The Iceman

With 2011's Take Shelter, Michael Shannon is proving to be a fascinating leading man. Just through his presence, he can convey that unstable line between sanity and insanity and bad and good. You can just tell his inner conflict is going to explode at boiling point. It's unfortunate that while Shannon certainly transforms into the 'iceman,' The Iceman's script doesn't call for much of his range. Instead, it's a moody gangster film that revels in the moments where it can step just beyond the clichés while still pressing all the standard buttons. It's interesting in these kinds of scenes where a mob boss forces an associate to give to a homeless person or Shannon lets James Franco's cameo pray to God just to see what happens. It's a well-acted film, particularly Winona Ryder standing out in the supporting cast and it's very slickly made. But the fundamental problem with the film is its rhythm. The editing is constantly hectic even at the smallest things. There's no natural fluctuations that give emotional moments gravitas or action moments excitement. It does end up fatiguing and it lessens the sense of journey and change. Nevertheless, it's still a wickedly entertaining thrill ride to the end, just blunt at its edges.

7/10

Greetings again from the darkness. Dramatizations are at their best when actual footage of the subject or event doesn't exist. They can be an effective way to highlight a particularly interesting story or person with details we might not otherwise access. Richard Kuklinski's story is fascinating and frightening. He is known as the mob's most prolific hit-man/contract killer. Writer/director Arial Vromen has adapted Anthony Bruno's novel for the screen, and wisely cast Michael Shannon in the lead. It makes a nice companion piece to the chilling 1992 documentary The Iceman Tapes: Conversations with a Killer.

The movie is dominated by the hulking presence of Shannon as Richard Kuklinski. Shannon is no match for the physical size of Kuklinski, but his movements and the camera angles capture the powerful and imposing monster that he was. If you are unfamiliar with Kuklinski's story, he killed somewhere between 100-250 people. His missions were carried forth in cold-blooded, heartless and widely disparate manners. Additionally, he often dismembered his victims and froze bodies and parts to prevent the actual time of death from being established. He was good at his job, but hardly a good guy. But wait! Not so fast ...

Kuklinski was also a husband a father of two daughters who made up what appeared to be a lovely, normal family in suburban New Jersey. This guy had an internal switch he flipped from the street to the dining room table. When he was captured, his wife and daughter claimed they had no clue what he did for a living (he had told them he was in Finance). Sure, they admitted to his having a wild temper and even threatening his wife a few times, but they never once considered that he was a cold-blooded killer by day and neighborly barbecue dad on weekends.

Winona Ryder plays Deborah, Kuklinski's wife. Before you roll your eyes, you should know that Ryder is exceptional in the role. Her tease in Black Swan gave us hope she had returned to form, but this turn displays the talent we always knew was there. The always dependable and creepy Ray Liotta is perfectly cast as Roy Demeo, the mobster for whom Kuklinski worked. The scenes with Shannon and Liotta together are bone-chillingly frightening. Chris Evans (light years from Captain America) plays fellow hit-man Robert Prongay aka Mr Freezy. Kuklinski credits Prongay with valuable insight into poison and disposal of bodies. It's heart-warming to see that even contract killers have support groups. Other support work comes courtesy of David Schwimmer as Josh (Demeo's right hand man), Robert Davi (as Leonard Marks. Demeo's link to the family head), James Franco (as one of the hits), and Stephen Dorff as Kuklinski's incarcerated brother Joey.

Childhood flashbacks give us the table-setting necessary to understand the balance of nature v nurture in the Kuklinski household. Still, no matter how much abuse or misery one has a child, it's difficult to comprehend the stoic evil that possessed Kuklinski. And to be clear, Michael Shannon's performance is his best yet ... and that is saying a great deal. He has become one of the most interesting actors - one who can take the lead as he does here and in Take Shelter, or as a scene-stealing supporter in Revolutionary Road, Mud and the upcoming Man of Steel (as General Zod). He's not a flashy actor, just an extremely talented one.

Vromen captures the gritty feel of the nearly three decades of "family" life in a manner that reminds of Kill the Irishmen ... the Ray Stevenson take on Danny Greene. The atmosphere and inner turmoil are similar, but there is no comparison the Kuklinski evil. Should you doubt this, I would highly recommend the documentary previously mentioned. Watching the actual dead eyes of the real Richard Kuklinski as he talks about his life is beyond horrifying.

Michael Shannon should get at least an Academy Award for his performance in this movie. This guy can act and you lose the person and totally see the characters he portrays. Reminds me of Daniel Day Lewis.

Anyway, I had never heard of this Kuklinsky person and it was interesting to see his story. The multiplicity of his lifestyle had to be a killer (no pun intended) to live out. I don't know of many actors who could go from one to the other so effortlessly. From cold-hearted killer to nice person to ragging man to loving husband and father. Michael Shannon can do this well. And those subtle expressions of his! They're great. Icy. Kind. Murderous.

I'm not a fan of Winona Ryder but I liked her portrayal of the Mrs. in this movie. She was believable and really had the suffering wife thing down.

While leaving the movie I ran into a gentleman who had watched the actual documentary of Kuklinsky's life and he said the movie was a good portrayal of the facts. That is a good thing to hear because this kind of story like lends itself to Hollywood sensationalism. And while some of that may have happened, it was a good movie about a bad man. Did I feel sorry for Kuklinsky at the end? Yes...well actually it was pity that I felt.

The Iceman a biopic based on New Jersey hit-man Richard Kuklinski who managed to murder at least 100 and possibly up to 250 victims in a span of almost 40 years.

Michael Shannon giving a strong performance as the hit-man with the calculating and creepy demeanor of a psychopathic killer with no conscience who can still flip the switch back to his life in the suburbs with wife and kids. Yet a shade of subtlety and pathos in his portrayal of Kuklinski that we can actually identify and take some interest in his struggles. With the exception of Winona Ryder who fits seamlessly as naive suburban housewife (and the 2 daughters) very unlikely to feel sympathy for the victims with the exception of one senseless killing. Mostly wiseguys, mostly scumbags. We're not all that mad at Kuklinski for the nasty stuff he's doing.

Ray Liotta a can't miss as a minor mob boss, all the acting first rate and the characters real. But the Iceman story is told without ice and without chasers, a gangster flick without sentiments real or phony thrown in. Viewers hoping to draw insights or conclusions from all the dead bodies might end up disappointed. The 'Iceman' moniker from his practice of freezing bodies to confuse the time of death.

My biggest question for Kuklinski would be, how do you get away with so many murders, so many different methods, places, people over a span of almost 40 years? In the true crime shows the perp makes one little slip in his only perfect crime and ends up in the slam.

The movie is what it is because I don't think there's all that much complex or new in a Kuklinski to learn. Abused growing up, turns to sociopathic super bully behavior as an adult to get what he wants and to survive. No genius but smart enough to know when to turn it down out in the suburbs. Kuklinski was an usher at mass every Sunday. They should have included that in the movie.

The Iceman was an enjoyable movie with very good acting, but ultimately quite unrealistic.

The Iceman, Richard Kuklinski, comes off as a very sympathetic character in the end, whereas in real life he truly was a cold emotionless and sociopathic killer. His family weren't so much cherished and loved as they were possessions that were his and his alone.

Much has been learned about sociopathy by interviewing Kuklinski, but unfortunately none of this was used to shape and portray his real character in the movie. Nonetheless, the movie is worth seeing, but more as entertainment than enlightenment about Kuklinski's life of crime.