Aucun autre choix

Social media coaches haven't picked up on this employment strategy yet.

Finally a movie for all your jobless friends. Not only will they be entertained, they'll learn something. Just make sure they're not horticulture experts and that they don't own North Korean firearms.

Social commentary here is debatable. It doesn't really matter, though. Park Chan-wook is still endlessly creative with his material, from his camera angles to his editing.

While the opening scenes set up a thriller with a formula, you soon realize that it's comedic pathos that follows its own rhythm.

By the way, these are the effects of writing everything on your phone. Buy some notebooks once in a while.

Deeply inspired by the tradition of French classic thrillers, particularly Claude Chabrol, No Other Choice is a beautifully shot dark comedy that will please the fans of Parasite. This absurdist human drama unfolds within stunning woody interiors, enveloped in a lush, menacing forest-green palette. I loved the bold colour choices throughout the movie.

The film expertly immerses its characters in a menacing natural setting, evoking the ruthlessness of the animal kingdom. While the comedy outshines the crime intrigue, the story occasionally lacks momentum. Nevertheless, Park Chan-wook's inventive direction is absolutely incredible and beautiful.

The film No Other Choice portrays the unfolding of a most improbable event-serial murder-arising inevitably from circumstances that could happen to anyone: aging, unemployment, family troubles. From the moment I stepped into the black comedy the writer and director intended, I couldn't take my eyes off the screen for nearly three hours of running time. Not a single scene feels wasted; every moment seems meticulously crafted, inspiring admiration for the care put into its making. The aesthetic beauty characteristic of director Park Chan-wook-his mastery of harmonizing mise-en-scène and music-permeates every dark corner of the film. The occasional bursts of sharp, ironic humor are also exceptional.

We come to resent the phrase "there was no other choice" and those who use it as an excuse, yet at the same time, we feel deep compassion for the villains who struggle to do their best before their families and before life itself. In the end, the film delivers a powerful message: this question concerns us all.

Park Chan-wook delivers a witty, black comedy short that exposes the dehumanization of modern labor, blending humor and social critique in a visually precise, intelligent style. The film uses irony and paradox to highlight workplace contradictions, keeping audiences engaged while making a sharp commentary on contemporary work culture.

Despite its cleverness, the short runtime limits character and theme development, leaving some ideas only partially explored. Repetitive moments and compressed storytelling prevent the film from achieving a higher emotional or philosophical impact, keeping it just short of true brilliance.

Overall, No Other Choice is an impressive, visually polished critique of modern work that reflects Park Chan-wook's signature mastery of tone, irony, and social satire, making it a must-watch for fans of intelligent black comedy.

• Watched at the Toronto International Film Festival (TIFF) on Sept. 9, 2025 (First Watch)
• Format: Regular theatre
• Rating: 9/10

I could speak about this film for hours and it still wouldn't be enough. Director Park Chan-wook delivers something both unique and deeply characteristic of his style. Paired with actor Lee Byung-hun, the two create a remarkable actor-director synergy, a chemistry that permeates the film from start to finish.

This is a meticulously crafted work, filled with details and Easter eggs that practically demand a second viewing. I'm confident No Other Choice is one of those films that will not only hold up but reveal even more on rewatch-perhaps resonating even stronger the second time around.

Although the narrative moves at a deliberately slow pace, it never drags or feels dull. Instead, it pulls the viewer in, making you eager to follow the protagonist's strange journey-full of questions, twists, and unexpected turns-all leading to an ending that feels worth the wait.

Visually, the film is a feast. Its engaging sequences, combined with elegant editing and seamless transitions-often using dissolves-create a flow that feels both natural and artistic. Park's direction ties everything together masterfully, with the soundtrack standing out as one of the film's strongest elements. One sequence in particular, a tense confrontation involving multiple characters set against a track blasted at high volume, perfectly encapsulates the brilliance of this cinematic experience.