Danger: Diabolik!

This movie has instantly become one of my very favorite Mario Bava features. Think James Bond, as a suave master thief, filmed in a psychedelic, occasionally campy, comic book style. (Diabolik was a comic first.) Add to that some fun humor and very fitting themes by the legendary Ennio Morricone, and you have one cool, little cult flick! The cheap DVD comes with some great extras, like a pleasant and informative commentary by star John Phillip Law and Bava expert Time Lucas. The short featurette was very good too, going over just how well Bava captured the comic book stylings in the film. Recommended purchase! By the way, Diabolik's mask and laugh---perfect.

Watching the featurette that accompanies this DVD did help me to appreciate this movie more. Namely, that Diabolik (pronounced Dee-abolik in the Italian) is an anti-hero thief rather than a government sponsored spy and is all about 'sticking it to The Man' as befits the 1960s counterculture. Being Italian, it also contrasts with the American idea of a superhero. The Italians lost the last war, they had Mussolini and no faith in the government. This anti-hero is on the same page, whereas Superman is all in favour of the President. I suppose this is the superhero's answer to Burlesconi.

Point no 2: unlike Fleming's James Bond, Diabolik is based on a comic strip hero and many of the shots mirror that panel shape in the way they're framed: the shot of the couple talking, reflected in the rear view mirror of a car, for instance. For all that, the style is more dynamic than other comic-based films like Barbarella.

Otherwise, it's astonishing how many scenes anticipate similar ones in Bond films, from the opening helicopter car chase along the winding mountaintop road which predates that of The Spy Who Loved Me by nine years, along with other scenes that pop up in Moonraker, For Your Eyes Only, A View to A Kill and GoldenEye.

Sadly Diabolik (played by John Philip Law, who was the angel in Barberella) is a humourless blank, a charisma-free zone who scarcely utters a witticism in the entire film. I think the only reason such lusty or promiscuous attitudes prevailed in the 1960s is because the likes of Sean Connery and Michael Caine put a positive spin on it.

This is a guy in superhero guise who has no alter ego - and therefore no social life. Batman has Bruce Wayne, Superman has Clark Kent. He is just Diabolik and when he retreats to his lair to bang his bird, fine, but he doesn't actually have any mates at all so it's hard to connect with him. It's like if Superman decided to not bother to save lives but just went on Viking-like pillages once in a while, holing up in the Fortress of Solitude every so often to shag his mistress and count the cash.

The anti-hero and his girl are so unlikeable and ruthless that you do feel excluded from their activities. They remind me of the charmless pair from Topaki, though the film has more to offer than that and is superior to many Bond knock-offs of the day.

Another great visual piece by the great Bava, this film is a faithful adaptation of the popular European comic about the anti-hero master criminal Diabolik. Almost overdosing on intense 60s color and style, the film moves through comic-style adventures with considerable European flair and well captures the atmosphere of the original material and the time.

(Yes, I understand that this made the last installment of Mystery Science Theater 3000, and I'm a MiSTie myself. But Diabolik is a good film, whether it has riffing potential or not.

Say you never heard a thing about Batman (as so many seem to never have heard a thing about Diabolik)--if you saw the 1988 Batman film, you'd think it was pretty stupid and over the top, wouldn't you? Unrealistic? Stupid, even? Maybe even think that the main character wasn't much of a hero, so dark, so sinister? And if you think that a lot of 'stylish' 90's films with their music-video montages aren't going to look dated in twenty years, you're kidding yourself. I'd advise supposed 'reviewers' to stop being such contemporist snobs.)

A quick glance at the user comments for 'Diabolik' will show that it is a movie which divides people to say the least. Some misguided fools and the asinine Mystery Science Theatre 3000 gang (who actually screened an edited version of the movie when they parodied it in their last episode) think it is one of the worst movies ever made. I pity them. The rest of us (including Mike Myers and The Beastie Boys - see their "Body Movin'" video for an affectionate homage) love it as one of the best examples of 1960s Pop Art kitsch. 'Modesty Blaise' was I think the first of the 60s European comic book adaptations in this style, followed closely by 'Barbarella' and then 'Diabolik'. Later in the early 70s there was 'Baba Yaga', the last gasp for this short lived genre. Too bad, because I just can't get enough of this stuff! 'Diabolik's director Mario Bava is a horror legend largely because of brilliant movies like 'Black Sunday' and 'Kill, Baby... Kill!' but he was in fact very versatile, not just making Gothic horror classics, but also science fiction, westerns, Hercules movies and hard boiled crime thrillers. And then there's 'Diabolik', something else again. John Phillip Law, who played the blind angel Pygar in 'Barbarella', as well as appearing in cult favourites like 'Death Rides A Horse' and 'Open Season', is perfectly cast as Diabolik. Many criticize Law's performance, which is admittedly pretty wooden, but I didn't have a problem with it. He suits the material, which let's face it, isn't exactly Shakespeare. Marisa Mell ('Mad Dog') plays Diabolik's beautiful partner in crime Eva Kant, Bunuel regular Michel Piccoli ('Belle De Jour', 'La Grande Bouffe') is Diabolik's nemesis Inspector Ginko, Adolfo Celi ('Thunderball', 'That Man From Rio') plays Valmont, a rival criminal mastermind, and Terry-Thomas ('I'm All Right Jack', The Abominable Dr Phibes') is the Minister Of Finance. Bava was working with quite a small budget (less than half a million US dollars - for comparison 'You Only Live Twice' cost nine MILLION more!) but achieved wonders, a testament to his skill and creativity. It's a very stylish movie with some wonderfully inventive visuals, especially Diabolik's cave which is very impressive considering the lack of money you'd generally expect for this kind of movie. Added to that a fantastic score from Morricone, which many fans believe is one of his very best, if not THE best. If you want to see one of the inspirations for the Austin Powers series, especially if you enjoy 60s pop culture, comic books, Pop Art, psychedelia, trash and the Bond and Flint movies then don't miss 'Diabolik'. The rest of you can wait until 'Bad Boys 3' or whatever drivel you think is a good, fun popcorn movie. In my opinion, anyone who slams this movie is beyond redemption!

This tale about a super criminal mastermind is perhaps the most exciting stylized inventive "true to its source" comic book adaptation ever filmed. Without a doubt, one of the finest performances, if not the finest, by John Philip Law in the lead role. But this film is mainly a feast for the eyes...a common quality trait true of most Mario Bava films.

This is one film that never feels slow to the viewer...it's always fast-paced and is never dull.

The only problem I have with the film is it makes a hero out of a character who sometimes goes too far but again it was simply being true to its source..excellent film! Much too good it should be vandalized by Mystery Science Theater 3000 (which it most unfortunately was).