ends. I was moved to tears by the intensity of his approach towards the character. This one role should transcend his career as an actor to higher level.

The movie was adorned with lilting musical score and gorgeous cinematography enhancing the impact of the film on the viewer. By the end i was thankful to myself that i saw the movie truly relying on my instincts, i was so glad i came across such a warm movie and I'm sure others who watch will feel the same.

Eric Lartigau's film, 'The Big Picture', begins as a thriller, but ends more as an existential meditation on life (the literal translation of its French title, 'The Man Who Wanted to Live his Life', is much more apt than its dull replacement). A man ends up living, first in the shoes of another man, and ultimately as an anonymous nobody: he initial decision to give up his identity is a choice, albeit in straightened circumstances, but its consequences have to be experienced to be understood. The initial portion of the film has the feel of a thriller and does not seem especially well-acted; the latter half is more interesting, but overall, an abbreviated feel permeates the movie. Whereas Antonioni's 'The Passenger', which I also saw recently and which follows a similar course, is all about mood (only hinting at plot), here the balance is different, and the more interesting, introspective aspects are occasionally rushed. There's a lot of interest here, and some ambition on the part of the director; but some of its ideas could, I think, have been allowed a bit more space to breathe.

The failure of a professional photographer to use the latest equipment is a good metaphor for this movie, whose English title makes no sense. It seems like it was shot from the original script submission before any grownups had a chance to edit the story. Terrific performances by all the actors, but a story line so sloppy that I re-animated my disbelief about half-way through. For me the most enjoyable aspect was the glimpse to life in various venues around (and near) Europe. I would love to have seen this in the hands of Alfred Hitchcock. He would have lent credibility to the desperation, which I felt was contrived and forced on me. I'll bet they ran out of money while filming and couldn't afford the ending they'd originally planned.

I found the film a bit illogical and ridiculous as the main character's paranoia have not been depicted realistically...well I have seen the film in the french films club lair with my vision distorted by 2 rows of other people. Anyhow the film might have been a great one had it been cut better. Had it say started at the sea and then retrospectively (getting there backwards) let the viewer to discover the whole, a viewer would personalize the idea and intentions better. In the movie on the other hand, one gets to be introduced to the 'normal' person who gets clearly mad, arranging his life as a paranoic schizophrenic yet acting sanely as before so he even manages to lead a life of a star artist with ease. There are some great plot points like leaving of the loved, stealing of the identity, accidental death, unwanted? artistic praise, sea survival friendship. Unfortunately they are loosely connected with the hero's intentions that are depicted not deeply enough to make a good sense... hence a schizophrenic.

I really have to write a review about this great French thriller. Firstly, although not a French Language expert, the original title which means roughly - THE MAN WHO WANTED TO CHANGE HIS LIFE - is much more appropriate than THE BIG PICTURE. Although the circumstances that lead the main character to change his life for something that he should have done years ago were quite shocking, it resonated with me and I am sure so many others. How many of us have not pursued what we were really good at and traded ourselves in to the banal life of the office, security of the pension and benefits etc. etc. The list goes on. If you can watch this film twice then do as you will appreciate it even more. The acting is very good. The ending may confuse some and I have not ticked the spoiler box so will not give anything away. After leaving the auditorium you will piece it together though. Overall an excellent film. The main actor was great in Heartbreaker and the same here with THE BIG PICTURE.