Sundown

SUNDOWN is a new psychological mystery drama from director Michel Franco. The story follows a wealthy British family who is vacationing in Acapulco when a distant emergency disrupts their plans. The simmering tensions between the group members come to the fore as they try to figure out what is going on and how to deal with the situation. Tim Roth and Charlotte Gainsbourg give strong performances as the patriarch and matriarch of the family, respectively. The rest of the cast is also excellent. The film is slow-paced and gently suspenseful, with plenty of twists and turns to keep viewers guessing as to what is at the heart of the trouble in this family.

The dialogue in SUNDOWN is sharp and intelligent, with the characters often engaging in heated exchanges that reveal a lot about their relationships. The dialogue is one of the highlights of the film, as it allows the viewer to get a sense of who these people are and what they're going through. There are also some very funny moments, which help to lighten the mood in what is otherwise a tense film.

The cinematography is beautiful, with the sun-drenched Acapulco setting providing a stunning backdrop for the film's events. The use of light and shadow is also excellent, creating an atmosphere of suspense and foreboding that adds to the film's overall impact.

Themes such as family dynamics, secrets, and betrayal are explored in SUNDOWN, making it a thought-provoking and emotionally resonant film. The slow pacing may be a challenge for some, but those who stick with it will be rewarded with a complex and rewarding experience.

At the beginning, say, 20 minutes into the film I, like probably everybody else, kept thinking what an asshole. Right in the middle I made a decision I never want to be really rich or go to Mexico, even on a short holiday. At the end I realized it was the best film about the fear of death I've ever seen.

An incredible character study masterfully played by Tim Roth. SUNDOWN is a slow burn but beautifully shot, regardless of the paradisal surroundings. Those surroundings, ironically become more and more uncomfortable, too, as that burn starts to get hot, but never scalding.

Even though the mystery of Neil increases, there is never that "aha!" moment. That Roth expected diatribe shouting out the why's and wherefores in that incredible London accent of his. Instead, SUNDOWN provides a lazy tale of maddening degeneration, domestic beer, and, just perhaps, true love.

Totally worth watching. And totally entertaining. Totally wish, though, that the resolution was equally compelling.

Excellent, 'show don't tell ' example of movie making. A metaphor. An unreliable narrator.

Tim Roth is understated brilliance personified.

Michel Franco directs with great feeling and symbolism (the pig, upmarket and local Acapulco)

Greetings again from the darkness. How quickly we make assumptions and judge the actions of others. We all do it, and writer-director Michel Franco (NEW ORDER, 2020) seizes on this common human trait in this unconventional film centered on a man who simply doesn't act like we expect him to. Because of our tendencies to judge, Franco is able to confound, even frustrate us, by slowly revealing details that we wouldn't have guessed.

To pull this off, the filmmaker needs and receives a tremendous performance from Tim Roth. The actor takes a much different approach than his usual animated tic style, and here is exceedingly understated ... so much so that we are a bit uncomfortable watching him. He rarely speaks and seems distant from the others. The film opens with a family vacationing in Acapulco. They are clearly well-to-do folks, as evidenced by the stunning resort suite. Neil (Mr. Roth) and Allison Bennett (Charlotte Gainsbourg) are on holiday with two older kids Colin (Samuel Bottomley) and Alexa (Albertine Kotting McMillan). Our assumptions about what we are seeing are in full bloom, and that continues when Allison receives a call about a family tragedy.

As the family frantically packs and rushes to the airport for an early flight home, Neil claims to have left his passport at the hotel and will catch the next flight home. Instead, the film and Neil take a much different path ... one that leads to Neil becoming even more withdrawn. He moves into a cheap motel and spends his time lounging on the beach with a bucket of Coronas by his side. He befriends Berenice, a local played by Iazua Larios. Yet even then, Neil puts forth little effort to communicate. We keep asking, "What is wrong with him?" "What is he doing?" These are the same questions Allison asks when she returns to confront him.

As viewers, we are constantly revising the conclusions we previously jumped to as the details slowly eek out. This will likely cause frustration for some viewers, especially since Neil is not a likable guy - he just gives us nothing to relate to. Checking out from the pressures of one's life is never as romantic as it might sound, yet Neil seems extremely comfortable with his decisions. Class and cultural differences are at play here, and it's possible Roth and the film are at their best when answers aren't being provided. At least that's when the most tension is present. Franco's film is an unusual one, and certainly not one that everyone will appreciate, but he and Roth give us plenty to digest.

Opening in select theaters on January 28, 2022.