Military experts, scientists and William Shatner use advanced equipment to track Navy "TicTac" UFOs, discovering unexpected insights about UFOs and spacetime reality.Military experts, scientists and William Shatner use advanced equipment to track Navy "TicTac" UFOs, discovering unexpected insights about UFOs and spacetime reality.Military experts, scientists and William Shatner use advanced equipment to track Navy "TicTac" UFOs, discovering unexpected insights about UFOs and spacetime reality.
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I don't want to rain on the filmmakers parade, as this is obviously a passion project, bt this could have been so much better & will leave many people cold.
A personal hate of mine was the somewhat nasuiting green screen backgrounds, they are very decent these days, but they're very over the top & overused here. Real locations are always a better idea & if you can't do that, have some visual flow between interviewees, here though, there were just too many different, jarring backdrops used. Another production note, the editing was at somewhat of a junior level & a few times quite clumsy, this will always make your film look cheap.
Shatner, Kaku & a few other high profilers have kindly lent their weight to lift A Tear In The Sky's profile, but to no great success. Shatner & Kaku sitting in front of more eye popping green screens & looking like they've just woken up from their afternoon naps do nothing to further whatever point is trying to be made & in the end it's all been said before.
We then meet our gallant group of investigative lads, who armed with the latest tech, try to capture what has already been captured, but just capturing it again with their own gear. This is the entire premise of the show, and it's up to you to decide whether it was a success or failure.
Then we have Caroline Cory, the chipper leader of our merry band of Ufologists & the one driving the cash grab truck, for, however genuine everyone's interest is here, the premise for this show is so fundamentally weak from the start, that anyone still awake by the end will be left wondering, what was the point of any of it?!?
Honestly, it's not terrible, but with all it's lofty intentions, it's nothing we all haven't seen before & done better.
A personal hate of mine was the somewhat nasuiting green screen backgrounds, they are very decent these days, but they're very over the top & overused here. Real locations are always a better idea & if you can't do that, have some visual flow between interviewees, here though, there were just too many different, jarring backdrops used. Another production note, the editing was at somewhat of a junior level & a few times quite clumsy, this will always make your film look cheap.
Shatner, Kaku & a few other high profilers have kindly lent their weight to lift A Tear In The Sky's profile, but to no great success. Shatner & Kaku sitting in front of more eye popping green screens & looking like they've just woken up from their afternoon naps do nothing to further whatever point is trying to be made & in the end it's all been said before.
We then meet our gallant group of investigative lads, who armed with the latest tech, try to capture what has already been captured, but just capturing it again with their own gear. This is the entire premise of the show, and it's up to you to decide whether it was a success or failure.
Then we have Caroline Cory, the chipper leader of our merry band of Ufologists & the one driving the cash grab truck, for, however genuine everyone's interest is here, the premise for this show is so fundamentally weak from the start, that anyone still awake by the end will be left wondering, what was the point of any of it?!?
Honestly, it's not terrible, but with all it's lofty intentions, it's nothing we all haven't seen before & done better.
No way the film was made by the woman as claimed, this is an obvious team of amateur filmmakers and just plopped her name on it. She also seems to be acting, and really comes off as trying to sell me a new kitchen utensil or something. There's no new interesting information here either. 2/10.
The moment the commander of the spaceship enterprise enters the screen, one should be alerted to the very real possibility that this show is not a documentary but just another idea on how to make cash out of the UFO debate. And as for Caroline Cory, really! I cant imagine a less sincere person to to compare this abomination: does she even know what UFO stands for? Please, could someone make a serious documentary about this subject and stop using it just to make money.
There were some fairly interesting things caught by the expedition, and a couple of the people working on the movie are very knowledgeable, but the horrendous, public domain soundtrack and sensationalising vocabulary used by Corey et al ruined what could have been a decent watch. Karaaaaaaaaaazy, increeeeeeeedible, worrrrrrrrrrrrrrrrrld changing, amaaaaaaaazing and woooooooooooow, the discoveries were not. Kind of interesting and worth following up on, they were. The tech nerd who owned most of the kit was great, but do all UFO movie makers go to the same History Channel sponsored film school? No wonder so many serious people still laugh at a very serious subject. Waaaaaaaaaaay overpriced at 4 bucks. The grift continues while we still remain in the dark about what a very real phenomena actually is. Shame.
Great movie, highly recommended. Several US Navy guys and a US Air Force guy join forces with a proven Producer (see Her earlier movies, Superhuman, E. T. Contact: They Are Here) to examine advanced aerial technologies.
I think this film is part of the mainstream drip drip disclosure: we don't know whether the users of these technologies (UAPs) might be neutral or good intentioned aliens, or bad aliens. This remains in vagueness, just like in the TV-reports.
The film does not even mention the possibility of unacknowledged, back-engineered secret space programs, which have been mentioned in several recent UFO-movies, although it does show some acknowledged advanced military technologies, as a possible explanation to the seemingly alien phenomena.
Mostly, the movie follows the new, politically correct speech of UAPs instead of UFOs, though the producer uses both expressions. They are not aerial and not phenonema: interdimensional and sentient beings.
I don't understand, why did they not have a look at high definition weather satellite data to check out that warmhole-like tear in the clouds?
Still, I do recommend for everyone to buy and watch this movie.
I think this film is part of the mainstream drip drip disclosure: we don't know whether the users of these technologies (UAPs) might be neutral or good intentioned aliens, or bad aliens. This remains in vagueness, just like in the TV-reports.
The film does not even mention the possibility of unacknowledged, back-engineered secret space programs, which have been mentioned in several recent UFO-movies, although it does show some acknowledged advanced military technologies, as a possible explanation to the seemingly alien phenomena.
Mostly, the movie follows the new, politically correct speech of UAPs instead of UFOs, though the producer uses both expressions. They are not aerial and not phenonema: interdimensional and sentient beings.
I don't understand, why did they not have a look at high definition weather satellite data to check out that warmhole-like tear in the clouds?
Still, I do recommend for everyone to buy and watch this movie.
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- 1h 28m(88 min)
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