Potiche

The film is a washout.I can't for the life of me imagine why anyone would give this a good review, unless (as it would appear) they a) expected something terrible or b) it was a welcome relief from watching a spate of other movies at a festival. It is a fine tribute to Catherine Deneuve, stop. Well, maybe also a pleasant appearance and tribute to that vastly overweight, but also vastly likable and talented Depardieu. The acting otherwise was atrocious, the characters caricatures. The plot in itself was credible enough and could have been followed quite successfully to some conclusion, but then takes some uncalled for and inexplicable turns which don't do anything to resuscitate a hammy production. Avoid it unless your only other option is a colonscopy.

Based on a French play, Potiche (aka. Trophy Wife) is set in 1977. Suzanne Pujol (Catherine Deneuve), a 'trophy housewife', finds out she must step up to manage her tyrannical husband Robert's (Fabrice Luchini) umbrella factory after the workers go on strike and take him hostage. To everyone's surprise, Suzanne proves herself to be a very competent leader of action. Her adult son and daughter also start to take more interest in the workings of the factory. Things get complex, however, when she bumps into her old flame and local politician, Maurice Babin (Gérard Depardieu), and her husband returns to take back his job.

Whenever a film of recent years, like this one, try to fully capture the feel and style of a 70's film (or anything retro) with editing, camera tricks, and colors reminiscent of that era, I can't help but smile. Had I not known that this film was made in 2010, I could have been convinced that this was a film made in that decade. Of course, this is aside from the dead giveaways to the contrary with the appearances of well-known French actors who have obviously aged.

Directed by François Ozon (Swimming Pool), this is a well-done, entertaining and visually attractive satire. A mixture of pastel and hot colors permeate throughout the film, along with bell-bottoms, retro hairstyles, design patterns, and clothing. The colorful umbrellas in the film are perhaps a good reminder of Deneuve's older, famous film, The Umbrellas of Cherbourg. The colorful, playful, comedic tone of this film remains consistent, yet there are just enough complexities in the plot to keep the film from getting dull. Advertisement

Admittedly, there's something rather monotonous about casual adulterous relationships in French films. It's almost expected in a French comedy (Unlike in America, French must find adultery sooooo funny). Robert has a mistress who is also his secretary, Nadège (Karin Viard), whom Suzanne knows about. Nevertheless, Suzanne is content with her life at home as Robert provides for her, materially. Once Robert is taken hostage and Suzanne takes over as manager of the company, the secretary becomes one of her closest allies. Meanwhile, her son Laurent (Jérémie Renier) and her daughter, Joëlle (Judith Godrèche), help out on the company as well, which does bring the family together more than before.

Catherine Deneuve is quite likable in this film. It's hard not to cheer for the initially soft-spoken Suzanne. She is a cheerful character with a certain naïve optimism that makes her charming to people around her. And, well, she gets things done. Once she is proved to be a fairer and better leader than Robert, one can't help but be engaged in what she will do next. There is a side story regarding her past affair with Maurice (Depardieu), who still has feelings for her. The relationship between them does not take a typical turn, which I appreciated. While Robert comes off mostly as a buffoonish character, he isn't portrayed as someone to be simply reviled, thankfully.

Overall, this is a colorfully entertaining, satirical film with playful characters and a nice retro style. Catherine Deneuve is a lot of fun to watch, and while this is not a subtle film by any means, it has enough energy and humor to be engaging throughout.

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"Your job is to share my opinion." Robert Pujol (Fabrice Luchini) to his wife.

As you can tell from the trailers and the above quote, Suzanne Pujol (Catherine Deneuve) will not remain a potiche (Trophy wife) for long in Potiche, a fluffy satire of the late '70's fascination with the feminist movement. It's a lightweight look at the emergence of a woman to run the family business in a style that melds conservative and liberal values in the form of negotiations with unions and meaningful dialogue.

The soft touch of director Francois Ozon is evident in almost every frame, from Suzanne's modest but flattering outfits to her soothing charm that binds friends and family in a humanity coming partly from her considerable beauty, even as a middle-aged woman, and partly from a script that leans to the left with good cheer.

Along the way writers Pierre Barillet and Jean-Pierre Gredy (both successful with Just Go with It) guarantee Suzanne will triumph in the factory and a coda that looks ahead to Hillary Clinton. Although none of the dialogue is memorable and some of the setups sophomoric, the film retains its respect for her and the mission of feminism. The sweetness of it all is that despite her philandering husband, Suzanne has a checkered past as well, making for a balanced battle of the sexes.

Unfortunately this movie is one of these movies you just want to forget about it. As usual Dépardieu saves the movie to get the pass (well the pass... 4/10), but the rest of the crew are quite dull in any sense.

The comedy is inspired in 1977/1978 in France, in the rise of the feminist. It will be nice if the director uses the 70's as a good scenario, but instead he only displays few 1970's cars and does it.

The poor sense of humor makes the movie almost unwatchable.

In the last years I have watched almost 300 movies, this is one of the worst.

Gabriel Renom

Of course I was a bit on the defensive having tickets for a film starring several famous actors with a long history in major roles, like Catherine Deneuve and Gerard Depardieu. Though fearing a sort of reliving-past-glories event, embarrassing for actors and viewers alike, it was a relief that I was proved wrong in my expectations. My final conclusion is that the film is entertaining throughout, after starting a bit weak. As a result it will entertain a large population of viewers.

The only minus points I have lie in the first 15 minutes. Especially the opening scene did not bode well for the rest. We see Catherine jogging and interacting with animals. Subsequently, in the same 15 minutes, my worst feelings seemed further confirmed because of a few scenes with family members. It showed a lot of overly emphasized role playing, each doing his very best to highlight the bad elements of their respective characters.

Past that opening exposition of main characters, the story took off and kept us all awake for the remainder of the time. What happens with the members of the family and the people around them, is very diverse and full of surprises. None of it can possibly be predicted.

An array of developments and complications unfold. All of these build on the good and bad psychological properties shown earlier, together making up the main character roles. In spite of what I said before, we see that aforementioned opening scenes are paying back, after all. The overacting that I observed in the opening scenes, may be only my imagination, being the result of my initial (wrong) attitude.