Merry Christmas

Excellent movie. A very detailed and intimate sequence starts the movie. Soft and nice and charming. It is all good. And you start wondering when the plot is going to start.

And just as you wonder, the movie starts talking. Plot thickens. Craft does stand out. Details come out in a very nonchalant manner.

The plot has a certain made-upness to it that can throw a viewer off. But at the same time, there are some very interesting nuances. I really loved the way the movie ended.

It was a can't put down for me. There are moments that movies present that just bring you joy. Spectacular shots that just bring elation to you out of the blue. There were multiple such moments in this movie.

There is a very fine emotional thread that stays intact through all the drama and that thread had a grey shade to it.

Negative: Toooo slow, but only watched till end hoping that direction will surprise, but unfortunately total disappointed, Predictable at most of the parts Katrina was totally wrong choice for this role, she can't act at all.

Vinay pathak is over acted.

Leems like only Sriram Raghawan name used but actually he did not work and taken care only last 25 minutes

Positive: Vijay: effortless acting, always like to see his acting and he never disappoints.

Best part of the movie was last 20-25 minutes, which is the saviour and only part which viewers will take back from theater.

Sanjay Kapoor is best suited for unpredictable charecter roles but some how industry has not much offered such roles to him.

Watch only if you don't expect anything from Sriram Raghawan.

Forget the fruitcake and spiked eggnog, "Merry Christmas" is the real holiday treat you deserve. This isn't your grandma's feel-good Christmas movie; it's a suspenseful, stylish, and morally ambiguous masterpiece from Sriram Raghavan. Picture "Inception" meets "Casablanca" with a dash of Mumbai masala chai, and you're getting close.

Imagine a forbidden romance between a lonely housewife and a mysterious stranger, set against the twinkling lights and bustling chaos of Christmas Eve Mumbai. Pari Maheshwari Sharma smolders as the housewife, trapped in a gilded cage, while the enigmatic Vijay Varma saunters in with secrets simmering in his eyes. Raghavan paints every frame like a visual poem, using light, shadow, and even the way a sari swirls to hint at the tangled web of desires and betrayals to come.

Get ready for Hitchcockian twists that'll leave you gasping, like unwrapping a perfectly-shaped present only to find a ticking bomb inside. But Raghavan isn't just playing games; he's using this suspense to dig deep into the messy heart of human relationships. Is love a refuge or a prison? Where does loyalty lie when faced with temptation? And can you ever truly escape your past?

The music in this film is like a monsoon rainstorm on a Mumbai rooftop, swirling with sitar twangs and melancholic cello cries. It seeps into your bones and adds another layer to the film's intoxicating atmosphere. You'll be humming these tunes long after the credits roll.

Raghavan isn't afraid to borrow from the best, weaving the suspenseful chills of Hitchcock with the philosophical musings of Eric Rohmer. It's a genre-bending cocktail that's both familiar and refreshingly unique. He throws in unexpected pop culture references and Bollywood winks that'll have you grinning between gasps.

"Merry Christmas" isn't a film to passively watch; it's an invitation to participate, to puzzle over clues, question characters, and grapple with the moral tightrope they walk. It's a slow burn that explodes into a finale that will leave you shaken, stirred, and maybe a little bit hungover on existential questions.

So, ditch the fruitcake and dive into "Merry Christmas." It's a cinematic feast that will linger long after the last bite, leaving you questioning everything you thought you knew about love, loyalty, and the magic (and mayhem) of the holiday season.

P. S. Don't forget to pay attention to the little details in this film. Raghavan loves hiding clues and symbolism in every frame, from the color of someone's shirt to the stray object on a table. It's like a treasure hunt for the observant viewer!

A Pure Sriram Raghavan style murder mystery but not yet upto the mark.

Movie starts off with slow pace screenplay with good character development and storyline.

Music is good in the 1st half and well suited with the characters but screenplay could've been much better and can easily trimmed few scenes to make it more engaging.

2nd half is the main highlight of this film where the film gets interesting and the plot demands your attention. Though I'm little surprised in the climax the way director has shown in the different style of his movie making is good but still to be considered as an open ending from my view.

Acting Performances of VIJAY & KATRINA carries the whole film from start till end though the story doesn't demand much characters and supporting cast did a good job too.

Cinematography & Bgm is well good in some scenes and specially in climax music is on another level From storywise yes it has some unique way to present murder mystery with a few twist but still it is average as compared to director old filmography.

It's definitely a one time watch for cinema fans and those who love watching Sriram Raghavan's film......

A very slow burn ..by a exceptional director who thrives in movies of this genre. He has had made most of his material hit the spot...and usally word of mouth gets his movies to go up in viewership But in this one ..the buildup takes an entire first half that could have been easily chopped by 30 percent minimum.. but in the hindsight the buildup was needed for the so called surprise ending But a watchful viewer would have guessed it as we get into the last course It's a very decent story ...but it doesn't bangs like his previous work.

Actors are very honest to their art. Katrina does exceptionally well. Vijay is such a charm you ...just love watching him on the screen.

Only if there was more meat on the soup the celebration would have made it perfect merry cristmas.