Following two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.Following two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.Following two indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.
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Australia, awesome sound track, vampires, and vampire-hunters... who could ask for anything more?!?
The acting is fine and the sets are really pretty well done. So it's a little slow or odd here and there and so the "special effects" aren't the kind that cost $3 million--who really cares? It's not that kind of show (which the low-raters would realize if they were cool, but they're not, so don't even worry about their comments).
Did i mention the music? I'd watch it for the interesting and compelling soundtrack alone and want to specially thank Dan Luscombe, Gareth Liddiard, Michael Darren, Jemma Burns, and Leyla Varela (who most likely go unnoticed or under appreciated but who matter hugely): THANK YOU!!! (No, I have no connection with/don't know them, it's just hard to find new shows that feature sounds that are appealing and when I do find one, I very much appreciate it).
I predict this will be a cult classic (if it isn't already), so if you're down with that sort of thing, go make some popcorn and check it out.
The acting is fine and the sets are really pretty well done. So it's a little slow or odd here and there and so the "special effects" aren't the kind that cost $3 million--who really cares? It's not that kind of show (which the low-raters would realize if they were cool, but they're not, so don't even worry about their comments).
Did i mention the music? I'd watch it for the interesting and compelling soundtrack alone and want to specially thank Dan Luscombe, Gareth Liddiard, Michael Darren, Jemma Burns, and Leyla Varela (who most likely go unnoticed or under appreciated but who matter hugely): THANK YOU!!! (No, I have no connection with/don't know them, it's just hard to find new shows that feature sounds that are appealing and when I do find one, I very much appreciate it).
I predict this will be a cult classic (if it isn't already), so if you're down with that sort of thing, go make some popcorn and check it out.
Visually great, and an interesting setting, but it sort of comes across as ultimately, your cliche bad guy vampires vs some good guy underdogs... not too different to the many straight to video vampire movies.
There's some very heavy handed politics tossed in from the start, (the white people that came to Australia were all vampires apparently) which is clumsy and really, may be of interest to some people, but seems to be oddly shoehorned into the whole thing and is a bit obvious. The messaging could of been done, but may be a bit more subtlely.
The photography and setting is great, and it has a mad max feel.
Storyline wise, its nothing special. Some of the acting isn't great, though overall its ok.
Vampires are a bit cliche.
Overall, could have been better if the villains were a bit less 2D, and if more importance was given to the story than the political messaging.
There's some very heavy handed politics tossed in from the start, (the white people that came to Australia were all vampires apparently) which is clumsy and really, may be of interest to some people, but seems to be oddly shoehorned into the whole thing and is a bit obvious. The messaging could of been done, but may be a bit more subtlely.
The photography and setting is great, and it has a mad max feel.
Storyline wise, its nothing special. Some of the acting isn't great, though overall its ok.
Vampires are a bit cliche.
Overall, could have been better if the villains were a bit less 2D, and if more importance was given to the story than the political messaging.
I like the premise of Firebite - its a great take on an old and well exploited trope - and no doubt a useful way to make use of old opal mines to boot.
There is a BUT though, and that relates to script development, which for me doesn't make the most of either the setup or characters. There is also an air of predictability, but I can forgive it for that - mostly.
With more work this show could have easily been an 8, but for me the script limitations hold back and compromise it - that being said I'll keep watching to see how it might improve.
There is a BUT though, and that relates to script development, which for me doesn't make the most of either the setup or characters. There is also an air of predictability, but I can forgive it for that - mostly.
With more work this show could have easily been an 8, but for me the script limitations hold back and compromise it - that being said I'll keep watching to see how it might improve.
The Alt-Right idiots are spewing fake reviews, and the lefties will praise the 'indigenous content' without even watching.
And, this is one to watch. Yes, there is a bit of 'hard done by' in the writing for the Koori characters, but it's not over done, and it's there to show the characters have depth and feeling.
Some of the characters have a little too much cliche - the white cop implying the witness to an attack was drunk in episode 3 for example - but on the whole, it's no more then you'd expect to hear if you were privy to private conversations, and that's situations you see the characters in, private places, or where they thought they weren't being heard, or just school bullies being dickheads,..
Some of the acting is stilted, no doubt due to the experience level of some of the more local actors, with this show being the only experience listed on their credits pages.
Rob Collins, Shantae Brown-Cowan, Tessa Rose and Ngaire Pigram all stand out as actors to watch, here and in the future.
As for the technical arts, the sound is crisp and dialog clean, the visuals are fantastic, and the editing keeps the show paced along just fast enough, all working together well to keep the view in the story, rather then noticing the hard work done to get this level of production quality.
It's well worth a watch, even if just to form your own opinion, rather then follow the political effluencers comments.
And, this is one to watch. Yes, there is a bit of 'hard done by' in the writing for the Koori characters, but it's not over done, and it's there to show the characters have depth and feeling.
Some of the characters have a little too much cliche - the white cop implying the witness to an attack was drunk in episode 3 for example - but on the whole, it's no more then you'd expect to hear if you were privy to private conversations, and that's situations you see the characters in, private places, or where they thought they weren't being heard, or just school bullies being dickheads,..
Some of the acting is stilted, no doubt due to the experience level of some of the more local actors, with this show being the only experience listed on their credits pages.
Rob Collins, Shantae Brown-Cowan, Tessa Rose and Ngaire Pigram all stand out as actors to watch, here and in the future.
As for the technical arts, the sound is crisp and dialog clean, the visuals are fantastic, and the editing keeps the show paced along just fast enough, all working together well to keep the view in the story, rather then noticing the hard work done to get this level of production quality.
It's well worth a watch, even if just to form your own opinion, rather then follow the political effluencers comments.
Structurally quite flabby and endearingly cheap at times but Firebite is a genuinely interesting new take on vampire lore aided by some strong central characters (and performances) that really make it worth sticking with. A potential cult classic in the making.
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