Tab Hunter Confidential

Documentary on closeted matinée idol Tab Hunter (born Arthur Kelm, later Arthur Gelien) is a wonderful record of the journey the actor took to Hollywood in the 1950s, through Hollywood in the '60s, and back from Hollywood in the '70s. From his teenage days being chased around his high school by smitten female students, Hunter was shy talking about himself and completely private when it came to matters of the heart...and nothing has changed! Though this project was co-produced by his partner of 30 years, Allan Glaser, Hunter is still reticent discussing his homosexuality and the relationships this produced. Fortunately, there are a bevy of acquaintances, co-stars, columnists and friends on hand to lend their insights into Hunter's career, and the well-researched movie and television clips provide amusing nostalgia. Do we get a no-holds-barred glimpse into the faded celebrity of a handsome Hollywood movie star? No, but the benign, matter-of-fact way in which Hunter recalls his life is probably more entertaining (if not emotional) than a soul-searching therapy session might be. Hunter has come to terms with himself and his past, and he's happy to trot off quietly on his horse into the sunset. His movie career has been capped nicely by both his 2006 memoir and this film: a once-famous name and face who now enjoys the finer things in life. *** from ****

Documentary about Tab Hunter narrated by him. It shows how he became a star and highlights various movies and TV shows he did. Also during the feature they cut to other actors who relate what they think of Hunter. It also deals with his being secretly gay. Hunter is quite honest about everything and laid-back with some very funny moments. It also gets into his ex boyfriends--particularly Anthony Perkins. A thoroughly fascinating documentary. There's also a book with the same title which goes a little more in depth.

This new film held the audience spellbound at the 2015 Cleveland International Film Festival. It was especially effective having the actual subject serve as narrator. Hunter's narration was very honest, truthful and insightful. His voice was sonorous, statements rich in humor and warmth, and his attitude toward himself rather laid back.

The photography and direction was of a high level with editing that kept the pacing alive and energized. Besides looking at the main subject, the film also revealed a candid slice of the film industry of the 50s-- qualities still with us in 2015 (the film's release year).

Hunter had more of a varied career than one might normally think--he played a variety of parts (particularly some stark TV dramas) and kept a cool attitude throughout. The film also reveals the actor's relationship with his mother and his rich past time with horses.

All in all, a very engaging biopic.

Caught the London screening. The place was packed, not an empty seat in the house, and Mr. Hunter received a thunderous well-deserved standing ovation.

This is one of the best celebrity biography docs for a long time, and will bring to a new, younger audience the reality of how the old Hollywood studio system manipulated its stars for their own corporate gain.

In Tab Hunter Confidential, Mr. Hunter narrates, sharing his insightful and honest view of the Hollywood star-making system of the 50s and his personal rise, success, frustration and fall at Warner Brothers Studios. With self-deprecating humor and warmth, Mr. Hunter reflects on the policies, plans and politics of the studio which dictated how to live in and survive the public life of a movie star, generating popularity and the adoration of his fans. He combines this with honest reflections of his closeted life as a gay man when the word gay did not even exist at the time. Mr. Hunter's frank and authentic portrait of his loves, his family and his faith are complicated, moving and intelligently presented.

Kudos to getting this fascinating autobiography onto the screen with taste and elegance.

Tab Hunter Confidential is based on the actor's 'tell-it-all' book. Don't expect a Hollywood version of 'Dorian Grey'; of a young drop-dead Adonis who, at 85, has lost his looks. Far from it, he may be an 'old man', but he has exercised his druthers throughout his life to let us into his closeted life.

Today, we cannot imagine the Hollywood of the Eisenhower era, when young premiers like Hunter captured the hearts of millions of young girls (and boys).

Director Jeffrey Schwarz has smartly recovered those days of the '50s through studio photographs, magazines and Hunter's films.

Hunter had piercing blue eyes that held you as though against your will; his smile, his seemingly white perfect teeth sparkled, and his bare muscled chest aroused strange feelings of pleasure that in those days, if publicly expressed, would not garner approval.

And what's more, Hunter plied his trade through hard work and an inner enthusiasm that made him a star. As his fellow actor Robert Wagner remarked he was a spark that caught fire, for his role in the film version of Leon Uris' bestseller 'Battle Cry'. In a way, his Danny Forrester commits adultery with an officer's wife, a no-no subject of those days, which to a moderate degree stepped on the Screen Code.

He was under contract to Warner Brothers, and Jack Warner used all the studio's resources to bolster his career.

Tab Hunter had talent as clips from Playhouse 90, a live television show, that proved he was a 90-day wonder, nor go against teenybopper idol type. Furthermore, he had a talent for song: his version of 'Young Love' (which Pat Boone also sang) stayed on the charts at number 1 got six weeks, knocking even Elvis off his pedestal.

He had a short-lived television, that bombed for its mindlessness.

But Hunter had a secret: he was a homosexual, when, homosexuality was, according to medical authority, a mental disease. Tightly locked in his closet, Warner Brothers publicity department did everything to project an image of him as a boy any mother would want for her daughter. Anything and everything was done to protect the studio's cash cow!

For a good idea of 'gay' Hollywood way back then, it is worthwhile to see Bill Condon's 'Gods and Monsters'.

The secret got out in the tabloids when he left his agent, and his career dried up when he bought himself out of his contract. As his career dried up, he was forced to take any role he could in very bad films. He found financial stability in equestrianism and dinner theater, but at a price on his health. The strain of doing that form of acting that rewards him handsomely but left him little time for a life was costly, and in early middle age he had a heart attack, and subsequently left the theatre.

We get a glimpse of Hunter's love life, that is, as much as he wishes to tell us; he had a good/so-so-good tumble with Anthony Perkins. And at 53, he found his long-time companion Allan Glaser, who produced 'Tab Hunter Confidential'.

Abandoned by his father, he was the good son who took care of his mother who had severe mental problems until she died well into advanced age. Brought up a Catholic, he eventually made peace with his church.

The spark of his career flamed up again when paired by John Waters with Divine in 'Polyester' and more so in 'Lust in the Dust'. But by then, Hunter sought his life in the comfort of his privacy, making rare appearances.

Lightly touched on is his champion-like ability as an ice skater, other than his affair with a star ice skater. And nary a word is spoken of the utter disaster that was in performance with Tallulah Bankhead in Tennessee Williams 'Under Milk Wood'.

Eighty-five this July, Hunter has had a full live, a lover of more than 30 years, 30 years his junior, and takes daily pleasure in caring for his horse and riding. Stiff with that stiffness old age brings, he is at peace with himself and looks back on his life with a keen eye and an blue eye on the morrow.