Bhagya Lakshmi

So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.

Initially it was ok serial but now pathetic, can only say a third class play.

So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.

Initially it was ok serial but now pathetic, can only say a third class play.

So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.

Initially it was ok serial but now pathetic, can only say a third class play.

Useless.

An insult to human intelligence. Most characters are not believable as human beings. The only solace is that at least it provides employment to numerous people and helps them earn their bread and butter.

Before it was very nice, it was so interesting, now when lakshmi marriage arrangements started very very boring, feels like hit my head to the wall, worst directions and boring dialogues, pls I request to stop this serial immediately.

Simply they r expanding like elastic, and characters are not realistic. In real life this kind will not happen, pls stop this kind of serials in colors kannada, before it was very interesting, no characters are good, not real, director and script writers are very worst, now a days serials is not having good stories, no one can beat baduku Or mayamruga serials....

Please stop dominating women. They are no more such bad on society. We have seen many who have achieved... Even kids in serial insult mother. These are not educative but telling society kids that they can use techniques of blaming mother for kid non performance. Hopeless serial. We have stopped seeing this serial.

Two dominating women and two weakness sisters... Sisters are being used to portray to the society that women are useless. Please read stories of women achievers. We have seen IAS, IPS examples. Your serial is demotivating women's. Please revisit the story. Offlate many serials show dominating on women's.

Doesn't even deserves 1 star.

Laxmi Bhagya stands as a show that unfortunately undermines human intelligence and cultural integrity. It typifies the characteristics often found in Indian mega serials: exaggerated performances, excessive makeup, unremarkable music, and characters lacking depth. Regrettably, viewers are subjected to a recurring theme, where a naïve and selfless young woman's story intertwines with that of a wealthy, arrogant man - a narrative that feels all too familiar.

The show appears to lack logical consistency, creative originality, and any meaningful entertainment value. Laxmi, as a character, exudes a certain gullibility, placing blind trust in others while seemingly disregarding their needs. Her interactions with Rishi showcase a puzzling duality, shifting from heated confrontations to moments of unwarranted innocence.

Rishi, equally puzzling, boasts a flamboyant and impulsive demeanor, intriguingly falling for Laxmi despite his aversion to her personality. This quick transition from dislike to infatuation remains a perplexing element of the show.

The series is peppered with scenes that defy realism, leaving the audience questioning the narrative's credibility. Instances like the sudden, unceremonious marriage of Rishi and Laxmi or Laxmi's miraculous escapes from Maliksha's nefarious plots appear disjointed from reality.

Notably, Laxmi's inexplicable ability to sense danger when Rishi is at risk adds another layer of inexplicability to the story.

Production values and editing do not escape critique either. The sets, costumes, and background music appear lacking in finesse, leaning towards ostentatiousness rather than sophistication. The editing further contributes to a disjointed viewing experience, marked by continuity errors and technical glitches that hinder narrative flow.

In conclusion, Laxmi Bhagya, while attempting to captivate audiences, falls short in delivering a compelling, coherent, and polished narrative, ultimately leaving viewers with a sense of unfulfilled potential.