Kindling

Maybe it was more powerful because I was familiar with it beforehand.

I found it gripping. Compelling. I wanted to hear every word. I wanted to see and take in every scene from a photographic impact point of view. Both from the scenes value to the whole and its visual affect on my consciousness and emotions. Also as one whose whole life has been concerned with imagery. My early years were comics , were about stories in pictures , about visual impact and few words.

Interestingly from that point of view it was very powerful. I suspect without sound it would still work and the message would still be there. Then obviously silent movies had to have impact and get the story across , to keep you interested.

Kindling kept me glued to the screen in a trance.

Was it because I have had two near misses recently ? They say a cat has 9 lives and I have lost many including

Surviving Meningitis , leukaemia and Heart Attack.

So maybe it meant more to me than others.

You can safely be sure that it was a Film I totally related to from that point of view.

Then there is the loss of loved ones. I believe we live on in everyone we have ever met and shared time with. And they live on in us.

An unusual perspective on male emotion, Kindling is sensitively written, sympathetically directed and beautifully shot, with some excellent performances.

We follow the characters though a short summer and we are shown their depth and development as they come to terms with the sad reality of their loved one imminent passing.

The actors put in performances that show they really believe in the story this film is telling, so it is unfair to pick any individual out for praise, as they are all deserving.

And hats off to the young director, Connor O'Hara, who shines a light on this often hidden subject.

I defy you not to be moved by this thoughtful film.

"Sid" (George Somner) has had a terminal diagnosis and in light of this news, assembles four of his lifelong friends so they can all see him off in style. He's still perfectly mobile and so decides that he wants each of them to bring something that connects them and him to an almighty bonfire they will build so they can give love, friendship, family, setting and home all a baptism of fire. His plan is to ensure that this provides the ultimate memorial and it's as they set about this task that we discover what really makes these lads tick and take a look at just why their bond is so strong. Obviously, tensions and emotions are running high not just with his pals, but his parents Geoff Bell and Tara Fitzgerald are also having to deal with a man, not a boy, who is determined not to just sit indoors and wait. Things become even more complicated when he meets "Lily" (Mia McKenna-Bruce). There's an hint of romance but he decides to try to keep it secret from his friends and maybe his best pal "Diggs" (Wilson Mbimio) takes that hardest. In the end, though, the question of whether the group will emerge intact at their conflagration isn't really in doubt. Indeed, jeopardy isn't really the point here. It's a poignant exposition of male behaviour that demonstrates that men can have solid and enduring relationships with each other. They can be just as possessive, jealous and irrational as so many chick-flicks have shown us over the years, and there's something really quite honest about that, here. Somner delivers engagingly as does Mbimio and Bell as his troubled but stoic-minded dad and the story moves solidly along. There aren't many contemporary movies where men say "I love you" and it not make me grimace. Here - well it worked.

Kindling is the most uplifting film about death I've ever seen. Throughout the course of the story, we peer into these beautiful moments of serenity in companionship. Boys walking through a field just for the sake of it, a young man and women swimming in a lake, simply to swim, and a mother washing the dishes with a helpful man. Connor crafted this film from a very personal experience, as he too has lost people very dear to him. His maturity on the subject is truly the golden center of Kindling. Especially through the entourage of friends pouring out their emotions in some of the most vulnerable scenes I've seen on screen. I could go on... The acting is phenomenal. I personally found Geoff to stand out in his roll as the Father trying to connect. David Wright's Cinematography is stellar throughout giving a warm, safe atmosphere. Harry Brokensha's score swells with the emotional moments perfectly. Connor's script ties it all together. This film has some laughs, some awe, and plenty of tears. I couldn't recommend this enough.

One of the most beautifully shot pieces. The use of colouring and sound seal the atmosphere of vulnerability and also strength that give Kindling the essence of real human life and feeling.

The portrayal of male friendship and fatherhood unfurl the status quo in a tender manner that expresses the necessity for people to breathe, unfortified.

Somner's performance balances fear, wonder and bravery; every emotion one in Sid's position may experience. Bell's performance allows a deeper look into a father's love for his son, beyond the filter of stereotypes.

Last but not least, the complete capturing of 'home' and what it means. The fear of the unknown weathered by home: "I don't know where you're off to next, but here's a map of home."