Children of God

Is it that people are disappointed in the lack of sex or why is this pretty amazing first gay feature film from the Caribbean so much panned?

It's not the gay love story that's at the center here, but pseudo-Christian homophobia, and I would venture to say that no film has so far taken this issue to such lengths. True, that makes for a bulky watching experience, what with the issues all the characters have: The fag-hating preacher who is a closeted homosexual himself, his STD-infected wife who diverts her doubts into anti-gay action, the sensitive painter, the free-and-easy closeted opportunist... it really feels like a play, but quite intentionally so.

And none of these characters are so far away from reality - if you're from a hyper-Christian environment, then you will know for a fact how much hypocrisy and denial they endorse... a lot of preachers in my native Romania talk just as hateful as those in this film, and a lot of them are likely to be closeted homosexuals themselves.

'Children of God' is less of a story than a statement, so don't watch it if you're asking for serious character development or story structure in a film. However, if you're wondering how the equal rights issue can be addressed in an environment where PC doesn't protect you, then this is your film.

The Good; Lead actor is cute. A refection of how homophobia is alive in the Caribbean and fueled by religious hypocrisy. The Bad; The lead actor is obviously not gay and uses that to show a character who has so many odd personal issues. But all of his issues are inconsistent, ironic and for that cause very unrealistic in his bi-polar behavior (one minute he is timid and the next he is outspoken). Film starts with a white boy who is not privileged (and expressively so), from school situation to housing and the next he has a car and money to get around a pay a tour guide. Really!!!!!!!!!!!!!!! The conclusion was a cop out that lacked creativity and imagination.

I can understand a film being rushed for budget purposes, but time should be taken to rewrite and put a story together as a package before filming and not be a bunch of conflicting scenarios just to make a point. Did anyone bother to read and try to make sense of the whole script before committing to it?

I am not aware how strong is the state of repression and bigotry that governs or not Caribbean societies, but the director and writer of this film is a Bahamian; it is then a shame that the way he addresses these issues derives from a sitcom approach. This is enough to stall matters into a regressive political state.

The boys share a nice dance, and dancing the way they do it, popping out of bed instead of doing the sex routine, and do "how they feel like", as one of the two admonishes, is something we do not come to expect from gay themed movies. This much is true. It is also true that the soundtrack is good, but it is like it does all the work that should be put into a more cinematic approach.

The stories do not interconnect, they are left on the device of some sort of nebulous plea that should run by itself. And then, at the film's final spin, the script abandons its spine for an unabashed melodramatic, quasi-metaphysical last seal that brings the house down.

We then gather lines spoken before that foreground that sentimentalized last installment that comes out of and into the blue. This is bad, and it is a pity because the two leads are good, though Jonny Ferro is better by far.

And then the summer-drenched cinematography proves that colors only are God's children in this film, and humans fail to connect with them, unless it is at the moment of their death. This does not sing the blues, it is just irrelevant.

The characters in this film are all one-dimensional. They are divided into hateful bigots and joyous but equally obnoxious life force characters. And they constantly make speeches at each other. The only exception is the artist hero who is monosyllabic and apparently brain dead (only because he's repressed). Of course, he is redeemed in the end by the joyous life force guy. Why can't people in gay film fest pictures speak and act like real people? Everyone in this toothache of a cookie cutter gay film fest feature acts like he's on stage. How anybody could confuse this affliction with a good movie beats me. Only for the least discriminating of gay film fest attendees. Its IMDb may have something to do with the director's friends and relatives who seem to be legion.

This film tells the story of a shy white guy in Bahamas, who is bullied and outcast because of his homosexuality. He meets a handsome man during a trip to find inspiration for his paintings, and his life is changed forever.

It is probably the first time that I watch a film from the Bahamas, and I am fully blown away. First, the technical aspects are great. I can see they used really good equipment. The picture quality is sharp, and the shot of the moon is just so clear. The lens just for that shot must have cost a fortune! Second, the story is very intense. There are two stories, one main story about the white guy, and the other story about the church clergyman. These subplots dive deep into a land where being gay is hard. The active homophobia spread by some sectors of the society shatters lives in paradise. As one of the characters say, he spreads homophobia because it gives people a reason to unite. It is very sad but true.

I truly enjoyed watching "Children of God"". I have not expected the level of complexity and depth shown in this intense film, and I really hope it will find more audiences.