Raging Grace

When I sat down to watch the 2023 movie "Raging Grace", I thought I was in for a horror movie. Truth be told, I had never actually heard about the movie prior to sitting down to watch it, but the synopsis sounded interesting enough, and it was labelled as a horror movie. So of course I opted to give the movie a fair chance.

The storyline and narrative in "Raging Grace" was a bit of a swing and a miss. Sure, there were things in the script that seemed interesting enough, but the overall impression that director Paris Zarcilla left me with throughout the course of the 99 minutes that the movie ran for was a bland one.

There wasn't a whole lot happening throughout the course of the movie, and you need to go about 75 minutes into the movie before things actually start to take off. But nothing ever really happens, and the movie doesn't really take off. It was a rather anti-climatic viewing experience.

Writers Pancake Zarcilla and Paris Zarcilla didn't impress me with this 2023 movie. And it is a movie that will just quietly fade into oblivion and obscurity, because this is not a movie that will grace my screen a second time.

It was not because of the acting performances, not at all. Because the acting performances in the movie were good, and they definitely had some good actresses and actors on the cast list. I wasn't familiar with leading actress Max Eigenmann (playing Joy), but she really carried the movie quite nicely. And it certainly was nice to see actor David Hayman on the screen in his particular role and character.

"Raging Grace" is more of a thriller mystery than a horror movie. But calling it a thriller is actually stretching it a bit as well.

My rating of "Raging Grace" lands on a very generous four out of ten stars.

A Filipina immigrant woman named Joy (Max Eigenmann) ekes out a living in empty apartments with her daughter Grace (Jaeden Paige Boadilla) in England, where she works as a cleaner. One day, a chance encounter leads her to a mansion where she is hired by a strange woman (Leanne Best) to care for a dying elderly man (David Hayman). This seemingly good job eventually turns into a nightmare when she begins to discover the bizarre secrets hidden in the house and its inhabitants. The dark discovery threatens to destroy everything she's strived for and holds dear. A coming of rage film !.

Gothic horror and social drama come together in this film, winner of the Audience Award, the Young Jury Award, and the International Critics' Award at the Neuchâtel Fantastic Film Festival, as well as the Grand Jury Prize at South by Southwest.

An unacceptable horror film that mixes social drama, fantasy, surreal moments, twists, turns and chilling events. The cast is mostly unknown, except for veteran David Hayman, who gives a fine performance, already proven in his many other British films. David Hayman is a veteran secondary actor with a long career, an actor and director who studied at the prestigious Royal Scottish Academy of Music and Drama, being especially known for Sid and Nancy (1986), Rob Roy (1995), The Jackal (1997), Flood (2007), The Boy in the Striped Pajamas (2008), The Hollow Crown (2012), Burke and Hare (2010) Jack Ryan: Shadow Recruit (2014), Macbeth (2015), Viceroy's House (2017), Fisherman's Friends (2019), among others. The real protagonist is Max Eigenmann giving a fine performance as a hopeless, undocumented Filipina who survives as best she can in England and who lands a job as a care-worker for a terminal old man, securing a better life for her as well a her daughter. The latter is Jaeden Paige Boadilla, who despite her young age and being new to the acting field, she provides a very good and likeable performance.

¨Raging Grace¨ (2023) is the directorial debut of Anglo-Filipino Paris Zarcilla, and being inspired by the Roald Dahl story Matilda. The filmmaker opted for a mix of genres, ranging from horror to sociopolitical thriller, to tell a twisted story inspired by his own experience of the condescension, exploitation, and oppression faced by undocumented immigrants, always under the thumb of employers who consider themselves superior to them because of their bank balance or their skin color. Rating: 5.5/10. Acceptable and passable, the film will appeal to horror genre enthusiasts.

Did like this film , considering its the first feature film of the director , it is pretty good . The one way , seems to me , this movie would be much better , if there would be less attempts to make a half baked horror out of It and just make a decent psychological drama , the fundament for which was expertly prepared in the beginning of the film . Everything was there : nice acting ( little girl is amazing ))) , story , hardship and tragedy ... unfortunately , later the film started to move into the wrong direction of the cheap jump scares and chaotic visions ... Hopefully , this promising debut will lead to something better ...

I see a lot of people missing the point of the film by saying it disregards the topic of immigration. The director, Paris Zarcilla choose the horror genre having this issue in mind and in his heritage. There's a delightful play with tempo and rhythm in the film, as well as many details that have been carefully though of. The camerawork and editing give the movie a quality that is normally found in productions with larger budgets. It refuses to be a simple informative film about the topic of immigration that can be easily consumed, but rather opts for sudden jumpscares to allow the audience to feel the fright and uneasy situations immigrants have to go through. It reaches a subjective level and also has some beautifully symmetrical arrangements that give for a film with a couple of plot-twists.

"Joy" (Max Eigenmann) is struggling to find work and bring up her young daughter "Grace" (Jaeden Paige Boadilla) in a Britain where she has no legal status. That sends her down the agency cleaning route where she arrives at the large home of "Katherine" (Leanne Best) who is looking after her bedridden elderly uncle "Garrett" (David Hayman). Now her new employer knows nothing of the daughter, even though her's is a live-in appointment. It's only when "Katherine" has to go away for a weekend leaving the elderly man - and his medication - in her care, that "Grace" can be herself a bit more and we start to realise that there's something fishy going on. Indeed, a mishap with the pills starts to enliven this hitherto husk of a man and we soon start to wonder if "Katherine" isn't up to no good. The enigmatic "Garrett" is clearly no saint either, and though he befriends the curious and friendly "Grace" with hot chocolate, it's increasingly clear that he too has an agenda - especially when her mother is rounded up by immigration officials. Most of this film is actually unremarkable, but the last half hour or so does liven it up a little as all of the characters start to come into play and the story begins to pick up some pace. Hayman delivers quite well, keeping us guessing for a while about the true nature of his character, but the rest of the acting and the writing are neither here nor there and there is much too much preamble. The denouement reminded me a little of something Edgar Wright might have delivered, but otherwise it's not really much more than an OK watch.