Mandrake

This film opens with a woman running through woods (being chased by a mainly unseen being). This is never a good sign. If you've watched pretty much any handful of random horror films, you'll know that 'woman running through woods' is possibly the most overused cliché of the genre (with perhaps the teenagers having sex and dying being a close second).

That opening is a kind of warning of things to come. Some films thrive on having a low budget. The lack of money behind the picture forces the film-makers to use new and more subtle techniques to tell the story. Not here. This film has no budget and it shows in every scene.

It's about a team of archaeologists, sent somewhere in South America (like the location really matters!) to retrieve something for someone (again, such details are kind of pointless in the scheme of things). However, this 'South American' jungle looks suspiciously like some nice grassy fields in America. Plus the 'natives' also look a little Caucasian, considering they are supposed to have lived in the hot jungle all their lives.

The acting isn't all bad, but the dialogue is. Just because the film is set in a wood (sorry, jungle), the writers seem to want to make the characters talk like they're out of Predator. Yes, there's something hunting them, but whereas Predator used a monster that was actually there, the makers of Mandrake spent the entire $2.50 budget on some 'creepy' CGI tentacles. Woo.

If you like cheesy monster-munching movies, then you probably know plenty out there which will amuse and entertain (try things like Deep Rising, Tremors, or Grabbers to name but a few). Mandrake is not one of them.

The beginning of this made-for-Siffy movie starts out with a lot of promise, as far as Siffy Original movies go. The production values are high (comparatively speaking), the acting is good, the sound is synchronized with the video, there aren't any glaring, amateurish CGI effects, and the actors' names may tug at long-forgotten memories of low-budget movies you've seen in the past. Usually, in the first two minutes, I can tell if made-for-TV movies are worth watching or not, and, frankly, most of them aren't. The production values and special effects maintain their comparatively high standards (approaching the quality of a ST:TNG episode), but the acting, directing, and, especially, story end up dragging down the score substantially. I can't really blame the actors, because their characters were written to be really stereotypical, barely-developed fodder for CGI monsters. There isn't much you can do with that. I'm not sure how much of the blame lies on the director, either, because he, too, probably did the best he could with the material he was given. How do you make a movie about a CGI monster that hunts down a ruthless CEO and his nameless mercenaries, without it becoming one huge, boring cliché? I'm surprised the CEO didn't try to personally burn down the Amazon rain forest just for laughs, like a Captain Planet villain. Seriously, this movie is a live-action Captain Planet episode, with the same heavy-handed moralizing and 2D villains.

Oh well. With a better script, maybe this movie could have been good, but it's still watchable. Barely.

As far as these syfy movies, which range from adequate to terrible, go this is better than most. It does have an intriguing premise, and starts off very well. And for a syfy movie it actually looks quite good, with the scenery quite nice, the photography not looking completely slip-shod and the monster creepy-looking and giving an adequate sense of menace. As for the attacks, two or three were nail-biting and quite gory, but some of them are quite tame.

Despite the cool premise and twenty-five minutes of genuine atmosphere, Mandrake quickly becomes repetitive and predictable. The dialogue is fairly unimpressive mostly, with a number of cheesy moments that never ring true, and the direction while better than you would expect is patchy particularly towards the end where the film unravels in credibility. The film's pace is uneven, the beginning is very well-paced, but some of the middle drag and the end feels rushed. I didn't find myself connecting to any of Mandrake's characters, and in all honesty I don't think the actors did either.

In conclusion, better than expected but that's not saying very much. 4/10 Bethany Cox

An obsessed millionaire hires archaeologists, anthropologists and mercenaries, one of which does not exactly belong. But unfortunately, ancient tribesmen, some plant monster(s) and even their own boss eventually stand in their way.

Apparently Syfy films have been around for long enough for nostalgia as the natives will seem familiar to those who only hoped they could forget "Snake King"

But it doesn't end there! Because they added another villain; those who have witnessed such why-couldn't-it-be-forgettable films as "Cerberus" and "Raptor Island" will non-consentually feel a familiar feeling with the introduction of a heartless rich man, willing to murder his troops should they even consider getting in his path, slowing him, or on occasion not being the closest to the monster!

Ultimately many people die as you would expect, and naturally everyone you'd expect to die dies. The plant monster itself is an interesting idea but didn't contribute much more than, say, another giant or crocodile.

I wanted to like this movie, filmed in Shreveport, La. including a better cast than some of these SyFy movies have, but NO. Andre Stevens of Dallas fame and b-movie star produced this film it has some good special FX, and production values, yet the script never works, the actors never capture their characters. Watch it you sit thru the whole thing thinking wow this looks better than most Saturday Night flicks, even the monster is fairly cool looking, and when its over you'll think what happened to my last two hours. The actor from the Unit isn't bad but you just can't seem to connect to anyone in the film. A few inventive moments nothing more.