The Wild Hunt

Larpers (more properly L.A.R.P.ers, i.e. Live-Action Role Players, i.e. folks that dress up like goblins and wizards and engage in foam-sword combat in the woods) have been one side of a cinematic love affair, of late. Documentaries like Darkon and Monster Camp try and peel back the fake fur and face paint to see the real people beneath, while comedies like Role Models see in the admittedly nerdy hobby a wellspring of both laughs and weirdly noble self-realization.

In director Alexandre Franchi's debut film The Wild Hunt, larping is something altogether more serious, and much more sinister. Erik Magnusson (Ricky Mabe), a Canadian born to an Icelandic father whom he now reluctantly cares for, is bothered by repeated dreams of a banging door and the sound of his girlfriend Evelyn (Tiio Horn) crying out in fear. Evelyn has left him for the weekend, to role play a princess in Erik's older brother Bjorn's larp-group, a viking and troll setting Bjorn (Mark A. Krupa) has all but disappeared into. To win her back, Erik must navigate the confusing, threatening larp world, where he discovers that some of the players aren't just escaping workaday responsibilities but are instead building a framework to work out some of their darker, more violent fantasies.

It's an enjoyable film, troubled by a difficult script. On the one hand it's enjoyably novel: setting a murder-and-revenge story amongst the assumedly meek, awkward foam-sword and teva-sandals crowd is an entertaining twist, and Franchi, helped enormously by good Gothic set dec and often beautiful cinematography by Claudine Sauvé is able to wring surprisingly high drama out of the whole thing. On the other hand, in building up to the grand guignol finale the film strains and struggles, testing credulity both in terms of character motivation and in terms of basic emotional mathematics: it's hard at points to understand why Erik doesn't just dismiss the whole mess and go home. That said, there's rather more of the former dark beauty than the latter character weirdness, and the film (especially as a Canadian film artifact) is massively enjoyable on its merits, of which there are plenty. Missteps along a very original path are easily excused. 8/10

I just finished watching this movie and I feel so happy I didn't miss it in the recent flood of low budget crap. Technically, "The Wild Hunt" can easily compete with 50 times more expensive movies (if the estimated budget of $300,000 listed on IMDb is true). Actors are less known, but they did helluva job. I'm trying right now to think of any drawbacks that I could put here, but nothing important comes to my mind. Maybe only that most of movie is going on in the dark. Also, action starts very late, so I had to fight with myself to survive first hour. Luckily I won, and the award was exciting finale. I was misled by it's trailer that it's a horror, but it's actually my mistake because it's clearly stated on it's IMDb page that it is a thriller/drama). Give it a try

I had the chance to see The Wild Hunt at TIFF in 2009. It was no surprise to later hear it had won the Best Canadian First Feature Film prize- it was one of the best and most surprising films I saw at the festival.

The Wild Hunt's premise is a young man naively entering a live-action role play (LARP) weekend in pursuit of his wayward girlfriend. There's some initial comedy in the fish-out-of-water concept, but real-life LARP aficionados needn't fear ridicule; the comedy is in the clash, not at the expense of players. The film in many ways actually celebrates this type of gaming and in more than a few instances defends it from common taunts.

From a simple beginning the story grows to a climax of epic proportions, bringing to mind Shakespearean levels of drama and tragedy. The Wild Hunt is an intelligent and impassioned exploration of fantasy and escapism, desire and obsession. Yet through all of this the film remains grounded in it's characters. One of the great strengths of the film is the realism and complexity at the heart of each role. You won't find any one-dimensional characters here. Instead we have very real people struggling with an escalating series of events, and the games quickly lose their innocence as people lose control.

The Wild Hunt is a truly remarkable film. The exploration of a blurring line between fantasy and reality is chilling, the performances are excellent, and from a technical standpoint it's equally well done. This is a film that will stay with you long after you leave the theatre- not only is it engaging to watch, but it leaves you with much to contemplate.

Reviews Of Unusual Size!

Re: An intense session of LARPing (Live Action Role Playing) gets out of control when a man breaks the veil of fantasy in an attempt to win back his girlfriend.

Outstanding: Some very strong performances here. Great sets and physical effects. Despite the dark tone of the film, there are some moments of humor. I love the poster.

Unacceptable: Some actors were a little questionable, but thanks to the blurring of reality and LARP life, that never impacted the emotion of the movie. Some reviewers claim that the world of LARPing is inaccurately portrayed. The music could be overbearing at times. I have no idea how Erik managed to speak in his angry viking voice the entire movie without losing his voice.

Summary: This was a very bleak film. I figured it would go down the path it took, but I was surprised at how cohesive the entire movie felt as a whole. There are some excellent performances, especially from the two brothers and the referee, who deserves more praise for her part. This is not a pleasant movie - it's almost Coen Brothers-esque and you wont leave it with a good feeling, but it is worth watching. An interesting take on the potential violence within us.

4/5

The story follows Erik, who "crashes" a LARP (Live-Action Role Play) camp in order to confront his estranged girlfriend, Lyn. The event is one that is held supposedly once a year, and the other role players are not pleased to have a modern non-player spoil their fun. Things escalate quickly during Erik's stay; acute conflicts arise between the players, and the game soon stops being a game and becomes a nightmarish brawl.

The main themes and motifs in the film are prevalent, yet not applied so thickly as to be too artsy and obtrusive to the enjoyment of the story. The most upholding traits to the film are the diverse characters and their realistic relationships with one another--Lyn literally says nothing about what she thinks, and even appears to be non-committal to her own feelings in the way she interacts with other characters. Erik is highly aggravated, brutally honest and unforgiving, yet he genuinely cares for Lyn's wellbeing, even though she shows no sort of reciprocation. And Bjorn, Erik's eccentric brother, is so in love with his Icelandic roots that he embraces the game as his reality, and cannot break the boundary between a time for play and a time for seriousness until it's too late.

I found myself trying to guess the next outcome in the string of events, and found that the story was, for the most part, unpredictable in a satisfying way. Just the right amount of popular archetypes were applied to the film to give it a comfortable feel of a typical story while infusing the realistic. Not all characters are heroes or villains, and not all humans see right and wrong in the same way.

I would recommend this film to just about anybody who wouldn't mind squirming in their seat, or watching something on the darker side. You won't necessarily feel like you just saw a double rainbow after watching this, but you may be able to walk away with something on the human condition.