Paa

I had zero expectations from Paa. I was not that interested, but thought to give it a chance after knowing that Mr.Bachchan is playing a 12-year old kid.

'Paa' is a different film, it's a film that caters to a niche audience. Sure, it dares to be different, but again 'Paa' is meant for those who are tired for non-stop non-sense fares.

Pluses of the film: Fresh Stoyline, plus execution. R.Bali should be applauded for making an attempt like Paa. Note-worthy Performances: Mr.Bachchan as Auro, natural to the core. Plus, he's blessed with amazing make-up. Abhishek is excellent, especially in the second hr. Vidya is in form after a long, long time. Paresh Rawal is superb. There is a hilarious sequence when asks Abhishek weather he's gay not, Only Paresh can do this stuff. The actress who plays Vidya's mom & the kid who plays Auro's best friend stand out. Jaya Bachchan does a unique appearance at the very start of the film.

Minuses of the film: It's a really Slow-Pace film. The first hr is boring. Abhishek's political portions don't work. The first hr really puts you off.

On the whole... 'Paa' deserves a watch for it's note-worthy performances & Fresh Storyline.

For once, I was entering a Hall with the assurance that the movie I was about to watch was something ORIGINAL, something not copied from the West. And so, OBVIOUSLY, my expectations were low. You never know what you can expect from an original Bachchan movie! The credits began, and Jaya Bachchan could be heard individually pronouncing each name (the cast, the team behind the movie), and slowly, by the time she reached "Writer and Director", you wished her to stop. And then, in a magical tone, she says "Paa!", laughing along, and a soothing tone fills your ear and heart... and you know, yes, this is going to be a good show.

Paa has its moments that touch you, that move you, that make you laugh, that make you feel warm, that make you happy... etc etc. There are moments that are supposed to make you cry... but they don't. I guess that's where Paa fails. Amitabh Bachchan in the lead role delivers a sweet performance, and Abhishek is seen trying very hard to fit in. Vidya sort of stumbles out of her "Vidya" character. The music of the movie is simple. The end credits song sung by Amitabh Bachchan was one amazing track. Even "Hitchki" was nice. The direction and flow was simple, though the cuts between Auro's waiting and Amol's political moves were rather jerky. The cinematography was simple and fulfilling, though the editing required spicing up.

In the end, definitely go watch Paa. I was disappointed to find only 15 had come for the first day first show... me being one. It's films like these that should be more prevalent. In contrast, if Kambakkht Ishq was a HIT, then in that case this should be a BLOCKBUSTER. Sadly, I know that will not be the case.

7/10.

Just got back from the theatre, I am so happy I have seen this movie on the big screen. Paa is an original product. The movie revolves around progeria and has a wonderful story around it.

Amitabh Bachchan excels as Auro, he delivers an astonishing performance as a kid. It's been long since I really really REALLY appreciated a performance by Big B, since his last few outings were crazily commercial.

Abhishek Bachchan is wonderful as Amol, he delivers a confident performance as the clean politician wishing the best for India, kudos! Vidya Balan looks beautiful, and delivers a perfect performance. We all know she is a fine actress, she was gone for a while after Kismat Konnection, which I thought was kind of bad, but she's back with a bang! Paresh Rawal is again absolutely wonderful as Amols father, his expressions always rock.

All in all, I am very pleased with this movie, after a great start with Cheeni Kum, R. Balki is on his way to settle his name amongst the quality directors of Bollywood.

The music is foot-tapping, the best of the lot is of course "Mudi mudi", of which the scenes in the film have been edited so beautifully.

Paa is beautiful, go watch it on the big screen while you still can! 10/10

This movie blew me away !! Wow !! simply WOW !! I am so surprised that not much people commented on this movie and there is no ratings !!! I simply loved this movie. One of Big B's best...According to me, after Black, this is the most challenging role ever played by him. Vidya Balan and Abhishek did an awesome job. Paresh Rawal did not have a lengthy role but he did justice to his role. The main focus of this movie is on the character Auro who is so adorable !!! Big B hats off to you...thanks for this wonderful performance. It has been a long time since I watched such a wonderful Bollywood movie !!! Auro made me laugh, Auro made me cry, Auro kept me rooted to my seat till the very last minute. Such a beautiful movie. I appreciate the efforts really and also hats off to the director.If you have a passion for good movies then this movie is a definitely watch !!! 9.5/10.

Imagine this. R Balki arrives with his second film after Cheeni Kum (2007), starring Abhishek Bachchan, Vidya Balan, Paresh Rawal and introducing a twelve-year old child actor. We do not know this kid, although it is possible that he impresses us all after we see him perform. But does this essentially guarantee a bumper opening for the movie? Can we safely assume that the audience will come into the theatres? Now, take this. The entire cast and crew remains the same. And although it is indeed possible to find an immensely talented child artist and create the desired character using prosthetic make-up and voice modulation, the director decides to cast Amitabh Bachchan as the child. And he calls the film Paa. The result is for us to see, in the form of one of the most smartly promoted films of our time. This is what we call star power. This is what I admire about the phenomenon of a superstar. And this is what this film uses in the best possible way.

The film also uses the personality, and not the acting, of Abhishek Bachchan to create a gen-next politician, and we connect. It uses Vidya Balan to portray a strong, independent, modern Indian woman, and most importantly – a mother; and we connect. And it utilizes the human curiosity for the weird, our tendency to look at 'freaks' with wide eyes and held breaths, and converts that 'freak' into a warm, lovable and memorable character called Auro, and takes us into his world. It uses songs, melodrama and the Bollywood cliché to tell a story. It relies on the time-tested formula of emotional manipulation and succeeds in making the audience cry. It has decent production values, is marketed smartly and sold at cheap rates. The result is not a great, timeless, flawless piece of art. The result is a film that knows how to use the illusion of the medium. The result is a movie that moves.

The best thing about Paa is that it knows what it is doing. It does not claim to be 'socially relevant', and does not ask us to leave our brains home before coming to the theatres. Instead it asks us to bring our brains, our hearts, our entire selves, not excluding the 'curiosity for the weird' that we all have but fail to accept. It treats itself as a film for everyone, and successfully creates an entertaining cinema experience. In its attempt, it often gets inconsistent, but it never seems uncertain. It is an innovation, and yes, that it is, which is sure of itself, including how to sell itself. It is an innovation that does not go wasted, and that is indeed an achievement in the Hindi film scenario of today.

It has been a few decades now and Hindi cinema is desperately in the need for revival. For that to happen, if it ever happens, we need socially relevant cinema, we need cinema as works of art, we even need cinema with an international appeal, and with the guts to experiment . But what we need most is innovative ideas, true to Hindi cinema sensibility and tradition, not necessarily great in the absolute cinema-sense, but films which make people come, watch and connect. We need more films like Paa. I have no idea about how it is going to fare at the box-office. If it is a commercial success, my point would be proved beyond doubt. If it fails, well, I will try my best not to lose hope.