Diabolik - Ginko all'attacco!

No pun intended - I assume you have seen at least the first Diabolik movie (the predecessor for this that is and not the Mario Bava movie from the 60s). With that in mind, all major returning characters are being played by the same actors ... except the one that should matter the most: Diabolik ... it is a different actor altogether! For whatever reason (I did not check for the reason to be honest) ... I won't speculate.

What I can say is that this does not fair as good as the first movie. I can only hope that part 3 ramps things up a bit ... maybe with another Diabolik actor? I would not really be surprised. We get some new characters and actors added - mainly Monica Belucci - if you know her, you probably love or loved her at one time. She still has the charisma - but some people who criticize the movie say she is not close to the characters she is supposed to portray ... something I can't confirm or deny, since I have not read any of the comic books (graphic novels) ... not the best throwback ever (go to the original), but not the worst either.

I believe this installment was the least impressive of the three Diabolik films directed by the Manetti brothers. However, it is not without its merits. This narrative, drawn from the comic series, follows Diabolik as he pursues his treasure hunt, with the unwavering support of Eva Kant. The duo of skilled thieves has managed to strike a balance between their romantic and professional lives, although Eva encourages Diabolik to take a moment to enjoy their ill-gotten gains. In their final case before a much-needed break, Diabolik finds himself ensnared in a trap laid by Inspector Ginko. Faced with capture, the cunning thief opts to flee, leaving his beloved Eva behind.

The screenplay, crafted by Angela Giussani, Luciana Giussani, and Antonio Manetti, felt somewhat inconsistent, as it aimed to be more cinematic than a direct adaptation of the comics. While some viewers may appreciate this approach, it did not resonate with me. The cast remains unchanged: Giacomo Gianniotti as Diabolik, Miriam Leone as Eva Kant, Valerio Mastandrea as Inspector Ginko, and Monica Bellucci as Altea di Vallemberg-all deliver solid performances.

The music department did not meet expectations, but the cinematography adhered to high Italian standards, and the costumes and overall atmosphere effectively captured the essence of the 1960s. For fans of Diabolik, this film is worth a watch.

I sat down to watch the 2022 Italian movie "Diabolik: Ginko All'attacco!" (aka "Diabolik: Ginko Attacks!") shortly after having sat down to watch the 2021 movie "Diabolik", which I rather enjoyed.

However, writers Antonio Manetti, Marco Manetti and Michelangelo La Neve dropped the ball here. This 2022 sequel was nowhere as entertaining or enjoyable as the 2021 movie. And that was rather disappointing, especially since "Diabolik: Ginko All'attacco!" hardly felt like it belonged as a sequel, since the Diabolik character wasn't really given all that much screen time.

Luca Marinelli played Diabolik in the 2021, but he had been replaced by Giacomo Gianniotti, whom had zero charisma and both looked and felt like a fish out of water on the screen. Does see Valerio Mastandrea and Miriam Leone return to reprise the roles of Ispettore Ginko and Eva Kant respectively.

There wasn't much of any burglary, thieving, heists, or much of anything going on in "Diabolik: Ginko All'attacco!", and that made sitting through 116 minutes of this movie from directors Antonio Manetti and Marco Manetti quite a tiresome ordeal. Yet, I managed to endure the movie, thinking that something was bound to liven up the movie as the clock was running out, but nothing happened.

"Diabolik: Ginko All'attacco!" was a slap to the face with a cold dead fish if you enjoyed the 2021 movie.

My rating of "Diabolik: Ginko All'attacco!" lands on a generous four out of ten stars.

The sequel beats the same path as Diabolik (2021): a stylistic throwback to the 1960s and the (European mystery) cinema of the time, with a close adaptation of the feeling of the comic book. Unfortunately this means that it carries all the flaws of its predecessor, coming across as somewhat flat in performance, or didactic in the exposition. The overall vibe of the first movie was interesting enough to make it worth watching, but now the novelty effect starts to wear off. Isn't the planned trilogy too much, an experiment that has gone on for too long not to come across as self-serving?

The new plot doesn't make up for it. Eva Kant is replaced as the real focus of the film by Ginko, the police inspector relentlessly trying to track down Diabolik (like Ganimard to Lupin). Unfortunately, he's not as captivating of a character as Ms. Kant. Luca Marinelli has been replaced by Giacomo Gianniotti as the actor performing Diabolik, and thankfully he's barely given any screentime: while he may be physically more convincing he's less skilled than Marinelli and he's nowhere mysterious or charismatic enough for anyone to believe he should be this story's lead. Monica Bellucci simply shouldn't have been cast.

Not terrible, but it's a notch down from the first and it's increasingly showing a lack of direction. I worry for what's to come.

The movie is overall very nice and enjoyable. Nice reconstruction of the Diabolik world. Nice costumes. Nice cartoonish scenography. Good overall acting for such kind of film. Just one big stain on it... and therefore a big question..... why to ruin an overall well made movie with the horrible acting of Monica Bellucci and why choose (or accept) to soft focus (or photoshop) her face (and only her) all around the movie when she appear in the scenes? I know... her presence will probably open additional markets to the movie... but I stil don't understand.... Maybe she paid to be in the film if soft focused?