Deadline

I was enjoying this up until the last episode which was so excruciatingly irritating, full of plot holes and totally unsatisfying to the viewer.

I really feel completely conned by the ridiculous conclusion to this story!

It just made no sense.

Starts off really well in fact the first three episodes are excellent and then we come to the final episode and wow, it all goes very wrong ! The plot and backstory become very convoluted and confusing and to my absolute amazement, I didn't even bother watching the end. It's not like me to give up on a movie/ drama but it really did become lost and and an earlier night in bed was more appealing! S such a shame as the acting is excellent I'm so surprised that anybody thought this final episode would have a cut the mustard! Disappointing.

Just to follow-on what others have said -- the series was horrible, full of plot holes, unlikable characters, shoddy writing, and a ridiculous & telegraphed ending. I also wanted to reinforce another observation: for the plot to work the series has to create the DUMBEST detectives imaginable, not allowing them to have any thought of a forensic examination of phones, emails, laptops or any physical evidence whatsoever. Finally, I get the irritating sense that the writers want us to sympathize with the the sociopathic murderer, who in the end hectors us with this embarrassingly triumphant speech about how "nobody listened to me, now it's my time to speak." Eye-rolling, immature and completely self-absorbed writing.

I share the reviews already published about the stupidity of this story - especially the ridiculous final episode.

The lead is supposed to be an experienced investigative journalist but made errors that would not be made by such a person in real life.

Like others who have commented, I found the ending simply unbelievable..

Well the Budapest footage is quite nice. Though sadly not nice enough to compensate for the rest of this laughable farrago. And laugh I did, on more than one occasion. Probably not a great reaction when tension is meant to be the prevailing mood.

What's slightly frustrating is that Deadline is not without potential. However that potential is squandered on a script that really needs a few more drafts and a good script editor. As it is, what's been sent into production comes across as a rush job that papers over its flaws, perhaps in the hope that the viewers won't look too closely if the thing moves fast enough. The problem is that the absurdities we're expected to gloss over are just too glaring to ignore, an issue which accelerates as each episode progresses. By the final part you'll be hurling the remote at the screen in protest.

James D'Arcy almost saves the show by dint of his considerable acting chops, but his efforts are just not enough when the premise of the script is working against the cast from the outset.

Deadline wants to be a twisty-turny slow-burner with a killer finale - instead it's a poorly constructed house of cards that collapses in a welter of bathos.